2689 Résultats
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livres
livres
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage(...)
$26.95
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage(...)
Titre:
Thirty-two words for field: Lost words of the Irish Landscape
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.? In ''Thirty-Two Words for Field'', Manchán explores how Gaelic, a three-thousand-year-old lexicon, has imbued the natural world with meaning and magic, evoking a time-honored way of life, from its thirty-two separate words for a field to terms like bróis (whiskey for a horseman at a wedding), iarmhaireacht (the loneliness you feel when you are the only person awake at dawn), and bladhmann (steam rising from a fermented haystack or idle boasting).? Manchán urges readers to consider the sublime beauty and profound oddness of this ancient tongue that has been spoken in close connection to the land for thousands of years. Told through stories collected from his own life and travels, ''Thirty-Two Words for Field'' is an enthralling celebration of Irish words and a testament to the indelible relationship between landscape, culture, and language.
Thirty-two words for field: Lost words of the Irish Landscape
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.? In ''Thirty-Two Words for Field'', Manchán explores how Gaelic, a three-thousand-year-old lexicon, has imbued the natural world with meaning and magic, evoking a time-honored way of life, from its thirty-two separate words for a field to terms like bróis (whiskey for a horseman at a wedding), iarmhaireacht (the loneliness you feel when you are the only person awake at dawn), and bladhmann (steam rising from a fermented haystack or idle boasting).? Manchán urges readers to consider the sublime beauty and profound oddness of this ancient tongue that has been spoken in close connection to the land for thousands of years. Told through stories collected from his own life and travels, ''Thirty-Two Words for Field'' is an enthralling celebration of Irish words and a testament to the indelible relationship between landscape, culture, and language.
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livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$24.95
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Modern life is an ever-accelerating barrage of people, buildings,vehicles, creatures, and things. How much can a curious mind take in? And what can it do with all the data? Gregory L. Blackstock, a retired Seattle pot washer, draws order out of all the chaos with a pencil, a black marker, and some crayons. Blackstock is autistic and an artistic savant. He creates(...)
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Modern life is an ever-accelerating barrage of people, buildings,vehicles, creatures, and things. How much can a curious mind take in? And what can it do with all the data? Gregory L. Blackstock, a retired Seattle pot washer, draws order out of all the chaos with a pencil, a black marker, and some crayons. Blackstock is autistic and an artistic savant. He creates(...)
Titre:
Blackstock's collections : the drawings of a artistic savant
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Modern life is an ever-accelerating barrage of people, buildings,vehicles, creatures, and things. How much can a curious mind take in? And what can it do with all the data? Gregory L. Blackstock, a retired Seattle pot washer, draws order out of all the chaos with a pencil, a black marker, and some crayons. Blackstock is autistic and an artistic savant. He creates visual lists of everything from wasps to hats to emergency vehicles to noisemakers. In the spirit of the Outsider art of Henry Darger and Howard Finster, Blackstock makes art that is stirring in its profusion and detail and inspiring in its simple beauty. He has never received formal artistic training, yet his renderings clearly and beguilingly show subtle differences and similarities—enabling the viewer to see, for example, the distinctive features of a dolly varden, a Pacific Coast steelhead cutthroat, and fourteen other types of trout. Each collection is lovingly captioned in Blackstock's unique hand with texts that reflect facts from his research as well as his passions and preferences. Blackstock's Collections contains over 100 extraordinary examples of his splendidly original taxonomy, offering a unique look inside the mind of a man making sense of life through art.
Blackstock's collections : the drawings of a artistic savant
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Modern life is an ever-accelerating barrage of people, buildings,vehicles, creatures, and things. How much can a curious mind take in? And what can it do with all the data? Gregory L. Blackstock, a retired Seattle pot washer, draws order out of all the chaos with a pencil, a black marker, and some crayons. Blackstock is autistic and an artistic savant. He creates visual lists of everything from wasps to hats to emergency vehicles to noisemakers. In the spirit of the Outsider art of Henry Darger and Howard Finster, Blackstock makes art that is stirring in its profusion and detail and inspiring in its simple beauty. He has never received formal artistic training, yet his renderings clearly and beguilingly show subtle differences and similarities—enabling the viewer to see, for example, the distinctive features of a dolly varden, a Pacific Coast steelhead cutthroat, and fourteen other types of trout. Each collection is lovingly captioned in Blackstock's unique hand with texts that reflect facts from his research as well as his passions and preferences. Blackstock's Collections contains over 100 extraordinary examples of his splendidly original taxonomy, offering a unique look inside the mind of a man making sense of life through art.
Classification:
livres
livres
Publication:
septembre 2006, New York
septembre 2006, New York
Sujet:
Illustration
Illustration
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livres
livres
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$135.00
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural (...)
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural (...)
Publication:
novembre 1999, Cambridge
novembre 1999, Cambridge
Titre:
Antiquity and its interpreters
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural makers of early modern Italy. This volume reconsiders the complex relationship between the two cultures, in light of recent scholarship in the field a new appreciation and awareness of the act of history writing itself. The case studies analyze specific texts, the archaeological projects that made ‘antiquity’ available, the revival of art history and theory, and the appropriation of antiquities to serve social ideologies, among other topics. Demonstrating that the antique model was itself an artful contruct, "Antiquity and its Interpretors" shows that the originality of Renaissance culture owed as much to ignorance about antiquity as to an understanding of it. It also provides a synthesis of seminal work that recognizes the reciprocal relationship of the Renaissance to Antiquity. Contributors include James Ackerman, David Galbraith, Patricia Fortini Brown, Philip Sohm, Sheila Bonde, Martine Furno II, Marina Belozerskaya, Kenneth D. S. Lapatin, Leonard Barkan, Julia Branna Perlman, Nicola Courtright, Alina A. Payne, Rebekah Smick, Gehard Wolf, Christof Thoenes, Michael Koortbojian, Tod Marder, Phyllis Pray Bober, Richard Betts, Catherine Wilkinson Zerner, Richard Brilliant, Michael Ann Holly, Carl Goldstein.
Antiquity and its interpreters
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural makers of early modern Italy. This volume reconsiders the complex relationship between the two cultures, in light of recent scholarship in the field a new appreciation and awareness of the act of history writing itself. The case studies analyze specific texts, the archaeological projects that made ‘antiquity’ available, the revival of art history and theory, and the appropriation of antiquities to serve social ideologies, among other topics. Demonstrating that the antique model was itself an artful contruct, "Antiquity and its Interpretors" shows that the originality of Renaissance culture owed as much to ignorance about antiquity as to an understanding of it. It also provides a synthesis of seminal work that recognizes the reciprocal relationship of the Renaissance to Antiquity. Contributors include James Ackerman, David Galbraith, Patricia Fortini Brown, Philip Sohm, Sheila Bonde, Martine Furno II, Marina Belozerskaya, Kenneth D. S. Lapatin, Leonard Barkan, Julia Branna Perlman, Nicola Courtright, Alina A. Payne, Rebekah Smick, Gehard Wolf, Christof Thoenes, Michael Koortbojian, Tod Marder, Phyllis Pray Bober, Richard Betts, Catherine Wilkinson Zerner, Richard Brilliant, Michael Ann Holly, Carl Goldstein.
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livres
livres
Publication:
novembre 1999, Cambridge
novembre 1999, Cambridge
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livres
livres
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$52.50
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In this fascinating and innovative look at nineteenth-century London, this book offers a new account of modernity and metropolitan life. It charts the relationship between London's formation into a modern organized city in the 1860s and the emergence of new(...)
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In this fascinating and innovative look at nineteenth-century London, this book offers a new account of modernity and metropolitan life. It charts the relationship between London's formation into a modern organized city in the 1860s and the emergence of new(...)
Titre:
Victorian Babylon : people, streets and images in nineteenth-century London
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In this fascinating and innovative look at nineteenth-century London, this book offers a new account of modernity and metropolitan life. It charts the relationship between London's formation into a modern organized city in the 1860s and the emergence of new types of production and consumption of visual culture. She considers the role visual images played in the creation of a vibrant and diverse urban culture and how new kinds of publics were created for these representations. Shifting the focus of the history of modernity from Paris to London, Nead here argues for a different understanding of gender and public space in a society where women joined the everyday life of city streets and entered the debates concerning morality, spectacle, and adventure. The book draws on texts and images of many kinds -- including acts of Parliament, literature, newspaper reports, private letters, maps, paintings, advertisements, posters, and banned obscene publications. Taking a highly interdisciplinary approach, Nead explores such intriguing topics as the efforts of urban improvers to move water, air, traffic, goods, and people in the Victorian metropolis; the impact of gas lighting and glass on urban leisure; and the obscenity legislation that emerged in response to new forms of visual mass culture that were perceived as dangerous and pervasive.
Victorian Babylon : people, streets and images in nineteenth-century London
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In this fascinating and innovative look at nineteenth-century London, this book offers a new account of modernity and metropolitan life. It charts the relationship between London's formation into a modern organized city in the 1860s and the emergence of new types of production and consumption of visual culture. She considers the role visual images played in the creation of a vibrant and diverse urban culture and how new kinds of publics were created for these representations. Shifting the focus of the history of modernity from Paris to London, Nead here argues for a different understanding of gender and public space in a society where women joined the everyday life of city streets and entered the debates concerning morality, spectacle, and adventure. The book draws on texts and images of many kinds -- including acts of Parliament, literature, newspaper reports, private letters, maps, paintings, advertisements, posters, and banned obscene publications. Taking a highly interdisciplinary approach, Nead explores such intriguing topics as the efforts of urban improvers to move water, air, traffic, goods, and people in the Victorian metropolis; the impact of gas lighting and glass on urban leisure; and the obscenity legislation that emerged in response to new forms of visual mass culture that were perceived as dangerous and pervasive.
Classification:
livres
livres
Publication:
novembre 2000, New Haven
novembre 2000, New Haven
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Logic of the collection
Logic of the collection
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$39.00
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In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the(...)
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In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the(...)
Titre:
Logic of the collection
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In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the display of art. In our age of digital media, how does a particular artwork get selected for a museum collection? Which symbolic criteria must this artwork satisfy for it to obtain value? And in what ways does the institution of the museum remain relevant? 'Logic of the Collection' is framed by Boris Groys’s original and provocative proposition: an artwork is considered historically relevant if it fits the logic of the museum collection. In these critical essays, the philosopher and theorist of art and media analyzes the relationship between the logic of the collection and various modern ideologies. He reflects on the explosion of art production and distribution through the ascendency of digital media as well as the ways in which the accumulated artworks will be collected and preserved in the future, as the potential limits of public and private collections are reached.
Logic of the collection
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In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the display of art. In our age of digital media, how does a particular artwork get selected for a museum collection? Which symbolic criteria must this artwork satisfy for it to obtain value? And in what ways does the institution of the museum remain relevant? 'Logic of the Collection' is framed by Boris Groys’s original and provocative proposition: an artwork is considered historically relevant if it fits the logic of the museum collection. In these critical essays, the philosopher and theorist of art and media analyzes the relationship between the logic of the collection and various modern ideologies. He reflects on the explosion of art production and distribution through the ascendency of digital media as well as the ways in which the accumulated artworks will be collected and preserved in the future, as the potential limits of public and private collections are reached.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Miroslav Sasek
Miroslav Sasek
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Czech artist Miroslav Šašek (1916–1980) is celebrated for his pioneering approach to narrative nonfiction picture books, particularly his bestselling This Is series, which began with ''This is Paris'' in 1959 and eventually totaled eighteen books. With their distinct visual vocabulary, this witty collection of travel guides illustrating life and culture in a variety of(...)
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Czech artist Miroslav Šašek (1916–1980) is celebrated for his pioneering approach to narrative nonfiction picture books, particularly his bestselling This Is series, which began with ''This is Paris'' in 1959 and eventually totaled eighteen books. With their distinct visual vocabulary, this witty collection of travel guides illustrating life and culture in a variety of(...)
Titre:
Miroslav Sasek
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$39.95
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Czech artist Miroslav Šašek (1916–1980) is celebrated for his pioneering approach to narrative nonfiction picture books, particularly his bestselling This Is series, which began with ''This is Paris'' in 1959 and eventually totaled eighteen books. With their distinct visual vocabulary, this witty collection of travel guides illustrating life and culture in a variety of cities and countries around the world from a child’s perspective, became immensely popular and garnered many awards. The artist’s charming travelogues continue to appeal to adults and children alike, even in a digital age exploding with travel imagery. Acclaimed author Martin Salisbury analyzes Šašek’s techniques and how his work not only reflects his architectural training and the ideas of the midcentury European avant-garde, but also the influence of contemporaries such as Saul Steinberg. In this beautifully designed volume, illustrated with sketches and original artwork from the Šašek Foundation in Prague, with examples ranging from Greece to Hong Kong, Rome to San Francisco, Ireland to Israel, Paris to New York, and more, Šašek’s best-known works come alive alongside lesser-known aspects of his practice, such as oil painting. Full of insight into the life and work of a singular talent, ''Miroslav Šašek'' will appeal to illustrators and those interested in the midcentury modern period.
Miroslav Sasek
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Czech artist Miroslav Šašek (1916–1980) is celebrated for his pioneering approach to narrative nonfiction picture books, particularly his bestselling This Is series, which began with ''This is Paris'' in 1959 and eventually totaled eighteen books. With their distinct visual vocabulary, this witty collection of travel guides illustrating life and culture in a variety of cities and countries around the world from a child’s perspective, became immensely popular and garnered many awards. The artist’s charming travelogues continue to appeal to adults and children alike, even in a digital age exploding with travel imagery. Acclaimed author Martin Salisbury analyzes Šašek’s techniques and how his work not only reflects his architectural training and the ideas of the midcentury European avant-garde, but also the influence of contemporaries such as Saul Steinberg. In this beautifully designed volume, illustrated with sketches and original artwork from the Šašek Foundation in Prague, with examples ranging from Greece to Hong Kong, Rome to San Francisco, Ireland to Israel, Paris to New York, and more, Šašek’s best-known works come alive alongside lesser-known aspects of his practice, such as oil painting. Full of insight into the life and work of a singular talent, ''Miroslav Šašek'' will appeal to illustrators and those interested in the midcentury modern period.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Prix:
$41.95
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The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he(...)
$41.95
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The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he(...)
Titre:
The urban spectator: American concept-cities from Kodak to Google
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The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he labels "possessive spectatorship." Lacking the historical rootedness of European cities, the American city was open to individual interpretation, definition, and ownership. Beginning with the White City of the Chicago World's Fair of 1893 and the efforts to commodify the concept city through photography, Gordon shows how the American city has always been a product of the collision between the dominant conceptualization, shaped by contemporary media, and the spectator. From the viewfinder of the Kodak camera, to the public display of early cinema, to the speculative desire of network radio, all the way to machine-age utopianism, nostalgia, and America's "rerun" culture, the city is an amalgam of practice and concept. All of this comes to a head in the "database city" where urban spectatorship takes on the characteristics of a Google search. In new urban developments, the spectator searches, retrieves, and combines urban references to construct each experience of the city.
The urban spectator: American concept-cities from Kodak to Google
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$41.95
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The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he labels "possessive spectatorship." Lacking the historical rootedness of European cities, the American city was open to individual interpretation, definition, and ownership. Beginning with the White City of the Chicago World's Fair of 1893 and the efforts to commodify the concept city through photography, Gordon shows how the American city has always been a product of the collision between the dominant conceptualization, shaped by contemporary media, and the spectator. From the viewfinder of the Kodak camera, to the public display of early cinema, to the speculative desire of network radio, all the way to machine-age utopianism, nostalgia, and America's "rerun" culture, the city is an amalgam of practice and concept. All of this comes to a head in the "database city" where urban spectatorship takes on the characteristics of a Google search. In new urban developments, the spectator searches, retrieves, and combines urban references to construct each experience of the city.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten(...)
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten(...)
Titre:
Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
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$60.00
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.
Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Classification:
livres
livres
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$50.00
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
Titre:
Drawing and reinventing landscape
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$50.00
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Drawing and reinventing landscape
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$50.00
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Résumé:
In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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Prix:
$84.00
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Résumé:
This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new(...)
$84.00
(disponible sur commande)
Résumé:
This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new(...)
Titre:
Christian Kerez: uncertain certainty
Actions:
Prix:
$84.00
(disponible sur commande)
Résumé:
This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new light. Architecture critic Erwin Viray delves into this kind of reasoning in a conversation with Kerez, while the book beautifully presents examples of his designs, among them, a high-rise in Zhengzhou, the Museum of Modern Art in Warsaw, social housing in Paraisópolis and a school building in Munich.
Christian Kerez: uncertain certainty
Actions:
Prix:
$84.00
(disponible sur commande)
Résumé:
This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new light. Architecture critic Erwin Viray delves into this kind of reasoning in a conversation with Kerez, while the book beautifully presents examples of his designs, among them, a high-rise in Zhengzhou, the Museum of Modern Art in Warsaw, social housing in Paraisópolis and a school building in Munich.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Architecture, monographies
Architecture, monographies
