44189 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
Riorganizzazione del presbiterio della cattedrale di Santa Maria del Fiore in Firenze
Actions:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Riorganizzazione del presbiterio della cattedrale di Santa Maria del Fiore in Firenze
Actions:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Niveau de description archivistique:
File 10
File 10
Date:
1996-1997
1996-1997
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
Personnes et institutions:
Date:
1965-2015
1965-2015
Titre:
Princeton University, Columbia University, and other academic affiliations
Actions:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
Princeton University, Columbia University, and other academic affiliations
Actions:
AP197.S1.SS2
Description:
This subseries documents Frampton’s academic career as an Associate professor at the Graduate School of Architecture and Urban Planning, Princeton University (1967-1972) and as Associate professor and subsequently as Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University (1972-1977; 1974- present). While at GSAPP, Frampton simultaneously held appointments as Visiting professor at several institutions. These activities are also documented here including documents related to his appointment as Visiting professor at the Berlage Institute, Amsterdam (1990-1997), the Università della Svizzera Italiana, Mendrisio (1998-2003), and École polytechnique fédérale de Lausanne, Switerland (1995). This subseries is made up of textual documentation consisting of course readers, application booklets, university handbooks, correspondence, student works, course syllabi, drafts of slides for lectures, draft lectures and notes, drafts for graduation speeches, take home exams, transcripts of lectures, event posters, and various photographs of student projects/models.
Niveau de description archivistique:
Subseries
Subseries
Date:
1965-2015
1965-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Dessins et tableaux
Dessins et tableaux
Numéro de référence:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Niveau de description archivistique:
Série 1
Série 1
Date:
1917-1955
1917-1955
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
Personnes et institutions:
Date:
2005-2007
2005-2007
Titre:
Correspondence related to Melvin Charney's projects
Actions:
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
Correspondence related to Melvin Charney's projects
Actions:
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
Classification:
documents textuels
documents textuels
Date:
2005-2007
2005-2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Georg Lippsmeier
Collection Georg Lippsmeier
Numéro de référence:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Personnes et institutions:
Date:
1960s-2010
1960s-2010
Titre:
Collection Georg Lippsmeier
Actions:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Collection Georg Lippsmeier
Actions:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1960s-2010
1960s-2010
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
Personnes et institutions:
Date:
1994-2001
1994-2001
Titre:
Document d’archives des projets de KOL/MAC
Actions:
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
Document d’archives des projets de KOL/MAC
Actions:
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2001
1994-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
Personnes et institutions:
Date:
1973-1990, predominant 1973-1979
1973-1990, predominant 1973-1979
Titre:
Trucksafe Air Portable Dock Ahoy
Actions:
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
Trucksafe Air Portable Dock Ahoy
Actions:
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
Niveau de description archivistique:
File 93
File 93
Date:
1973-1990, predominant 1973-1979
1973-1990, predominant 1973-1979
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
Personnes et institutions:
Date:
1958-2016
1958-2016
Titre:
Research files
Actions:
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
Research files
Actions:
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
Niveau de description archivistique:
Series
Series
Date:
1958-2016
1958-2016
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Personnes et institutions:
Date:
2000-2008
2000-2008
Titre:
Documents d'archives de l'installation "Météorologie d'intérieur" de Philippe Rahm
Actions:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Documents d'archives de l'installation "Météorologie d'intérieur" de Philippe Rahm
Actions:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2000-2008
2000-2008
Personnes et institutions:
