Fazal Sheikh/Eyal Weizman: the conflict shoreline, colonialism as climate change in the Negev desert
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The village of al-'Araqib has been destroyed and rebuilt more than 70 times in the ongoing "Battle over the Negev"--the Israeli state campaign to uproot the Palestinian Bedouins from the northern threshold of the desert. Unlike other frontiers fought over during the Palestine conflict, this one is not demarcated by fences and walls but by shifting climatic conditions. The(...)
Fazal Sheikh/Eyal Weizman: the conflict shoreline, colonialism as climate change in the Negev desert
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The village of al-'Araqib has been destroyed and rebuilt more than 70 times in the ongoing "Battle over the Negev"--the Israeli state campaign to uproot the Palestinian Bedouins from the northern threshold of the desert. Unlike other frontiers fought over during the Palestine conflict, this one is not demarcated by fences and walls but by shifting climatic conditions. The threshold of the desert advances and recedes in response to colonization, cultivation, displacement, urbanization and, most recently, climate change. In his response to Sheikh's Desert Bloom series, Israeli intellectual and architect Eyal Weizman's essay incorporates historical aerial photographs, contemporary remote sensing data, state plans, court testimonies and 19th-century travelers' accounts, exploring the Negev's threshold as a "shoreline" along which climate change and political conflict are entangled.
Monographies photo
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viii, 182 pages : illustrations ; 22 cm
Montréal : Black Rose, ©1998.
Intertwining : landscape, technology, issues, artists / John K. Grande.
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viii, 182 pages : illustrations ; 22 cm
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Montréal : Black Rose, ©1998.
livres
$37.95
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In ''Camera Geologica'' Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements(...)
Camera Geologica: An Elemental History of Photography
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In ''Camera Geologica'' Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
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juillet 2024
Théorie de la photographie
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums(...)
Voluntary detours: small town and rural museums
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums very differently. Case studies include the World Famous Gopher Hole Museum, Fort Chipewyan Bicentennial Museum, Blackfoot Crossing Historical Park, and the Museum of Fear and Wonder. A key chapter analyzing sites devoted to resource extraction explores how these places promote settler colonial understandings of land use. By contrast, Indigenous museums and cultural centres defy colonial messages in displays that adapt and refuse conventional museum formats. Honouring local, rural, and Indigenous knowledge, 'Voluntary Detours' enriches critical accounts of the past, present, and future of museums.
Muséologie
Rehearsals for living
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from(...)
Rehearsals for living
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here. Ths book is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.
Social
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Beginning with the earliest human occupation of North America, nearly 14,000 years ago, Nelles takes us on a whirlwind tour of the land and its inhabitants to the present day. Canada's enduring theme, he argues, is transformation. The country has undergone several fundamental changes-from Aboriginal occupation, to French and British colonization, to the rise of an(...)
A little history of Canada: second edition
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Beginning with the earliest human occupation of North America, nearly 14,000 years ago, Nelles takes us on a whirlwind tour of the land and its inhabitants to the present day. Canada's enduring theme, he argues, is transformation. The country has undergone several fundamental changes-from Aboriginal occupation, to French and British colonization, to the rise of an independent nation and distinct society-and it is doing so yet again. Fully revised throughout, this updated edition incorporates the latest research that helps us understand the course of history. A new concluding chapter unpacks the challenges that the country has faced in the twenty-first century: Canada-US relations post 9/11, the country's place within the global economy, a continuous influx of immigration, and the geographical consequences of global warming. Lively and opinionated, this is the ever-evolving story of a nation.
Architecture du Canada
livres
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248 pages : illustrations, maps, 1 portrait ; 24 cm
Edinburgh : Keele University Press, ©1997.
Ecology and empire : environmental history of settler societies / edited by Tom Griffiths and Libby Robin.
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248 pages : illustrations, maps, 1 portrait ; 24 cm
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Edinburgh : Keele University Press, ©1997.
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The photographs and essays in this combination artist book and monograph reveal the invisible histories of human enterprise, idealism and trauma embedded in the work by Berlin artist Stephanie Kloss. Eight bodies of work in black and white and color made in locations as diverse as Israel, Japan, the United States, Germany and Greece, from 2006 to 2014, explore the mythos(...)
Stephanie Kloss: Weltausstellung
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The photographs and essays in this combination artist book and monograph reveal the invisible histories of human enterprise, idealism and trauma embedded in the work by Berlin artist Stephanie Kloss. Eight bodies of work in black and white and color made in locations as diverse as Israel, Japan, the United States, Germany and Greece, from 2006 to 2014, explore the mythos and utopianism of architecture. An idyllic Canary Island bears scant traces of Otto Muehl s Actionist commune and sexual crimes; the mute currents of the Mississippi Delta belie its devastation first by Hurricane Katrina and subsequently by the BP oil spill. The commonality and one could say, colonization of modernist architectural form rather than the peculiarities of place, nation or time seems to attract her lens. In Weltausstellung, Kloss speaks a collective photographic language that warns against the ease and peril of forgetfulness.
Monographies photo
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From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. This book first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by(...)
Decolonizing design: A cultural justice guidebook
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From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. This book first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories. A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today.
Social
livres
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218 pages : illustrations, maps ; 22 cm
Cambridge, Mass. ; London, England : Harvard University Press, ©2013.
Gandhi's printing press : experiments in slow reading / Isabel Hofmeyr.
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218 pages : illustrations, maps ; 22 cm
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Cambridge, Mass. ; London, England : Harvard University Press, ©2013.