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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews(...)
Stirling and Gowan: architecture from austerity to affluence
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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.
Architecture, monographies
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
Partners in design: Alfred H. Barr Jr. and Philip Johnson
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
Architecture, monographies
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The "Elements of Design" is a comprehensive visual survey of the design styles that have had the greatest impact on the decorative arts in the Western world. With more than 3,000 prints, photographs, and line drawings, the book covers five centuries of the Western decorative arts tradition, including Renaissance, Baroque, Rococo, Regency, Gothic, Art Nouveau, Art Deco,(...)
The elements of design : a practical encyclopedia of the decorative arts from the Renaissance to the present
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The "Elements of Design" is a comprehensive visual survey of the design styles that have had the greatest impact on the decorative arts in the Western world. With more than 3,000 prints, photographs, and line drawings, the book covers five centuries of the Western decorative arts tradition, including Renaissance, Baroque, Rococo, Regency, Gothic, Art Nouveau, Art Deco, Modernism, and the Space Age.
Design d’intérieur
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Alfred Neumann (1900–1968) was a Czech architect whose work was wrought in the context of postwar modernism and the establishment of the State of Israel in 1948. Today, his influence and impact have been largely forgotten, but, in their time, Neumann’s original designs received praise and elicited controversy in almost equal measure, offering exciting new possibilities to(...)
Space packed: the architecture of Alfred Neumann
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Alfred Neumann (1900–1968) was a Czech architect whose work was wrought in the context of postwar modernism and the establishment of the State of Israel in 1948. Today, his influence and impact have been largely forgotten, but, in their time, Neumann’s original designs received praise and elicited controversy in almost equal measure, offering exciting new possibilities to the modernist mainstream.
Architecture, monographies
$115.00
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The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript(...)
décembre 2008, Vienna, Los Angeles
The ideal museum ; practical art in metals and hard materials
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The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript pages in facsimile.
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Juan José Lahuerta’s Columns of Smoke series offers bold new readings of modernity and its key figures while redefining the connections between architecture, ornamentation, and the portrayal of both in print media. The third volume focuses on the Spanish architect Antoni Gaudí (1852–1926), whose spectacular fin-de-siècle bohemian modernism stood in revolutionary contrast(...)
Antoni Gaudi: ornament, fire, and ashes
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Juan José Lahuerta’s Columns of Smoke series offers bold new readings of modernity and its key figures while redefining the connections between architecture, ornamentation, and the portrayal of both in print media. The third volume focuses on the Spanish architect Antoni Gaudí (1852–1926), whose spectacular fin-de-siècle bohemian modernism stood in revolutionary contrast to the leading approaches of the day.
Théorie de l’architecture
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In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as 'Radical design', this movement probed possibilities for visually transforming the urban environment. This publication surveys the work of these pioneering designers through nearly 70(...)
Radical: Italian design 1965-1985. The Dennis Freedman collection
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In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as 'Radical design', this movement probed possibilities for visually transforming the urban environment. This publication surveys the work of these pioneering designers through nearly 70 objects and architectural models — including rare prototypes and limited-production pieces.
Design, époques et styles
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Modernists of the early twentieth century were transfixed by the X-ray—a means of seeing through skin into systems of bones and tissue. What, nearly a century later, can X-rays reveal about the systems of modernism itself? 'Modern Management Methods' asks how the value of a building is produced through instruments of expertise, management ideologies, and historical narratives.
novembre 2019
Modern management methods: architecture, historical value, and the electromagnetic image
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Modernists of the early twentieth century were transfixed by the X-ray—a means of seeing through skin into systems of bones and tissue. What, nearly a century later, can X-rays reveal about the systems of modernism itself? 'Modern Management Methods' asks how the value of a building is produced through instruments of expertise, management ideologies, and historical narratives.
$88.00
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Giuseppe Pizzigoni, architect of classical and postwar modernism in northern Italy, owes his reputation to his connections with the Novecento movement, his independence from fascism, and his interest in innovative residential floor plans. Using redrawn plans of some 60 realized buildings, the design achievements are systematically analyzed, supplemented by explanations on(...)
The built work of Giuseppe Pizzigoni
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Giuseppe Pizzigoni, architect of classical and postwar modernism in northern Italy, owes his reputation to his connections with the Novecento movement, his independence from fascism, and his interest in innovative residential floor plans. Using redrawn plans of some 60 realized buildings, the design achievements are systematically analyzed, supplemented by explanations on the historical background, a systematic catalog, and up-to-date photographic documentation.
Architecture, monographies
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This publication is one of the few Western studies of modern African architecture. The architect Antoni Folkers calls into question the moralistic, simplified Western Modernism that has become stranded in the African savannah. The critique of the one-sidedness of Western architecture is not only theoretical, but also assumes a practical form in the pluriform and(...)
Modern architecture in Africa
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This publication is one of the few Western studies of modern African architecture. The architect Antoni Folkers calls into question the moralistic, simplified Western Modernism that has become stranded in the African savannah. The critique of the one-sidedness of Western architecture is not only theoretical, but also assumes a practical form in the pluriform and multi-coloured architecture of Africa.