2713 Résultats
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Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
$54.00
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Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
Titre:
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Ives Maes & David Campany in Conversation
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Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
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livres
livres
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mars 2025
mars 2025
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Monographies photo
Monographies photo
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livres
Titre:
Queer Exhibition Histories
Queer Exhibition Histories
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In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies,(...)
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In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies,(...)
Titre:
Queer Exhibition Histories
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In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies, interviews and essays that emphasize different queer exhibitions and their modes of presentation and archiving. Many of these projects were short-lived or were executed between the walls of the private or domestic space, far beyond the scope of any institutional recognition. Therefore, the exhibitions materialized on limited budgets, were hardly documented and received barely any media coverage. For this reason, the legacy of these projects is highly dependent on personal archives, memories and paraphernalia, whereof the entries are not always easy to find. The events were not only artistic, but they could equally be discursive, activist and educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, ''Queer exhibition histories'' investigates how the efforts of LGBTQIA+ artists and curators have advanced their public presence.
Queer Exhibition Histories
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Résumé:
In the histories of art exhibitions that we know, LGBTQIA+ artists and curators have always been underexposed or forgotten. This new title in the PLURAL series focuses on these forgotten and hidden histories, by scrutinizing a wide variety of exhibitions and other presentations by LGBTQIA+ artists and curators. ''Queer exhibition histories'' is composed of case studies, interviews and essays that emphasize different queer exhibitions and their modes of presentation and archiving. Many of these projects were short-lived or were executed between the walls of the private or domestic space, far beyond the scope of any institutional recognition. Therefore, the exhibitions materialized on limited budgets, were hardly documented and received barely any media coverage. For this reason, the legacy of these projects is highly dependent on personal archives, memories and paraphernalia, whereof the entries are not always easy to find. The events were not only artistic, but they could equally be discursive, activist and educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, ''Queer exhibition histories'' investigates how the efforts of LGBTQIA+ artists and curators have advanced their public presence.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$32.95
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Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in(...)
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Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in(...)
Publication:
juillet 2011
juillet 2011
Titre:
Placing memory and remembering place in Canada
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Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in memory studies by shifting the focus to local places that sit at the intersection of memory making and identity formation - the main street, the city square, the village museum, internment camps, industrial wastelands, and the rural landscape. Offering a perspective on the politics of place and memory across differing chronologies and geographies, the first part of the book traces how local expressions of memory such as celebrations, museums, statues, postcards, and plaques have contributed to a sense of place and belonging in twentieth-century Canada. The second part in turn explores how ordinary Canadians have embedded their memories of place in oral stories, photographs, and the landscape itself. With its focus on the materiality of image, text, and artefact, these essays argue for an understanding of place as imagined, made, claimed, fought for, and defended - always in a state of becoming.
Placing memory and remembering place in Canada
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$32.95
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Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in memory studies by shifting the focus to local places that sit at the intersection of memory making and identity formation - the main street, the city square, the village museum, internment camps, industrial wastelands, and the rural landscape. Offering a perspective on the politics of place and memory across differing chronologies and geographies, the first part of the book traces how local expressions of memory such as celebrations, museums, statues, postcards, and plaques have contributed to a sense of place and belonging in twentieth-century Canada. The second part in turn explores how ordinary Canadians have embedded their memories of place in oral stories, photographs, and the landscape itself. With its focus on the materiality of image, text, and artefact, these essays argue for an understanding of place as imagined, made, claimed, fought for, and defended - always in a state of becoming.
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livres
livres
Publication:
juillet 2011
juillet 2011
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livres
livres
Titre:
The past exists
The past exists
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back(...)
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back(...)
Titre:
The past exists
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back on. Photographs are always a reflection of past time, but editing the images and determining the layout of the exhibition is a variation on that point in time and a search for an expression that is appropriate to his current self. He also says that these works are like a parting gift to his twenties, and that they are a final farewell to a stage that will never be performed again. In this book, Cobayashi expresses the accumulation of time from the past to the present by using the layering function of Photoshop, which is indispensable in his production process, to create a layout in which the layers of photographs overlap each other as the pages are turned. In the form of a book, we practice a way of being in which each time is connected and a non-uniform image emerges.
The past exists
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back on. Photographs are always a reflection of past time, but editing the images and determining the layout of the exhibition is a variation on that point in time and a search for an expression that is appropriate to his current self. He also says that these works are like a parting gift to his twenties, and that they are a final farewell to a stage that will never be performed again. In this book, Cobayashi expresses the accumulation of time from the past to the present by using the layering function of Photoshop, which is indispensable in his production process, to create a layout in which the layers of photographs overlap each other as the pages are turned. In the form of a book, we practice a way of being in which each time is connected and a non-uniform image emerges.
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livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Monographies photo
Monographies photo
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Description:
x, 457 pages : illustrations, maps ; 24 cm
Description:
x, 457 pages : illustrations, maps ; 24 cm
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Princeton : Princeton University Press, ©2008.
Princeton : Princeton University Press, ©2008.
Titre:
The spaces of the modern city : imaginaries, politics, and everyday life / edited by Gyan Prakash and Kevin M. Kruse.
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x, 457 pages : illustrations, maps ; 24 cm
The spaces of the modern city : imaginaries, politics, and everyday life / edited by Gyan Prakash and Kevin M. Kruse.
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x, 457 pages : illustrations, maps ; 24 cm
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Princeton : Princeton University Press, ©2008.
Princeton : Princeton University Press, ©2008.
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Description:
vi, 362 pages ; 25 cm
Description:
vi, 362 pages ; 25 cm
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London ; Brooklyn, NY : Verso, 2018., ©2018
London ; Brooklyn, NY : Verso, 2018., ©2018
Titre:
What goes up : the rights and wrongs to the city / Michael Sorkin.
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Description:
vi, 362 pages ; 25 cm
What goes up : the rights and wrongs to the city / Michael Sorkin.
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vi, 362 pages ; 25 cm
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livres
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London ; Brooklyn, NY : Verso, 2018., ©2018
London ; Brooklyn, NY : Verso, 2018., ©2018
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2 volumes ; 17 cm.
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2 volumes ; 17 cm.
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London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
Titre:
The Metaphysics / Aristotle ; with an English translation by Hugh Tredennick.
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2 volumes ; 17 cm.
The Metaphysics / Aristotle ; with an English translation by Hugh Tredennick.
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2 volumes ; 17 cm.
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London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
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25 unnumbered leaves : illustrations (sepiatones) ; 25 x 30 cm
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25 unnumbered leaves : illustrations (sepiatones) ; 25 x 30 cm
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San Francisco, Calif. : Robert A. Reid, 1915.
San Francisco, Calif. : Robert A. Reid, 1915.
Titre:
The Panama-Pacific International Exposition at San Francisco, 1915. Official publication.
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25 unnumbered leaves : illustrations (sepiatones) ; 25 x 30 cm
The Panama-Pacific International Exposition at San Francisco, 1915. Official publication.
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25 unnumbered leaves : illustrations (sepiatones) ; 25 x 30 cm
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San Francisco, Calif. : Robert A. Reid, 1915.
San Francisco, Calif. : Robert A. Reid, 1915.
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Description:
xx, 327 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 25 cm
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xx, 327 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 25 cm
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New York, NY : Oxford University Press, [2017], ©2017
New York, NY : Oxford University Press, [2017], ©2017
Titre:
Housing the new Romans : architectural reception and classical style in the modern world / edited by Katharine T. von Stackelberg and Elizabeth Macaulay-Lewis.
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xx, 327 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 25 cm
Housing the new Romans : architectural reception and classical style in the modern world / edited by Katharine T. von Stackelberg and Elizabeth Macaulay-Lewis.
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xx, 327 pages, 8 unnumbered pages of plates : illustrations (some color), maps ; 25 cm
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New York, NY : Oxford University Press, [2017], ©2017
New York, NY : Oxford University Press, [2017], ©2017
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434 pages : illustrations, portrait ; 23 cm
Description:
434 pages : illustrations, portrait ; 23 cm
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Chicago : Society of American Archivists, [2011], ©2011
Chicago : Society of American Archivists, [2011], ©2011
Titre:
Controlling the past : documenting society and institutions : essays in honor of Helen Willa Samuels / Terry Cook, editor.
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434 pages : illustrations, portrait ; 23 cm
Controlling the past : documenting society and institutions : essays in honor of Helen Willa Samuels / Terry Cook, editor.
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434 pages : illustrations, portrait ; 23 cm
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livres
livres
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Chicago : Society of American Archivists, [2011], ©2011
Chicago : Society of American Archivists, [2011], ©2011
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