24731 Résultats
Classification:
expositions
expositions
Titre:
Le monticule de Vendôme
Le monticule de Vendôme
Actions:
Description:
Le monticule de Vendôme est un artéfact simple d’aspect, mais provocateur par son propos : un ouvrage de terrassement au cœur d’une tentative radicale de transformation de l’iconographie urbaine pendant les deux mois de pouvoir de la Commune de Paris en 1871. Ce projet de recherche propose le récit de cette structure perdue et appelle à son historicisation ainsi qu’à sa(...)
Le monticule de Vendôme est un artéfact simple d’aspect, mais provocateur par son propos : un ouvrage de terrassement au cœur d’une tentative radicale de transformation de l’iconographie urbaine pendant les deux mois de pouvoir de la Commune de Paris en 1871. Ce projet de recherche propose le récit de cette structure perdue et appelle à son historicisation ainsi qu’à sa(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
19 juin 2014 au 28 septembre 2014
19 juin 2014 au 28 septembre 2014
Titre:
Le monticule de Vendôme
Actions:
Description:
Le monticule de Vendôme est un artéfact simple d’aspect, mais provocateur par son propos : un ouvrage de terrassement au cœur d’une tentative radicale de transformation de l’iconographie urbaine pendant les deux mois de pouvoir de la Commune de Paris en 1871. Ce projet de recherche propose le récit de cette structure perdue et appelle à son historicisation ainsi qu’à sa(...)
Le monticule de Vendôme
Actions:
Description:
Le monticule de Vendôme est un artéfact simple d’aspect, mais provocateur par son propos : un ouvrage de terrassement au cœur d’une tentative radicale de transformation de l’iconographie urbaine pendant les deux mois de pouvoir de la Commune de Paris en 1871. Ce projet de recherche propose le récit de cette structure perdue et appelle à son historicisation ainsi qu’à sa(...)
Classification:
expositions
expositions
Date:
19 juin 2014 au
28 septembre 2014
19 juin 2014 au
28 septembre 2014
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Dessins et tableaux
Dessins et tableaux
Numéro de référence:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Niveau de description archivistique:
Série 1
Série 1
Date:
1917-1955
1917-1955
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP178.S1.1988.PR07.SS11.040
Description:
Original file title : Chiado - Metro Lisboa - Outras estações de Metro Nota : Não digitalizado - tambem os slides estaçao de Paris ?
AP178.S1.1988.PR07.SS11.040
Description:
Original file title : Chiado - Metro Lisboa - Outras estações de Metro Nota : Não digitalizado - tambem os slides estaçao de Paris ?
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Photographs of built project, Estação de Metropolitano Baixa Chiado, Chiado, Lisbon
Actions:
AP178.S1.1988.PR07.SS11.040
Description:
Original file title : Chiado - Metro Lisboa - Outras estações de Metro Nota : Não digitalizado - tambem os slides estaçao de Paris ?
Photographs of built project, Estação de Metropolitano Baixa Chiado, Chiado, Lisbon
Actions:
AP178.S1.1988.PR07.SS11.040
Description:
Original file title : Chiado - Metro Lisboa - Outras estações de Metro Nota : Não digitalizado - tambem os slides estaçao de Paris ?
Classification:
photographies
photographies
Date:
1988-1998
1988-1998
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH5065
Description:
Vitrail : plans et élévations des fenêtres numérotés pour indiquer l'emplacement des panneaux de vitrail / atelier non identifié [Mauméjean Frères, Paris].
ARCH5065
Description:
Vitrail : plans et élévations des fenêtres numérotés pour indiquer l'emplacement des panneaux de vitrail / atelier non identifié [Mauméjean Frères, Paris].
Personnes et institutions:
Date:
circa 1923
circa 1923
Titre:
Plans des vitraux
Actions:
ARCH5065
Description:
Vitrail : plans et élévations des fenêtres numérotés pour indiquer l'emplacement des panneaux de vitrail / atelier non identifié [Mauméjean Frères, Paris].
Plans des vitraux
Actions:
ARCH5065
Description:
Vitrail : plans et élévations des fenêtres numérotés pour indiquer l'emplacement des panneaux de vitrail / atelier non identifié [Mauméjean Frères, Paris].
Classification:
dessins
dessins
Date:
circa 1923
circa 1923
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Diverses brochures sur l'art
Diverses brochures sur l'art
Numéro de référence:
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
Personnes et institutions:
Date:
1920, 1938
1920, 1938
Titre:
Diverses brochures sur l'art
Actions:
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
Diverses brochures sur l'art
Actions:
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
Classification:
documents textuels
documents textuels
Date:
1920, 1938
1920, 1938
Personnes et institutions:
Classification:
dessins
Quantité:
16 reprographic copy(ies)
dessins
Quantité:
16 reprographic copy(ies)
Numéro de référence:
ARCH265182
Description:
This group consists chiefly of floor plans, site plans and elevations for the Musée d'art contemporain du Plateau Beaubourg, in Paris.
ARCH265182
Description:
This group consists chiefly of floor plans, site plans and elevations for the Musée d'art contemporain du Plateau Beaubourg, in Paris.
Personnes et institutions:
Titre:
Floor plans, site plans and elevations for the Musée d'art contemporain du Plateau Beaubourg
Actions:
ARCH265182
Description:
This group consists chiefly of floor plans, site plans and elevations for the Musée d'art contemporain du Plateau Beaubourg, in Paris.
Floor plans, site plans and elevations for the Musée d'art contemporain du Plateau Beaubourg
Actions:
ARCH265182
Description:
This group consists chiefly of floor plans, site plans and elevations for the Musée d'art contemporain du Plateau Beaubourg, in Paris.
Classification:
dessins
Quantité:
16 reprographic copy(ies)
dessins
Quantité:
16 reprographic copy(ies)
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
Personnes et institutions:
Date:
1989-1990
1989-1990
Titre:
2e Salon International des Musées et des Expositions
Actions:
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
2e Salon International des Musées et des Expositions
Actions:
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
Niveau de description archivistique:
File 3
File 3
Date:
1989-1990
1989-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2002.PR02
Description:
The project series documents the film "Senna", produced by Pettena in 2002. The film shows Pettena descending down the stairs towards the Seine river, in Paris, and eventually disappear. "Here Pettena returns to the theme of the architectural project developed in the form of a performance that uses the body to produce an effect of working of space poised between the real and the imaginary." [1] The project series contains video of the performance and film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-seine-2002/ (last accessed 22 January 2020).
AP207.S1.2002.PR02
Description:
The project series documents the film "Senna", produced by Pettena in 2002. The film shows Pettena descending down the stairs towards the Seine river, in Paris, and eventually disappear. "Here Pettena returns to the theme of the architectural project developed in the form of a performance that uses the body to produce an effect of working of space poised between the real and the imaginary." [1] The project series contains video of the performance and film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-seine-2002/ (last accessed 22 January 2020).
Personnes et institutions:
Date:
2010-2017
2010-2017
Titre:
Senna [Seine] (2002)
Actions:
AP207.S1.2002.PR02
Description:
The project series documents the film "Senna", produced by Pettena in 2002. The film shows Pettena descending down the stairs towards the Seine river, in Paris, and eventually disappear. "Here Pettena returns to the theme of the architectural project developed in the form of a performance that uses the body to produce an effect of working of space poised between the real and the imaginary." [1] The project series contains video of the performance and film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-seine-2002/ (last accessed 22 January 2020).
Senna [Seine] (2002)
Actions:
AP207.S1.2002.PR02
Description:
The project series documents the film "Senna", produced by Pettena in 2002. The film shows Pettena descending down the stairs towards the Seine river, in Paris, and eventually disappear. "Here Pettena returns to the theme of the architectural project developed in the form of a performance that uses the body to produce an effect of working of space poised between the real and the imaginary." [1] The project series contains video of the performance and film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-seine-2002/ (last accessed 22 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2010-2017
2010-2017
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH177611
Description:
F.J., Éléments de géométrie. Tours, Alfred Mame et fils/Paris, Ch. Poussielgue, 1985. (18 x 12 cm) (Schéma électrique) 1904
ARCH177611
Description:
F.J., Éléments de géométrie. Tours, Alfred Mame et fils/Paris, Ch. Poussielgue, 1985. (18 x 12 cm) (Schéma électrique) 1904
Personnes et institutions:
Date:
circa 1900-1905
circa 1900-1905
Titre:
Livre "Éléments de géométrie"
Actions:
ARCH177611
Description:
F.J., Éléments de géométrie. Tours, Alfred Mame et fils/Paris, Ch. Poussielgue, 1985. (18 x 12 cm) (Schéma électrique) 1904
Livre "Éléments de géométrie"
Actions:
ARCH177611
Description:
F.J., Éléments de géométrie. Tours, Alfred Mame et fils/Paris, Ch. Poussielgue, 1985. (18 x 12 cm) (Schéma électrique) 1904
Classification:
livres
livres
Date:
circa 1900-1905
circa 1900-1905
Personnes et institutions:
