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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman(...)
EVENTS: situating the temporary
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The Amsterdam-based design office of EventArchitectuur has been active in the fields of exhibition and interior design and temporary architecture for more than 20 years, with their projects and interventions present in Berlin, Paris, New York and many other locations world-wide. In this substantial book, designed by the Dutch design studio Experimental Jetset, Herman Verkerk and his team dedicate their knowledge and experience to the design community. With contributions by Bernard Tschumi, Beatriz Colomina, Dirk van den Heuvel, Ellen Blumenstein and many others, topics comprise time-based narrative architecture, the architecture of events, display in public context, building-related landscape and many others. This approach makes the book a content-driven tool of communication and knowledge.
Architecture, monographies
livres
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This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James(...)
Théorie de l’architecture
septembre 1997, London
Theories and manifestoes of contemporary architecture
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This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James Stirling, Robert Venturi, Colin Rowe, Christopher Alexander, Frank Gehry, Reyner Banham, Bernard Tschumi, Rem Koolhaas and many others who have changed the discourse of architecture. Here also are the anti-modern texts of the traditionalists - Leon Krier, Demetri Porphyrios, Quinlan Terry, Prince Charles and others. Many of these texts are concise, edited versions of influential books. Reprinted in 2003.
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septembre 1997, London
Théorie de l’architecture
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Théorie de l’architecture
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the(...)
Space as storyteller: spatial jumps in architecture, critical theory, and literature
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the cityscape, the experimentalism of Futurist theatricality, the multiple and potential atlases narrated by Italo Calvino and Georges Perec, and the posturban thought and practice of Bernard Tschumi and Rem Koolhaas/OMA. Space as Storyteller diverts attention from isolated disciplines and historical or geographical contexts toward transdisciplinary encounters that mobilize the potential to invent new spaces of comparison, a potential the author describes as "architecturability."
Théorie de l’architecture
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et(...)
février 2008, Canéjan
Quartier Austerlitz Gare: Étude de définition
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et Michel Desvigne, BTUA (Bernard Tschumi urbaniste architectes), Claus en KAAN Associé à Jean-Pierre Pranlas-Descours. Au terme d'une consultation de presque deux ans d'études, de septembre 2005 à avril 2007, déroulée en deux phases, le projet du groupement Jean-Marie Duthilleul - AREP / Jean Nouvel - AJN / Michel Desvignes a été déclaré lauréat en juin 2007 par la commission d'appel d'offres commune Semapa / SNCF en charge de l'opération.
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of(...)
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of computer culture, has empowered architects to see what was traditionally considered a given, as something that can be reprogrammed at will. FEATURED ARCHITECTS & DESIGNERS Rem Koolhaas, Bernard Tschumi, Studio(n-1), Mack Scogin Merrill Elam, Taller de Chile, Interboro, Stoner Meek, Meyer Rosenberg, Central Office of Architecture, Pierre de Angelis and Carmen Suero, R, WW. FEATURED WRITERS Vincent James and Jennifer Yoos, Penelope Dean, Thomas de Monchaux, Kazys Varnelis, Ron Witte, John McMorrough, WORKac.
Revues
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied(...)
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied research of the school's laboratories and projects from design studios taught by Benjamin Aranda, Eric Bunge and Mimi Hoang, Juan Herreros, Steven Holl, Jeffrey Inaba, Andres Jaque, Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Kate Orff, Jorge Otero-Pailos, Hilary Sample, Bernard Tschumi, Nanako Umemoto and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Architecture contemporaine
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Théorie de l’architecture
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Théorie de l’architecture
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Architecture contemporaine