2065 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Robert Duchesnay
Fonds Robert Duchesnay
Numéro de référence:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Personnes et institutions:
Date:
1985-1992
1985-1992
Titre:
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1985-1992
1985-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Personnes et institutions:
Date:
2002-2015
2002-2015
Titre:
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2002-2015
2002-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Personnes et institutions:
Date:
1988-1991
1988-1991
Titre:
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Niveau de description archivistique:
Project
Project
Date:
1988-1991
1988-1991
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Personnes et institutions:
Date:
entre 1929 et 1946
entre 1929 et 1946
Titre:
Diverses publications
Actions:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Diverses publications
Actions:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Classification:
documents textuels
documents textuels
Date:
entre 1929 et 1946
entre 1929 et 1946
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Personnes et institutions:
Date:
circa 1964
circa 1964
Titre:
Control Tower, Toronto International Airport, Mississauga, Ontario (1958-1964)
Actions:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Control Tower, Toronto International Airport, Mississauga, Ontario (1958-1964)
Actions:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Niveau de description archivistique:
Project
Project
Date:
circa 1964
circa 1964
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Personnes et institutions:
Date:
1966-2017
1966-2017
Titre:
Roderick Robbie Katimavik project records
Actions:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Roderick Robbie Katimavik project records
Actions:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1966-2017
1966-2017
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Personnes et institutions:
Date:
1984-2003
1984-2003
Titre:
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1984-2003
1984-2003
Personnes et institutions:
Classification:
événements
événements
Description:
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
30 mai 2013, 18h
30 mai 2013, 18h
Titre:
« Friends and Enemies of Mies’s Mansion House Square »
Actions:
Description:
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
« Friends and Enemies of Mies’s Mansion House Square »
Actions:
Description:
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
Classification:
événements
événements
Date:
30 mai 2013
18h
30 mai 2013
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
dessins
dessins
Numéro de référence:
AP046.S1.1983.PR01.297
Description:
This file includes parts list for frames and doors by D'Acier Anjou Inc., joint and louver details by Construction Specialties Limited, and supports by Classic Metal Inc.
AP046.S1.1983.PR01.297
Description:
This file includes parts list for frames and doors by D'Acier Anjou Inc., joint and louver details by Construction Specialties Limited, and supports by Classic Metal Inc.
Personnes et institutions:
Date:
1987
1987
Titre:
Technical drawings, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.297
Description:
This file includes parts list for frames and doors by D'Acier Anjou Inc., joint and louver details by Construction Specialties Limited, and supports by Classic Metal Inc.
Technical drawings, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.297
Description:
This file includes parts list for frames and doors by D'Acier Anjou Inc., joint and louver details by Construction Specialties Limited, and supports by Classic Metal Inc.
Classification:
dessins
dessins
Date:
1987
1987
Personnes et institutions:
Classification:
dessins, photographies
dessins, photographies
Numéro de référence:
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
Personnes et institutions:
Titre:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins
Actions:
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins
Actions:
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
Classification:
dessins, photographies
dessins, photographies
Personnes et institutions:
