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Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. ''Lateness and longing'' presents the first account of a generation of(...)
Lateness and longing: On the afterlife of photography
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Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. ''Lateness and longing'' presents the first account of a generation of artists—focused on the work of Zoe Leonard, Tacita Dean, Sharon Lockhart, and Moyra Davey—who have collectively transformed the practice of photography, using analogue technologies in a dissident way and radicalizing signifiers of older models of feminist art. All these artists have resisted the transition to the digital in their work. Instead—in what amounts to a series of feminist polemics—they return to earlier, incomplete, or unrealized moments in photography’s history, gravitating toward the analogue basis of photographic mediums. Their work announces that photography has become—not obsolete—but 'late,' opened up by the potentially critical forces of anachronism.
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Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica''(...)
Flora photographica: Masterworks of contemporary flower photography
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Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica'' links the very best of flower photography from the past twenty years with its predecessors- canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination.
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an(...)
Speaking with light: contemporary indigenous photography
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an Indigenous sense of community and visuality. ''Speaking with Light'' reveals and examines these Indigenous artists’ explorations of themes such as identity, the contribution of customary practice to contemporary life, belonging and the assistance that Indigenous worldviews can provide to building healthier relationships with each other and the earth. The book comprises four sections bridged by transitions and ending with a globalization of the discussion. Texts by key Indigenous scholars are followed by a series of plates illustrating many of the exhibition works. ''Speaking with Light'' is a summary statement about the preoccupations and dynamism of Indigenous photography today.
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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le(...)
Ce monde-là : voyage aux frontières du photojournalisme
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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le monde de photoreportage, le regard des photojournalistes s'est ouvert ces dernières décennies à d'autres réalités, développant des visions et des écritures plus singulières. Cet ouvrage réunit 134 photographes faisant oeuvre commune. Dans « Ce monde là », voyage unique à travers près de trente ans de photojournalisme, ils proposent une sélection personelle des images qu'ils on réalisées et qui ont marqué leurs parcours.
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and(...)
Face to face: Portraits of artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity. Published in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest.
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
Coast to coast: vintage travel in North America
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
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New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal,(...)
New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today.
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Des murs...au mur
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Des murs aux murailles, en passant par les remparts, les murs de mémoire, les murs d'expression ou les murs sacrés, une découverte des murs du monde bâtis au cours de l'histoire et ayant une valeur symbolique : le Mur de Berlin, le Mur des lamentations à Jérusalem, la muraille de Chine, le mur entre la Cisjordanie et Israël, le mur entre les Etats-Unis et le Mexique...
Des murs...au mur
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Des murs aux murailles, en passant par les remparts, les murs de mémoire, les murs d'expression ou les murs sacrés, une découverte des murs du monde bâtis au cours de l'histoire et ayant une valeur symbolique : le Mur de Berlin, le Mur des lamentations à Jérusalem, la muraille de Chine, le mur entre la Cisjordanie et Israël, le mur entre les Etats-Unis et le Mexique...
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VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the(...)
VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an insight into how the modern media came into being, as well as offering a snapshot of an entire era.
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
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