278 Résultats
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livres
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
Titre:
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
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livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the(...)
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the(...)
Titre:
Space as storyteller: spatial jumps in architecture, critical theory, and literature
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the cityscape, the experimentalism of Futurist theatricality, the multiple and potential atlases narrated by Italo Calvino and Georges Perec, and the posturban thought and practice of Bernard Tschumi and Rem Koolhaas/OMA. Space as Storyteller diverts attention from isolated disciplines and historical or geographical contexts toward transdisciplinary encounters that mobilize the potential to invent new spaces of comparison, a potential the author describes as "architecturability."
Space as storyteller: spatial jumps in architecture, critical theory, and literature
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the cityscape, the experimentalism of Futurist theatricality, the multiple and potential atlases narrated by Italo Calvino and Georges Perec, and the posturban thought and practice of Bernard Tschumi and Rem Koolhaas/OMA. Space as Storyteller diverts attention from isolated disciplines and historical or geographical contexts toward transdisciplinary encounters that mobilize the potential to invent new spaces of comparison, a potential the author describes as "architecturability."
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livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et(...)
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et(...)
Publication:
février 2008, Canéjan
février 2008, Canéjan
Titre:
Quartier Austerlitz Gare: Étude de définition
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et Michel Desvigne, BTUA (Bernard Tschumi urbaniste architectes), Claus en KAAN Associé à Jean-Pierre Pranlas-Descours. Au terme d'une consultation de presque deux ans d'études, de septembre 2005 à avril 2007, déroulée en deux phases, le projet du groupement Jean-Marie Duthilleul - AREP / Jean Nouvel - AJN / Michel Desvignes a été déclaré lauréat en juin 2007 par la commission d'appel d'offres commune Semapa / SNCF en charge de l'opération.
Quartier Austerlitz Gare: Étude de définition
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et Michel Desvigne, BTUA (Bernard Tschumi urbaniste architectes), Claus en KAAN Associé à Jean-Pierre Pranlas-Descours. Au terme d'une consultation de presque deux ans d'études, de septembre 2005 à avril 2007, déroulée en deux phases, le projet du groupement Jean-Marie Duthilleul - AREP / Jean Nouvel - AJN / Michel Desvignes a été déclaré lauréat en juin 2007 par la commission d'appel d'offres commune Semapa / SNCF en charge de l'opération.
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livres
livres
Publication:
février 2008, Canéjan
février 2008, Canéjan
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livres
livres
Titre:
Abstract 2015
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied(...)
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied(...)
Titre:
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied research of the school's laboratories and projects from design studios taught by Benjamin Aranda, Eric Bunge and Mimi Hoang, Juan Herreros, Steven Holl, Jeffrey Inaba, Andres Jaque, Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Kate Orff, Jorge Otero-Pailos, Hilary Sample, Bernard Tschumi, Nanako Umemoto and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied research of the school's laboratories and projects from design studios taught by Benjamin Aranda, Eric Bunge and Mimi Hoang, Juan Herreros, Steven Holl, Jeffrey Inaba, Andres Jaque, Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Kate Orff, Jorge Otero-Pailos, Hilary Sample, Bernard Tschumi, Nanako Umemoto and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
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livres
livres
Publication:
février 2016
février 2016
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
périodiques
périodiques
Titre:
Praxis 8, re:programing
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of(...)
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of(...)
Titre:
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of computer culture, has empowered architects to see what was traditionally considered a given, as something that can be reprogrammed at will. FEATURED ARCHITECTS & DESIGNERS Rem Koolhaas, Bernard Tschumi, Studio(n-1), Mack Scogin Merrill Elam, Taller de Chile, Interboro, Stoner Meek, Meyer Rosenberg, Central Office of Architecture, Pierre de Angelis and Carmen Suero, R, WW. FEATURED WRITERS Vincent James and Jennifer Yoos, Penelope Dean, Thomas de Monchaux, Kazys Varnelis, Ron Witte, John McMorrough, WORKac.
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of computer culture, has empowered architects to see what was traditionally considered a given, as something that can be reprogrammed at will. FEATURED ARCHITECTS & DESIGNERS Rem Koolhaas, Bernard Tschumi, Studio(n-1), Mack Scogin Merrill Elam, Taller de Chile, Interboro, Stoner Meek, Meyer Rosenberg, Central Office of Architecture, Pierre de Angelis and Carmen Suero, R, WW. FEATURED WRITERS Vincent James and Jennifer Yoos, Penelope Dean, Thomas de Monchaux, Kazys Varnelis, Ron Witte, John McMorrough, WORKac.
Classification:
périodiques
périodiques
Publication:
mai 2006, Colombus
mai 2006, Colombus
Sujet:
Revues
Revues
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livres
livres
Titre:
Piranesi and the modern age
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
Titre:
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$30.00
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
Titre:
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Classification:
livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Abstract 2017
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
$47.95
(disponible sur commande)
Résumé:
"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
Titre:
Abstract 2017
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$47.95
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
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livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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$36.95
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Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du(...)
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Résumé:
Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du(...)
Titre:
Les zénith en France: histoire de 1984 à nos jours
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Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du spectacle Daniel Colling et Daniel Keravec, le concept de Zénith est né. Il se concrétise par la réalisation du premier projet de ce type, conçu par les architectes Philippe Chaix et Jean Paul Morel, le Zénith de Paris, érigé au Parc de la Villette en 1984. Suivront seize autres édifices bâtis dans différentes villes, comme Montpellier (1986), Toulon (1992), Pau (1992), Nancy (1993), etc. jusqu'aux trois derniers construits à Strasbourg, Saint-Étienne et Amiens. Pour les villes concernées, être dotées d'un Zénith représente une fierté et un gage de succès qui demeurent toujours d'actualité. Chaque salle, qui fait l'objet d'un traitement architectural particulier, est dessinée par un architecte de renom, tels que le suisse Bernard Tschumi, le hollandais Rem Koolhaas ou l'italien Massimiliano Fuksas.
Les zénith en France: histoire de 1984 à nos jours
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Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du spectacle Daniel Colling et Daniel Keravec, le concept de Zénith est né. Il se concrétise par la réalisation du premier projet de ce type, conçu par les architectes Philippe Chaix et Jean Paul Morel, le Zénith de Paris, érigé au Parc de la Villette en 1984. Suivront seize autres édifices bâtis dans différentes villes, comme Montpellier (1986), Toulon (1992), Pau (1992), Nancy (1993), etc. jusqu'aux trois derniers construits à Strasbourg, Saint-Étienne et Amiens. Pour les villes concernées, être dotées d'un Zénith représente une fierté et un gage de succès qui demeurent toujours d'actualité. Chaque salle, qui fait l'objet d'un traitement architectural particulier, est dessinée par un architecte de renom, tels que le suisse Bernard Tschumi, le hollandais Rem Koolhaas ou l'italien Massimiliano Fuksas.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Classification:
livres
livres
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$54.99
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Résumé:
Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an(...)
$54.99
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Résumé:
Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an(...)
Publication:
novembre 2004, Chichester
novembre 2004, Chichester
Titre:
Back to school : architectural education - the information and the argument
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Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an architecture student’s career. This book is set to become a touchstone publication for anyone involved in architectural education, from the academic to the aspiring student. It provides interviews with four of the most influential educators/heads of schools around the world: Peter Cook, Chair, the Bartlett School of Architecture, London, UK; Bernard Tschumi, Dean, School of Architecture at Columbia University, USA; Leon van Schaik, Innovation Professor of Architecture, Royal Melbourne Institute of Technology, Australia; Elia Zenghelis, Berlage, Dusseldorf. This is followed by short self-biographies of eleven further prominent figures including Rem Koolhaas, Anthony Vidler and Paul Virilio. It is the first publication of its kind to comprehensively cover architectural education in its current context as an international market. It will feature the first invaluable listing of architectural schools worldwide: no dedicated listing currently exists in printed form or on the web, giving students a useful reference from which to start the decision making process.
Back to school : architectural education - the information and the argument
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Résumé:
Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an architecture student’s career. This book is set to become a touchstone publication for anyone involved in architectural education, from the academic to the aspiring student. It provides interviews with four of the most influential educators/heads of schools around the world: Peter Cook, Chair, the Bartlett School of Architecture, London, UK; Bernard Tschumi, Dean, School of Architecture at Columbia University, USA; Leon van Schaik, Innovation Professor of Architecture, Royal Melbourne Institute of Technology, Australia; Elia Zenghelis, Berlage, Dusseldorf. This is followed by short self-biographies of eleven further prominent figures including Rem Koolhaas, Anthony Vidler and Paul Virilio. It is the first publication of its kind to comprehensively cover architectural education in its current context as an international market. It will feature the first invaluable listing of architectural schools worldwide: no dedicated listing currently exists in printed form or on the web, giving students a useful reference from which to start the decision making process.
Classification:
livres
livres
Publication:
novembre 2004, Chichester
novembre 2004, Chichester
