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xxvii, 248 pages : illustrations, maps ; 23 cm.
Washington, D.C. : Catholic University of America Press, ©1996.
The restoration of the Monastery of Saint Martin of Tournai / Herman of Tournai ; translated with an introduction and notes by Lynn H. Nelson.
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xxvii, 248 pages : illustrations, maps ; 23 cm.
livres
Washington, D.C. : Catholic University of America Press, ©1996.
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During US colonial rule in the Philippines, reinforced concrete was used to the near exclusion of all other building materials. In Concrete Colonialism , Diana Jean S. Martinez examines the motivations for and lasting effects of this forgotten colonial policy. Arguing that the pervasive use of reinforced concrete technologies revolutionized techniques of imperial(...)
Concrete colonialism: Architecture, urbanism, and the US imperial project in the Philippines
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During US colonial rule in the Philippines, reinforced concrete was used to the near exclusion of all other building materials. In Concrete Colonialism , Diana Jean S. Martinez examines the motivations for and lasting effects of this forgotten colonial policy. Arguing that the pervasive use of reinforced concrete technologies revolutionized techniques of imperial conquest, Martinez shows how concrete reshaped colonialism as a project that sought durable change through the reformation of environments, colonial society, and racialized biologies. Martinez locates the origins of this material revolution in the development of Chicago, highlighting how building this urban center atop exceptionally challenging geology made it possible to transform diverse global ecologies. She details how the material's stability, plasticity, strength, and other qualities served the shifting imperatives of the US colonial regime, playing a central role in defending territory, controlling disease, and constructing monuments to nation and empire. By describing a world irreversibly remade, Martinez urges readers to consider how colonialism persists--in concrete forms--despite claims of its conclusion.
Théorie de l’architecture
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''Tree by tree'' is a warning and a toolkit for the future of forest recovery. Scott J. Meiners investigates the critical biological threats endangering tree species native to the forests of eastern North America, providing a needed focus on this plight. Meiners suggests that if we are to save our forests, the first step is to recognize the threats in front of(...)
Tree by tree: Saving North America's eastern forests
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''Tree by tree'' is a warning and a toolkit for the future of forest recovery. Scott J. Meiners investigates the critical biological threats endangering tree species native to the forests of eastern North America, providing a needed focus on this plight. Meiners suggests that if we are to save our forests, the first step is to recognize the threats in front of us. Meiners focuses on five familiar trees—the American elm, the American chestnut, the eastern hemlock, the white ash, and the sugar maple—and shares why they matter economically, ecologically, and culturally. From outbreaks of Dutch elm disease to infestations of emerald ash borers, Meiners highlights the challenges that have led or will lead to the disappearance of these trees from forests. In doing so, he shows us how diversity loss often disrupts intricately balanced ecosystems and how vital it is that we pay more attention to massive changes in forest composition. With practical steps for the conservation of native tree species, ''Tree by tree'' offers the inspiration and insights we need to begin saving our forests.
Théorie du paysage
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Elaborately conceived, grandly constructed insane asylums�ranging in appearance from classical temples to Gothic castles�were once a common sight looming on the outskirts of American towns and cities. Many of these buildings were razed long ago, and those that remain stand as grim reminders of an often cruel system. For much of the nineteenth century, however, these(...)
juin 2007, Minnieapolis, London
The architecture of madness : insane asylums in the united states
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Elaborately conceived, grandly constructed insane asylums�ranging in appearance from classical temples to Gothic castles�were once a common sight looming on the outskirts of American towns and cities. Many of these buildings were razed long ago, and those that remain stand as grim reminders of an often cruel system. For much of the nineteenth century, however, these asylums epitomized the widely held belief among doctors and social reformers that insanity was a curable disease and that environment�architecture in particular�was the most effective means of treatment. In The Architecture of Madness, Carla Yanni tells a compelling story of therapeutic design, from America�s earliest purpose�built institutions for the insane to the asylum construction frenzy in the second half of the century. At the center of Yanni�s inquiry is Dr. Thomas Kirkbride, a Pennsylvania-born Quaker, who in the 1840s devised a novel way to house the mentally diseased that emphasized segregation by severity of illness, ease of treatment and surveillance, and ventilation. After the Civil War, American architects designed Kirkbride-plan hospitals across the country.
Terra Infecta
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In ''Terra Infecta'', Andrea Bagnato tells an unfamiliar story about a well-known place. Since the early days of tourism, the cities and landscapes of Italy have been bywords for beauty and grandeur. But, at home and abroad, the same places have also been haunted by associations with disease and uncleanliness, often more to do with politics than conditions on the(...)
Terra Infecta
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In ''Terra Infecta'', Andrea Bagnato tells an unfamiliar story about a well-known place. Since the early days of tourism, the cities and landscapes of Italy have been bywords for beauty and grandeur. But, at home and abroad, the same places have also been haunted by associations with disease and uncleanliness, often more to do with politics than conditions on the ground. In this gripping narrative study, Bagnato shows how the modern quest for sanitation shaped Italy’s urban and rural landscapes, propelling major transformations from the draining of the wetlands around Venice, to demolitions and replanning in Naples, to the expulsion of the inhabitants of ancient Matera. He argues that current north–south inequalities are founded on spurious medical narratives, and focuses on the real impact on the people caught in their ministrations. Ranging from Italian unification to the aftershocks of Covid-19, and drawing on architectural records, medical history, and the author’s own travels, ''Terra Infecta'' reveals the lived realities of grand schemes, traces of vanished communities, and forgotten histories of collective organisation and resistance.
Théorie de l’architecture
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Thirteen Postcards of illustrations from the book of narrative poetry We Will Be Fish. These images are compiled from turn-of-the-century mail-order catalogs, medical & zoological textbooks, and engineering diagrams. We Will Be Fish is a collection of narrative poems and illustrations, which can be viewed here, published by Pistol Press in 2008. It was listed for the(...)
JP King : 13 postcards from the book We will be fish
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Thirteen Postcards of illustrations from the book of narrative poetry We Will Be Fish. These images are compiled from turn-of-the-century mail-order catalogs, medical & zoological textbooks, and engineering diagrams. We Will Be Fish is a collection of narrative poems and illustrations, which can be viewed here, published by Pistol Press in 2008. It was listed for the 2008 ReLit Awards and 2009 Expozine Awards, and a top ten seller at Drawn & Quarterley in 2008. The story follows the life of Leopold Canary, who loses his wife to sleeping sickness and gets tangled up in a government scam covering the truth behind the disease. He goes on to try and find his place in other small towns, at times working as an appliance designer, a self-appointed dentist, and the guide of his own basement museum. With thirteen cards you can choose your favorites for the fridge and use the rest to tell your grandma about all the nifty things you've been up to as of late.
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully(...)
Breathing space: The architecture of pneumatic beings
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time. However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.
Théorie de l’architecture
Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links(...)
Théorie de l’urbanisme
mars 2003, London / New York
Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links the suppression of the creative, liberal Weimar Berlin in the 1931 film "Berlin Alexanderplatz" to the rise of the Nazi regime and the end of one of the great eras of modernist experimentation in German visual culture; Jessie Labov considers Kieslowski’s treatment of the Warsaw housing blok in "Dekalog" in terms of Solidarity’s strategy of resisting totalitarianism in 1980's Poland; Allan Siegel examines the motif of the city in a broad range of American and international cinema to demonstrate how film and society since the 1960's have been driven by the fading of mass political radicalism and the triumph of privatization and capital; Paula Massood uses the socially illuminating theories of Mikhail Bakhtin to examine the representation of the ghetto and urban underclass in recent African-American films such as "Menace II Society"; and Matthew Gandy examines the focus on disease in Todd Haynes’s "[Safe]" as a metaphor for social and spatial breakdown in contemporary Los Angeles.
Théorie de l’urbanisme
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
Théorie de l’architecture
janvier 2005, Minneapolis
Filth : dirt, disgust, and modern life
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
Théorie de l’architecture
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Industrialization created cities of Dickensian squalor that were crowded, smoky, dirty, and disease-ridden. By the beginning of the twentieth century, urban visionaries were looking for ways to improve living and working conditions in industrial cities. In "Invented Edens", Robert Kargon and Arthur Molella trace the arc of one form of urban design, which they term the(...)
Architecture écologique
octobre 2005, Cambridge (MA), London
Invented Edens : techno-cities of the twentieth century
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Industrialization created cities of Dickensian squalor that were crowded, smoky, dirty, and disease-ridden. By the beginning of the twentieth century, urban visionaries were looking for ways to improve living and working conditions in industrial cities. In "Invented Edens", Robert Kargon and Arthur Molella trace the arc of one form of urban design, which they term the techno-city : a planned city developed in conjunction with large industrial or technological enterprises, blending the technological and the pastoral, the mill town and the garden city. Techno-cities of the twentieth century range from factory towns in Mussolini's Italy to the Disney creation of Celebration, Florida. Kargon and Molella show that the techno-city represents an experiment in integrating modern technology into the world of ideal life. Techno-cities mirror society's understanding of current technologies and, at the same time, seek to regain the lost virtues of the edenic pre-industrial village. The idea of the techno-city transcended ideologies, crossed national borders, and spanned the entire twentieth century. Kargon and Molella map the concept through a series of exemplars. These include Norris, Tennessee, home to the Tennessee Valley Authority; Torviscosa, Italy, built by Italy's Fascist government to accommodate synthetic textile manufacturing (and featured in an early short by Michelangelo Antonioni); Ciudad Guayana, Venezuela, planned by a team from MIT and Harvard; and, finally, Disney's Celebration - perhaps the ultimate techno-city, a fantasy city reflecting an era in which virtual experiences are rapidly replacing actual ones.
Architecture écologique