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Cet entretien avec Andrea Branzi est issu d'une interviews réalisée pour France Culture et la série d'émissions A Voix Nue. Il y évoque sa propre carrière mais également l'histoire du design italien et explore les tendances du design actuel. Architecte, designer, théoricien, Andrea Branzi (né à Florence en 1938) vit et travaille à Milan depuis 1973. Il est l'un des(...)
Transmission # 1 Andrea Branzi
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Cet entretien avec Andrea Branzi est issu d'une interviews réalisée pour France Culture et la série d'émissions A Voix Nue. Il y évoque sa propre carrière mais également l'histoire du design italien et explore les tendances du design actuel. Architecte, designer, théoricien, Andrea Branzi (né à Florence en 1938) vit et travaille à Milan depuis 1973. Il est l'un des théoriciens de l'architecture radicale italienne, laquelle influença toute une génération d'architectes, de Frank O. Gehry à Daniel Libeskind, de Rem Koolhaas à Bernard Tschumi. Il est membre fondateur du groupe Archizoom Associati avec lequel il propose, en 1967, un projet de ville sans fin, No-Stop City, où le mobilier urbain est le seul élément architecturant. Ses " Radical Notes ", publiées dans la revue Casabella participent au débat théorique de cette époque. De 1974 à 1976, Branzi est membre de Global Tools qui veut être un laboratoire expérimental pour la " créativité de masse ", une contre-école d'architecture et de design. De 1938 à 1987, il dirige la revue Modo. L'activité d'Andrea Branzi s'étend au design industriel, à l'architecture et à l'aménagement urbain. En 1987, il obtient le compas d'or pour l'ensemble de sa carrière. Andrea Benzi est également professeur associé à la faculté d'architecture et de design du Politecnico de Milan
Design, monographies
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was(...)
Pre design 1969: plastic laminate
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was formed in the late 1960s in Milan and in less than a decade gave rise to an extremely interesting experience, which until now has only been partially investigated.
Théorie du design
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viii, 137 pages ; 23 cm
Chicago ; London : University of Chicago Press, 2010.
Architecture, means and ends / Vittorio Gregotti ; translated by Lydia G. Cochrane.
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viii, 137 pages ; 23 cm
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Chicago ; London : University of Chicago Press, 2010.
$80.00
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In "Reinventing heritage," Park Associati—a Milan-based interdisciplinary collective of architects, designers, and researchers—explores the transformative potential of adaptive reuse in architecture as a key strategy to address environmental, social, and economic challenges. Rather than demolishing and rebuilding, adaptive reuse champions the repurposing of existing(...)
Reinventing heritage: A design compass on adaptive reuse
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In "Reinventing heritage," Park Associati—a Milan-based interdisciplinary collective of architects, designers, and researchers—explores the transformative potential of adaptive reuse in architecture as a key strategy to address environmental, social, and economic challenges. Rather than demolishing and rebuilding, adaptive reuse champions the repurposing of existing structures to extend their lifecycle, reduce waste, and foster sustainable urban regeneration. Through a combination of theoretical insights and practical case studies, "Reinventing heritage" highlights the diverse ways in which adaptive reuse can revitalize cities and honor cultural heritage while creating innovative spaces serving contemporary demands.
Arne Quinze : works
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Arne Quinze is a creative phenomenon. This first monograph extensively introduces the designer’s full creative universe from the past, present and future. Over 40 design projects crossing over from furniture, interiors and architecture to urban planning, car design and footwear are showcased with photos, personal sketches and text giving insight into Quinze’s cosmos.(...)
Design, monographies
janvier 2009, Berlin
Arne Quinze : works
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Arne Quinze is a creative phenomenon. This first monograph extensively introduces the designer’s full creative universe from the past, present and future. Over 40 design projects crossing over from furniture, interiors and architecture to urban planning, car design and footwear are showcased with photos, personal sketches and text giving insight into Quinze’s cosmos. Celebrated projects such as furniture collections for Quinze & Milan, Moroso and Swarovski, concept cars for Lamborghini, the colossal wooden Uchronia sculpture at the Burning Man Festival and his monumental Cityscape sculpture project in Brussels are featured.
Design, monographies
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The book includes a selection of the sketches that Lanfranco Bombelli drafted, first in Paris and later in Barcelona, for the graphics of the exhibitions in the American Trade Centers in Milan, Stockholm, Paris and Frankfurt, from 1963 to 1978, until they were closed, as a continuation of what the Marshall Plan had been. His artistry in geometrical compositions is based(...)
Lanfranco Bombelli : US trade center graphics in Europe, 1963-1977
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The book includes a selection of the sketches that Lanfranco Bombelli drafted, first in Paris and later in Barcelona, for the graphics of the exhibitions in the American Trade Centers in Milan, Stockholm, Paris and Frankfurt, from 1963 to 1978, until they were closed, as a continuation of what the Marshall Plan had been. His artistry in geometrical compositions is based on a minimum of plastic means and inspired by mathematical principles. He depicts in this way new products of technological innovation in the fields of pharmaceutics, design industry or printing among others.
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The elusive face of Andrea Palladio is an updated version of the essay "I volti di Palladio" published in December 2016 in the catalogue for the exhibition Andrea Palladio. Il mistero del volto, edited by G. Beltramini, Milan 2016. The exhibition, on view at the Palladio Museum, Vicenza, from December 3, 2016 - June 18, 2017, was produced by the Centro Internazionale di(...)
The elusive face of Andrea Palladio
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The elusive face of Andrea Palladio is an updated version of the essay "I volti di Palladio" published in December 2016 in the catalogue for the exhibition Andrea Palladio. Il mistero del volto, edited by G. Beltramini, Milan 2016. The exhibition, on view at the Palladio Museum, Vicenza, from December 3, 2016 - June 18, 2017, was produced by the Centro Internazionale di Studi di Architettura Andrea Palladio and the Soprintendenza archeologia, belle arti e paesaggio per le province di Verona, Rovigo e Vincenza, in collaboration with ROSIZO State Museum and Exhibition Center, Moscow.
Architecture, monographies
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This volume is dedicated to Piero Portaluppi (1888-1967), a significant and recently rediscovered figure of Italian twentieth-century architecture. Long neglected by critics, his work has been revisited and rightly reappraised thanks to the opening of Villa Necchi in Milan to the public. The book traces Portaluppi’s work through three design typologies: living spaces,(...)
Piero Portaluppi: Between tradition and the avant-garde
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This volume is dedicated to Piero Portaluppi (1888-1967), a significant and recently rediscovered figure of Italian twentieth-century architecture. Long neglected by critics, his work has been revisited and rightly reappraised thanks to the opening of Villa Necchi in Milan to the public. The book traces Portaluppi’s work through three design typologies: living spaces, the aesthetics of industrial structures and public places. Notable examples of the industrial spaces include the power plants that Portalupi lovingly constructed from 1910 to 1930, real architectural gems with an eclectic taste.
Architecture, monographies
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Travelling exhibition catalogue (Middelburg, Milan, Paris) of an exhibition project presenting 12 emerging young artists, providing a theoretical hypothesis on the use and manipulation of forms, images and texts, highlighting both their formal implications and their philosophical, political and social content.The artists will thus not only reflect on the potential themes(...)
Beyond the dust : artists' documents today
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Travelling exhibition catalogue (Middelburg, Milan, Paris) of an exhibition project presenting 12 emerging young artists, providing a theoretical hypothesis on the use and manipulation of forms, images and texts, highlighting both their formal implications and their philosophical, political and social content.The artists will thus not only reflect on the potential themes raised by the various components, but will offer a broader reflection on the contemporary meaning of memory, and hence authenticity, fiction and falsehood. Artists include Richard Sympson, Batia Suter, Irene Kopelman, Jeroen Kooijmans, Invernomuto, Mark Geffriaud, Linda Fregni Nagler, Diego Marcon and others.
Théorie de l’art
Abitare: 50 years of design
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The first-ever compilation of the most innovative design magazine of the 1960s and 1970s. Abitare was founded to cover the growing influence of Italian design but also to gather the most interesting trends worldwide, from the mod fashion in London, and the rise of alternative lifestyles in New York and San Francisco, to the development of industrial design in Milan.(...)
Abitare: 50 years of design
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The first-ever compilation of the most innovative design magazine of the 1960s and 1970s. Abitare was founded to cover the growing influence of Italian design but also to gather the most interesting trends worldwide, from the mod fashion in London, and the rise of alternative lifestyles in New York and San Francisco, to the development of industrial design in Milan. Classic articles from Abitare are reproduced in full, with their original English and Italian texts, while new essays by noted writers and past editors reflect on the influence of this trailblazing magazine.
Design industriel