336 Résultats
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
Titre:
Sounding new media, immersion and embodiment in the arts and culture
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Sounding new media, immersion and embodiment in the arts and culture
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Acoustique
Acoustique
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livres
livres
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$34.95
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Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
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Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
Titre:
Night music, essays on music 1928-1962
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Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Night music, essays on music 1928-1962
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Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Classification:
livres
livres
Publication:
octobre 2009, Chicago
octobre 2009, Chicago
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
Titre:
Cracked media : the sound of malfunction
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Cracked media : the sound of malfunction
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Acoustique
Acoustique
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livres
livres
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$22.00
(disponible en magasin)
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is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
$22.00
(disponible en magasin)
Résumé:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Titre:
Christof Migone: sound, voice, perform
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$22.00
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is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Christof Migone: sound, voice, perform
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$22.00
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Résumé:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
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Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
Titre:
What remains of a building divided into equal parts and distributed for reconfiguration
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Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
What remains of a building divided into equal parts and distributed for reconfiguration
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Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Xenakis
Xenakis
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Since it was first published in 1981, Nouritza Matossian's perceptive book on Xenakis has helped students, musicians and audiences appreciate his music. She shares his Greek culture and interest in philosophy, and has chronicled vital discoveries in his work. A reserved man, he spoke frankly to her about his mysterious methods of composition, and his relationships with(...)
$54.99
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Since it was first published in 1981, Nouritza Matossian's perceptive book on Xenakis has helped students, musicians and audiences appreciate his music. She shares his Greek culture and interest in philosophy, and has chronicled vital discoveries in his work. A reserved man, he spoke frankly to her about his mysterious methods of composition, and his relationships with(...)
Titre:
Xenakis
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$54.99
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Since it was first published in 1981, Nouritza Matossian's perceptive book on Xenakis has helped students, musicians and audiences appreciate his music. She shares his Greek culture and interest in philosophy, and has chronicled vital discoveries in his work. A reserved man, he spoke frankly to her about his mysterious methods of composition, and his relationships with Varese, Messiaen, Le Corbusier and Boulez.
Xenakis
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Résumé:
Since it was first published in 1981, Nouritza Matossian's perceptive book on Xenakis has helped students, musicians and audiences appreciate his music. She shares his Greek culture and interest in philosophy, and has chronicled vital discoveries in his work. A reserved man, he spoke frankly to her about his mysterious methods of composition, and his relationships with Varese, Messiaen, Le Corbusier and Boulez.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Hearing has traditionally been regarded as the second sense—as somehow less rational and less modern than the first sense, sight. This publication explodes this myth by reconstructing the process through which the ear came to play a central role in modern culture and rationality.
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Résumé:
Hearing has traditionally been regarded as the second sense—as somehow less rational and less modern than the first sense, sight. This publication explodes this myth by reconstructing the process through which the ear came to play a central role in modern culture and rationality.
Titre:
Reason and resonance: a history of modern aurality
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Hearing has traditionally been regarded as the second sense—as somehow less rational and less modern than the first sense, sight. This publication explodes this myth by reconstructing the process through which the ear came to play a central role in modern culture and rationality.
Reason and resonance: a history of modern aurality
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Résumé:
Hearing has traditionally been regarded as the second sense—as somehow less rational and less modern than the first sense, sight. This publication explodes this myth by reconstructing the process through which the ear came to play a central role in modern culture and rationality.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$60.00
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Résumé:
This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and(...)
$60.00
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Résumé:
This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and(...)
Titre:
Audiovisuology compendium: see this sound
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This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and scientific comment. The list of definitions and terms elucidated by various prominent authors includes gesamtkunstwerk, music theatre, animation film, light shows, music videos, sound art, expanded cinema, text-image analogies, synchronization, electronic transformation and software.
Audiovisuology compendium: see this sound
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Résumé:
This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and scientific comment. The list of definitions and terms elucidated by various prominent authors includes gesamtkunstwerk, music theatre, animation film, light shows, music videos, sound art, expanded cinema, text-image analogies, synchronization, electronic transformation and software.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$24.95
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Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of(...)
$24.95
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Résumé:
Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of(...)
Titre:
Resonance: Essays on the intersection of music and architecture
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Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance.
Resonance: Essays on the intersection of music and architecture
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Résumé:
Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance.
Classification:
livres
livres
Publication:
avril 2007
avril 2007
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$29.95
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Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16(...)
$29.95
(disponible sur commande)
Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16(...)
Titre:
Bruce Russell: Left-handed blows: Writing on sound 1993-2009
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Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16 years reflects on sound, its role in culture, and Russell's thoughts toward a technique of incognito. Includes online essays, dialogs, liner notes, catalog contributions and most of the previously published contents of Logopandocy: the journal of vain erudition.
Bruce Russell: Left-handed blows: Writing on sound 1993-2009
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$29.95
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Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16 years reflects on sound, its role in culture, and Russell's thoughts toward a technique of incognito. Includes online essays, dialogs, liner notes, catalog contributions and most of the previously published contents of Logopandocy: the journal of vain erudition.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Acoustique
Acoustique
