5111 Résultats
Classification:
événements
événements
Titre:
L’enseignement de… Toronto
L’enseignement de… Toronto
Actions:
Description:
Ian Chodikoff, architecte, urbaniste et rédacteur en chef du magazine Canadian Architect, présente ses recherches sur la banlieue contemporaine, et sur les influences qu’exercent la diversité ethnique et le multiculturalisme sur l’architecture et l’esthétique urbaine dans les paysages suburbains de la région du Grand Toronto (RGT). Les banlieues d’aujourd’hui sont plus(...)
Ian Chodikoff, architecte, urbaniste et rédacteur en chef du magazine Canadian Architect, présente ses recherches sur la banlieue contemporaine, et sur les influences qu’exercent la diversité ethnique et le multiculturalisme sur l’architecture et l’esthétique urbaine dans les paysages suburbains de la région du Grand Toronto (RGT). Les banlieues d’aujourd’hui sont plus(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
4 mars 2010 , 19h
4 mars 2010 , 19h
Titre:
L’enseignement de… Toronto
Actions:
Description:
Ian Chodikoff, architecte, urbaniste et rédacteur en chef du magazine Canadian Architect, présente ses recherches sur la banlieue contemporaine, et sur les influences qu’exercent la diversité ethnique et le multiculturalisme sur l’architecture et l’esthétique urbaine dans les paysages suburbains de la région du Grand Toronto (RGT). Les banlieues d’aujourd’hui sont plus(...)
L’enseignement de… Toronto
Actions:
Description:
Ian Chodikoff, architecte, urbaniste et rédacteur en chef du magazine Canadian Architect, présente ses recherches sur la banlieue contemporaine, et sur les influences qu’exercent la diversité ethnique et le multiculturalisme sur l’architecture et l’esthétique urbaine dans les paysages suburbains de la région du Grand Toronto (RGT). Les banlieues d’aujourd’hui sont plus(...)
Classification:
événements
événements
Date:
4 mars 2010
19h
4 mars 2010
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Personnes et institutions:
Date:
circa 1964
circa 1964
Titre:
Control Tower, Toronto International Airport, Mississauga, Ontario (1958-1964)
Actions:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Control Tower, Toronto International Airport, Mississauga, Ontario (1958-1964)
Actions:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Niveau de description archivistique:
Project
Project
Date:
circa 1964
circa 1964
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
circa 2014
circa 2014
Titre:
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
circa 2014
circa 2014
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Victor Prus
Fonds Victor Prus
Numéro de référence:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Personnes et institutions:
Date:
1945-1992
1945-1992
Titre:
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1945-1992
1945-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Castel
Castel
Numéro de référence:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Personnes et institutions:
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
Titre:
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Niveau de description archivistique:
File 109
File 109
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
Personnes et institutions:
Classification:
expositions
expositions
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
26 janvier 2012 au 29 avril 2012
26 janvier 2012 au 29 avril 2012
Titre:
Alturas de Machu Picchu : Martín Chambi – Álvaro Siza à l'œuvre
Actions:
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Alturas de Machu Picchu : Martín Chambi – Álvaro Siza à l'œuvre
Actions:
Description:
L’architecte portugais Álvaro Siza s’est rendu en 1995 au Pérou, emportant dans ses bagages, comme à l’accoutumée, quelques vêtements, quelques livres de poésie et un seul carnet de croquis. C’était là son nécessaire pour interpréter son voyage et l’intégrer dans son architecture. Plus d’un demi-siècle auparavant, le photographe péruvien Martín Chambi avait réalisé des(...)
Classification:
expositions
expositions
Date:
26 janvier 2012 au
29 avril 2012
26 janvier 2012 au
29 avril 2012
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
Localisation:
Salles principales
Salles principales
Date:
16 octobre 1996 au 2 février 1997
16 octobre 1996 au 2 février 1997
Titre:
Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James
Actions:
Description:
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James
Actions:
Description:
En réponse à une commande du CCA, trois photographes contemporains ont consacré six ans à l’interprétation de l’œuvre de Frederick Law Olmsted (1822-1903), qui a marqué l’histoire de l’architecture du paysage en Amérique du Nord. *Frederick Law Olmsted en perspective : Photographies de Robert Burley, Lee Friedlander et Geoffrey James* présente 155 photographies issues de(...)
Classification:
expositions
expositions
Date:
16 octobre 1996 au
2 février 1997
16 octobre 1996 au
2 février 1997
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Personnes et institutions:
Date:
1945-1975
1945-1975
Titre:
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Niveau de description archivistique:
Sous-série 3
Sous-série 3
Date:
1945-1975
1945-1975
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Date:
11 mai 2016 au 16 octobre 2016
11 mai 2016 au 16 octobre 2016
Titre:
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Classification:
expositions
expositions
Date:
11 mai 2016 au
16 octobre 2016
11 mai 2016 au
16 octobre 2016
