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The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript(...)
décembre 2008, Vienna, Los Angeles
The ideal museum ; practical art in metals and hard materials
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The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript pages in facsimile.
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In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as 'Radical design', this movement probed possibilities for visually transforming the urban environment. This publication surveys the work of these pioneering designers through nearly 70(...)
Radical: Italian design 1965-1985. The Dennis Freedman collection
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In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as 'Radical design', this movement probed possibilities for visually transforming the urban environment. This publication surveys the work of these pioneering designers through nearly 70 objects and architectural models — including rare prototypes and limited-production pieces.
Design, époques et styles
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Modernists of the early twentieth century were transfixed by the X-ray—a means of seeing through skin into systems of bones and tissue. What, nearly a century later, can X-rays reveal about the systems of modernism itself? 'Modern Management Methods' asks how the value of a building is produced through instruments of expertise, management ideologies, and historical narratives.
novembre 2019
Modern management methods: architecture, historical value, and the electromagnetic image
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Modernists of the early twentieth century were transfixed by the X-ray—a means of seeing through skin into systems of bones and tissue. What, nearly a century later, can X-rays reveal about the systems of modernism itself? 'Modern Management Methods' asks how the value of a building is produced through instruments of expertise, management ideologies, and historical narratives.
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Alfred Neumann (1900–1968) was a Czech architect whose work was wrought in the context of postwar modernism and the establishment of the State of Israel in 1948. Today, his influence and impact have been largely forgotten, but, in their time, Neumann’s original designs received praise and elicited controversy in almost equal measure, offering exciting new possibilities to(...)
Space packed: the architecture of Alfred Neumann
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Alfred Neumann (1900–1968) was a Czech architect whose work was wrought in the context of postwar modernism and the establishment of the State of Israel in 1948. Today, his influence and impact have been largely forgotten, but, in their time, Neumann’s original designs received praise and elicited controversy in almost equal measure, offering exciting new possibilities to the modernist mainstream.
Architecture, monographies
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Juan José Lahuerta’s Columns of Smoke series offers bold new readings of modernity and its key figures while redefining the connections between architecture, ornamentation, and the portrayal of both in print media. The third volume focuses on the Spanish architect Antoni Gaudí (1852–1926), whose spectacular fin-de-siècle bohemian modernism stood in revolutionary contrast(...)
Antoni Gaudi: ornament, fire, and ashes
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Juan José Lahuerta’s Columns of Smoke series offers bold new readings of modernity and its key figures while redefining the connections between architecture, ornamentation, and the portrayal of both in print media. The third volume focuses on the Spanish architect Antoni Gaudí (1852–1926), whose spectacular fin-de-siècle bohemian modernism stood in revolutionary contrast to the leading approaches of the day.
Théorie de l’architecture
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Giuseppe Pizzigoni, architect of classical and postwar modernism in northern Italy, owes his reputation to his connections with the Novecento movement, his independence from fascism, and his interest in innovative residential floor plans. Using redrawn plans of some 60 realized buildings, the design achievements are systematically analyzed, supplemented by explanations on(...)
The built work of Giuseppe Pizzigoni
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Giuseppe Pizzigoni, architect of classical and postwar modernism in northern Italy, owes his reputation to his connections with the Novecento movement, his independence from fascism, and his interest in innovative residential floor plans. Using redrawn plans of some 60 realized buildings, the design achievements are systematically analyzed, supplemented by explanations on the historical background, a systematic catalog, and up-to-date photographic documentation.
Architecture, monographies
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This publication is one of the few Western studies of modern African architecture. The architect Antoni Folkers calls into question the moralistic, simplified Western Modernism that has become stranded in the African savannah. The critique of the one-sidedness of Western architecture is not only theoretical, but also assumes a practical form in the pluriform and(...)
Modern architecture in Africa
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This publication is one of the few Western studies of modern African architecture. The architect Antoni Folkers calls into question the moralistic, simplified Western Modernism that has become stranded in the African savannah. The critique of the one-sidedness of Western architecture is not only theoretical, but also assumes a practical form in the pluriform and multi-coloured architecture of Africa.
Bauhaus issue 5 : tropics
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After 80 years, it’s back : BAUHAUS — the Bauhaus Dessau Foundation’s magazine! Everything from the Bauhaus world: essays, interviews and more. In this issue: How did the tropics act as an ideal of modernism? An international roster of writers explores aspects of the tropics, from nudity to pre-Colombian textiles to a cultural history of the bungalow as a global(...)
Bauhaus issue 5 : tropics
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After 80 years, it’s back : BAUHAUS — the Bauhaus Dessau Foundation’s magazine! Everything from the Bauhaus world: essays, interviews and more. In this issue: How did the tropics act as an ideal of modernism? An international roster of writers explores aspects of the tropics, from nudity to pre-Colombian textiles to a cultural history of the bungalow as a global architectural archetype.
Revues
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The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect's work and offers new and important perspectives on the history of modernism. Neil Levine places Wright's projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it(...)
The urbanism of Frank Lloyd Wright
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The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect's work and offers new and important perspectives on the history of modernism. Neil Levine places Wright's projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century.
Architecture, monographies
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Modernism in architecture and urban design has failed the American city. This is the decisive conclusion that renowned public intellectual Nathan Glazer has drawn from two decades of writing and thinking about what this architectural movement will bequeath to future generations. In From a Cause to a Style, he proclaims his disappointment with modernism and its impact on(...)
From a cause to a style : modernist architecture's encounter with the american city
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Modernism in architecture and urban design has failed the American city. This is the decisive conclusion that renowned public intellectual Nathan Glazer has drawn from two decades of writing and thinking about what this architectural movement will bequeath to future generations. In From a Cause to a Style, he proclaims his disappointment with modernism and its impact on the American city. Writing in the tradition of legendary American architectural critics Lewis Mumford and Jane Jacobs, Glazer contends that modernism, this new urban form that signaled not just a radical revolution in style but a social ambition to enhance the conditions under which ordinary people lived, has fallen short on all counts. The articles and essays collected here--some never published before, all updated--reflect his ideas on subjects ranging from the livable city and public housing to building design, public memorials, and the uses of public space. Glazer, an undisputed giant among public intellectuals, is perhaps best known for his writings on ethnicity and social policy, where the unflinching honesty and independence of thought that he brought to bear on tough social questions has earned him respect from both the Left and the Right. Here, he challenges us to face some difficult truths about the public places that, for better or worse, define who we are as a society. From a Cause to a Style is an exhilarating and thought-provoking book that raises important questions about modernist architecture and the larger social aims it was supposed to have addressed-and those it has abandoned.
Théorie de l’urbanisme