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Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson’s many notes, letters, and sketches, present a clear and detailed interpretation of(...)
juin 2003, Charlottesville
Thomas Jefferson, landscape architect
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Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson’s many notes, letters, and sketches, present a clear and detailed interpretation of his extraordinary accomplishments in the field. "Thomas Jefferson, Landscape Architect" investigates the many influences on — and of — the Jeffersonian legacy in architecture. Jefferson’s personality, friendships, and convictions, complemented by his extensive reading and travels, clearly influenced his architectural work. His fresh approach to incorporating foreign elements into domestic designs, his revolutionary approach to relating the house to the surrounding land, and his profound influences on the architectural character of the District of Columbia are just a few of Jefferson’s contributions to the American landscape. Eighteenth- and nineteenth-century maps, plans, and drawings, as well as pictures of the species of trees that Jefferson used for his designs, generously illustrate the engaging narrative in "Thomas Jefferson, Landscape Architect".
livres
The afterlife of gardens
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Most historical and critical discussions of gardens focus on their design. What happens after the completion of the design, however, is largely ignored, which neglects a much larger part of the site's interest and potential. For gardens, John Dixon Hunt contends, are experienced, often by a succession of visitors at different times and often from different cultures; this(...)
The afterlife of gardens
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Most historical and critical discussions of gardens focus on their design. What happens after the completion of the design, however, is largely ignored, which neglects a much larger part of the site's interest and potential. For gardens, John Dixon Hunt contends, are experienced, often by a succession of visitors at different times and often from different cultures; this experience, though determined by the original design and its subsequent modifications, also augments the site's potentialities, and this "afterlife" of gardens comes to enhance the original moment of creation. One way of exploring the experience of designed landscapes is to adapt literary reception theory to the study of gardens. Hunt argues that such an approach via the reception or experience of gardens enlarges how we should understand their significance and meanings. It is generally assumed that the experience of gardens became a prime ingredient of late eighteenth-century landscapes -- picturesque literature especially highlighted how visitors responded to their surroundings, reading inscriptions and recognizing the significance of carefully placed architectural items or fabriqués. But there is considerable evidence for a much earlier interest in how experience came to constitute an essential aspect of a site beyond the intentions of the original designer or patron. Among other early examples, Hunt examines the book “Hypnerotomachia Polifili” (1499) to show how its protagonist is shown exploring and negotiating a series of strange and baffling landscapes. Through other inquiries -- particularly into the role of movement in such different situations as Versailles, and Chiswick or along modern highways – “The Afterlife of Gardens” provides a fresh approach to the study of designed landscapes that goes beyond their production and into how they exist and are understood by their users. In this ambitious new book the author shows how the complete history of a garden must extend beyond the moment of its design and the aims of the designer to record its subsequent reception. He raises questions about the preservation of historical sites, and provides lessons for the contemporary designer, who may perhaps be more attentive to the life of a work after its design and implementation. This book will interest all who have a professional interest in gardens, as well as the wide general audience for gardens and landscapes of past and present.
livres
janvier 1900, Philadelphia
Théorie du paysage
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Abstraction and hedge, interaction and landmark, labyrinth and synthesis, pond and utopia — the reader is confronted with a variety of terms, from the description of the various elements of a garden all the way to theoretical, historical, symbolic, and iconographic aspects of landscape design. Meto J. Vroom, a former professor of landscape architecture at Universität(...)
Lexicon of garden and landscape architecture
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Abstraction and hedge, interaction and landmark, labyrinth and synthesis, pond and utopia — the reader is confronted with a variety of terms, from the description of the various elements of a garden all the way to theoretical, historical, symbolic, and iconographic aspects of landscape design. Meto J. Vroom, a former professor of landscape architecture at Universität Wageningen, defines and analyzes more than 250 terms, concepts, and objects. While the definitions convey the universally recognized meaning of the headwords, each essay briefly outlines a subject with a critical commentary and numerous commendations for further reading.
Jardins
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This volume gathers a collection of 50 texts on book design written by designers Siri Lee Lindskrog and Amanda-Li Kollberg of Berlin-based graphic and type design studio Formal Settings. The texts are based on a selection of books from the private collection of the Hopscotch Reading Room, a conceptual bookstore and event space in Berlin. Each text centers on a single book(...)
juin 2024
Notes on book design: By formal settings
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This volume gathers a collection of 50 texts on book design written by designers Siri Lee Lindskrog and Amanda-Li Kollberg of Berlin-based graphic and type design studio Formal Settings. The texts are based on a selection of books from the private collection of the Hopscotch Reading Room, a conceptual bookstore and event space in Berlin. Each text centers on a single book from the collection, examining its visual and tactile elements—from materials to layout to binding to typography. The essays explore the role and potential of books through the lens of design, mapping what their physical forms communicate about their content. Lindskrog and Kollberg draw parallels between each book as a design object and the cultural movements, political landscapes and economic conditions under which they were created. The 50 texts are paired with an introduction by Formal Settings, a foreword by Hopscotch Reading Room and an afterword in which designer, author and educator Prem Krishnamurthy offers additional framing and perspective to the project.
livres
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The Nature of Landscape offers an inspiring, personal account of a quest into the meaning and background of the term ‘landscape’. The author, a landscape planner and designer currently teaching at Eindhoven University of Technology, researches the origins of landscape in our civilization and describes different points of view that have helped shape our opinions on(...)
The nature of landscape : a personal quest
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The Nature of Landscape offers an inspiring, personal account of a quest into the meaning and background of the term ‘landscape’. The author, a landscape planner and designer currently teaching at Eindhoven University of Technology, researches the origins of landscape in our civilization and describes different points of view that have helped shape our opinions on landscape. For the author, our notion of landscape is focused around the terms 'nature versus culture' and 'native versus foreign'. These counterparts make up his 'mindscape diamond', a modified matrix that not only explains trends in landscape perception and design, but also helps to define developments in land use, architecture, urban planning and environmental art. On a more metaphorical level, the author's abundantly illustrated quest is symbolized by a number of personal impressions, such as the discovery of a stone circle in the desert, a lesson in the peculiarities of the Russian language, a journey along the industrial heritage of the German Ruhrgebiet and a visit to a town where ‘Bavaria comes to Washington’. Offering an unexpected reading experience, these and other descriptions demonstrate how varied ‘landscape’ can be. In a worldwide overview of 30 landscape related artworks and 30 park designs, the author discusses landscape attitudes past and present. In a final chapter, he brings together recent developments in society, architecture and art to make a forecast of landscape trends in the near future. Themes such as man-made nature and reinvented heritage conclude this unusual book on the essence of landscape.
livres
mars 2001, Rotterdam
Théorie du paysage
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This book contains over 5,000 entries from Aalto to ziggurat. Illustrated and written in a clear and concise style, it covers all periods of Western architectural history, from ancient times to the present day. It also includes concise biographies of leading architects, from Brunelleschi and Imhotep to Le Corbusier and Richard Rogers. The text is complimented by over 250(...)
Dictionary of architecture and landscape architecture, second edition
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This book contains over 5,000 entries from Aalto to ziggurat. Illustrated and written in a clear and concise style, it covers all periods of Western architectural history, from ancient times to the present day. It also includes concise biographies of leading architects, from Brunelleschi and Imhotep to Le Corbusier and Richard Rogers. The text is complimented by over 250 line drawings, labelled cross-sections and diagrams. New entries include definitions of landscape terms, and biographies of modern architects. Each entry is followed by a mini-bibliography, with suggestions for further reading. It also contains over 50 new illustrations.
Dictionnaires
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Exploring America's material culture, "Common Places" reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history,(...)
Histoire jusqu’à 1900
janvier 1900, Athens, Georgia
Common places : readings in American vernacular architecture
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Exploring America's material culture, "Common Places" reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history, and folklore, these articles reflect the variety and vibrancy of the growing field of vernacular architecture. In essays that focus on buildings and spaces unique to the U.S. landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and Warren E. Roberts reconstruct the social and cultural contexts of the modern bungalow, the small-town courthouse square, the shotgun house of the South, and the log buildings of the Midwest. Surveying the buildings of America's settlement, scholars including Henry Glassie, Norman Morrison Isham, Edward A. Chappell, and Theodore H. M. Prudon trace European ethnic influences in the folk structures of Delaware and the houses of Rhode Island, in Virginia's Renish homes, and in the Dutch barn widely repeated in rural America. Ethnic, regional, and class differences have flavored the nation's vernacular architecture. Fraser D. Neiman reveals overt changes in houses and outbuildings indicative of the growing social separation and increasingly rigid relations between seventeenth-century Virginia planters and their servants. Fred B. Kniffen and Fred W. Peterson show how, following the westward expansion of the nineteenth century, the structures of the eastern elite were repeated and often rejected by frontier builders. Moving into the twentieth century, James Borchert tracks the transformation of the alley from an urban home for Washington's blacks in the first half of the century to its new status in the gentrified neighborhoods of the last decade, while Barbara Rubin's discussion of the evolution of the commercial strip counterpoints the goals of city planners and more spontaneous forms of urban expression. The illustrations that accompany each article present the artifacts of America's material past. Photographs of individual buildings, historic maps of the nation's agricultural expanse, and descriptions of the household furnishings of the Victorian middle class, the urban immigrant population, and the rural farmer's homestead complete the volume, rooting vernacular architecture to the American people, their lives, and their everyday creations.
livres
janvier 1900, Athens, Georgia
Histoire jusqu’à 1900
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This first book in Dongola’s Architecture Series, a platform to publish multi-layered readings of conversations with Arab architects working across the region's contemporary landscapes. Ammar Khammash’s work in building, painting, sculpture and music, together with his social, geological and botanical research break and intersect with every possible disciplinary mold in(...)
Ammar Khammash: Notes on formation. Dongola Architectue series DAS 01
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This first book in Dongola’s Architecture Series, a platform to publish multi-layered readings of conversations with Arab architects working across the region's contemporary landscapes. Ammar Khammash’s work in building, painting, sculpture and music, together with his social, geological and botanical research break and intersect with every possible disciplinary mold in favor of an ongoing momentum of production and dissemination of knowledge. His practice is an act of mutual formation, an ongoing collaboration between himself and nature, which is, in his regard, the only real architect. Rather than package the practice, this book aims to reveal associations, untangle connections, and trace wandering threads. In exploring these various processes of formation – material, intellectual, and otherwise – this book works to offer a reading of architecture that draws on experimentation, context sensitivity and cultural introspection as main foundations.
Architecture, monographies
Landfall : Lukas Felzmann
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Roads that peter out in the middle of nowhere, buildings that no longer make sense, flotsam and jetsam that defy oblivion: Lukas Felzmann's scenery and objects quietly and unobtrusively open up their profound symbolism in the field of tension between desire and memory, hope and pain, dream and reality. Together they form a narrative that follows its own rules, subtly(...)
Landfall : Lukas Felzmann
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Roads that peter out in the middle of nowhere, buildings that no longer make sense, flotsam and jetsam that defy oblivion: Lukas Felzmann's scenery and objects quietly and unobtrusively open up their profound symbolism in the field of tension between desire and memory, hope and pain, dream and reality. Together they form a narrative that follows its own rules, subtly carrying the viewer along on a strange journey, where broad landscapes and deep horizons become expanses onto which visions of all kinds can be projected. Uncompromisingly printed in a small format deliberately set apart from the typical coffee-table picture book, "Landfall" is like a literary work, an existential analysis of the truths and illusions of our civilization, or a piece of poetry full of surprising encounters, whose ambivalence requires repeated reading.
Monographies photo
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"Architecture follows fish" is set in the North Atlantic, and its protagonist is fish. In this book author and architect André Tavares explores the notion of fishing architecture, a concept coined to describe architectural practices that are spawned by fisheries. To encompass the scope of fishing architecture, and to establish the connections between marine ecology and(...)
Architecture follows fish: An amphibious history of the North Atlantic
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"Architecture follows fish" is set in the North Atlantic, and its protagonist is fish. In this book author and architect André Tavares explores the notion of fishing architecture, a concept coined to describe architectural practices that are spawned by fisheries. To encompass the scope of fishing architecture, and to establish the connections between marine ecology and architectural practice, the book oscillates between different continents, centuries, and species. Fisheries are unique, and this book sheds light on that uniqueness through an articulated narrative and a wealth of iconography. Up until now there has been no history of architecture from the perspective of fish, although there are counterparts for meat, timber, oil, and many other industries. Tavares provides a counternarrative to the traditional history of marine environments, which tends to focus on water ecosystems, and instead forms a bridge between what happens at sea and what happens on land. The hope is that, after reading this book, readers will better understand life in the sea in relation to urban growth and terrestrial landscapes.
L'écologie de l'architecure