6440 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
1970-1978
1970-1978
Titre:
Memorial University of Newfoundland, Health Sciences Complex, St. Johns, Newfoundland (1971-1976)
Actions:
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
Memorial University of Newfoundland, Health Sciences Complex, St. Johns, Newfoundland (1971-1976)
Actions:
AP018.S1.1971.PR07
Description:
This project series documents the design and construction of the Health Sciences Complex at Memorial University (MUN) in St. John’s, Newfoundland from 1971-1976. The office identified the project number as 7111. The Health Sciences Complex was built to replace the St. John’s General Hospital. Constructed on MUN’s north campus, the hospital would integrate the university’s medical school to create a teaching hospital. The design included classrooms, labs, and a library for the students. The St. John’s General Hospital and MUN medical school would retain their independence and authority while sharing the space. The proposed design called for a banal building that was always unfinished so that future expansions and changes could be easily accommodated. The project also included the construction of the Utilities Annex building, a separate building to house heating and cooling plants, generators and electrical distribution. Having these facilities in a separate building would allow them to expand the hospital without crucial systems getting in the way. The main expansion envisioned in the scope of this project was the Life Sciences Complex, a university building and hospital connected to the Health Sciences Complex. In the project materials, the project is often referred to as The Health and Life Sciences Complex, although only the Health Sciences Complex was constructed under this project number. The original budget for the project was $60 million, a figure which included the Life Sciences Complex. The project is recorded through drawings, photographic materials, boards of material samples, a painting and textual records dating from 1971-1978. The textual records include correspondence with the client and consultants, meeting minutes and reports, consultancy records, a systems report, food facilities planning records, outline specifications, product catalogues for hospital equipment, research, project proposals, financial documentation and schedules. All of the drawings issued for tender are arranged within the textual materials. There are also two presentation boards, one of a project painting and the other of a photograph of the site model. Box AP018.S1.1971.PR07.049 contains an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1970-1978
1970-1978
Personnes et institutions:
Classification:
articles
articles
Titre:
Architecturer un changement
Architecturer un changement
Actions:
Federica Zambeletti en conversation avec Arno Brandlhuber et Olaf Grawert
Dossier:
Forces de friction
Forces de friction
Publié:
9 décembre 2024
9 décembre 2024
Titre:
Architecturer un changement
Federica Zambeletti en conversation avec Arno Brandlhuber et Olaf Grawert
Actions:
Architecturer un changement
Federica Zambeletti en conversation avec Arno Brandlhuber et Olaf Grawert
Actions:
Dossier:
Forces de friction
Forces de friction
Classification:
événements
événements
Titre:
L'enseignement de... Madrid
L'enseignement de... Madrid
Actions:
Description:
Au lendemain de la tragique crise économique mondiale, l’Espagne fait actuellement les frais d’une absence totale de politique urbanistique, particulièrement en ce qui concerne les réglementations visant l’industrie de la construction. Le resserrement du crédit qui freina la frénésie de construction laissa dans son sillage un vaste territoire de construction inachevées.(...)
Au lendemain de la tragique crise économique mondiale, l’Espagne fait actuellement les frais d’une absence totale de politique urbanistique, particulièrement en ce qui concerne les réglementations visant l’industrie de la construction. Le resserrement du crédit qui freina la frénésie de construction laissa dans son sillage un vaste territoire de construction inachevées.(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
4 décembre 2014 , 18h
4 décembre 2014 , 18h
Titre:
L'enseignement de... Madrid
Actions:
Description:
Au lendemain de la tragique crise économique mondiale, l’Espagne fait actuellement les frais d’une absence totale de politique urbanistique, particulièrement en ce qui concerne les réglementations visant l’industrie de la construction. Le resserrement du crédit qui freina la frénésie de construction laissa dans son sillage un vaste territoire de construction inachevées.(...)
L'enseignement de... Madrid
Actions:
Description:
Au lendemain de la tragique crise économique mondiale, l’Espagne fait actuellement les frais d’une absence totale de politique urbanistique, particulièrement en ce qui concerne les réglementations visant l’industrie de la construction. Le resserrement du crédit qui freina la frénésie de construction laissa dans son sillage un vaste territoire de construction inachevées.(...)
Classification:
événements
événements
Date:
4 décembre 2014
18h
4 décembre 2014
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Personnes et institutions:
Date:
circa 1975-2003
circa 1975-2003
Titre:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Niveau de description archivistique:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
Personnes et institutions:
Classification:
articles
articles
Actions:
Bui Quy Son et Paul-Antoine Lucas d’Exutoire discutent avec Mahé Cordier-Jouanne et Jean Makhlouta des approches et méthodes queer et de la notion de décentrement en architecture
Mot(s)-clé(s):
queer, architecture queer, pratique queer, Paris, conversation, avenir de la pratique architecturale, Bui Quy Son, Paul-Antoine Lucas, Exutoire, Mahé Cordier-Jouanne, Jean Makhlouta
queer, architecture queer, pratique queer, Paris, conversation, avenir de la pratique architecturale, Bui Quy Son, Paul-Antoine Lucas, Exutoire, Mahé Cordier-Jouanne, Jean Makhlouta
Publié:
1 mai 2023
1 mai 2023
Titre:
Paris : entre pratiques collectives et recherche de spatialités queer en ville
Bui Quy Son et Paul-Antoine Lucas d’Exutoire discutent avec Mahé Cordier-Jouanne et Jean Makhlouta des approches et méthodes queer et de la notion de décentrement en architecture
Actions:
Paris : entre pratiques collectives et recherche de spatialités queer en ville
Bui Quy Son et Paul-Antoine Lucas d’Exutoire discutent avec Mahé Cordier-Jouanne et Jean Makhlouta des approches et méthodes queer et de la notion de décentrement en architecture
Actions:
Classification:
articles
articles
Publié:
1 mai 2023
1 mai 2023
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Niveau de description archivistique:
Series
Series
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Andrew Nikiforuk donne une conférence intitulée L’architecture politique du pétrole triomphant, sur le développement rapide de l’exploitation des sables bitumineux dans le Nord de l’Alberta et de ses effets sur la nature de la région et du pays. Si les difficultés rencontrées par les pays exportateurs de pétrole sont bien connues, le Canada doit en prendre connaissance ou(...)
Andrew Nikiforuk donne une conférence intitulée L’architecture politique du pétrole triomphant, sur le développement rapide de l’exploitation des sables bitumineux dans le Nord de l’Alberta et de ses effets sur la nature de la région et du pays. Si les difficultés rencontrées par les pays exportateurs de pétrole sont bien connues, le Canada doit en prendre connaissance ou(...)
Localisation:
Paul-Desmarais Theater
Paul-Desmarais Theater
Date:
17 mars 2011 , 19h
17 mars 2011 , 19h
Titre:
L’enseignement de… Calgary : Andrew Nikiforuk
Actions:
Description:
Andrew Nikiforuk donne une conférence intitulée L’architecture politique du pétrole triomphant, sur le développement rapide de l’exploitation des sables bitumineux dans le Nord de l’Alberta et de ses effets sur la nature de la région et du pays. Si les difficultés rencontrées par les pays exportateurs de pétrole sont bien connues, le Canada doit en prendre connaissance ou(...)
L’enseignement de… Calgary : Andrew Nikiforuk
Actions:
Description:
Andrew Nikiforuk donne une conférence intitulée L’architecture politique du pétrole triomphant, sur le développement rapide de l’exploitation des sables bitumineux dans le Nord de l’Alberta et de ses effets sur la nature de la région et du pays. Si les difficultés rencontrées par les pays exportateurs de pétrole sont bien connues, le Canada doit en prendre connaissance ou(...)
Classification:
événements
événements
Date:
17 mars 2011
19h
17 mars 2011
19h
Localisation:
Paul-Desmarais Theater
Paul-Desmarais Theater
Classification:
événements
événements
Actions:
Description:
À peine à 500 mètres du centre-ville d’Abu Dhabi, l’île de Saadiyat est un paysage urbain de rêve créé par la Tourism Development Investment Company. Saadiyat conjugue secteurs résidentiels de luxe, hotels 5 étoiles et terrains de golf, auxquels s’ajoute un quartier culturel comptant un nombre impressionnant de musées conçus par cinq lauréats du prix Pritzker. Cet(...)
À peine à 500 mètres du centre-ville d’Abu Dhabi, l’île de Saadiyat est un paysage urbain de rêve créé par la Tourism Development Investment Company. Saadiyat conjugue secteurs résidentiels de luxe, hotels 5 étoiles et terrains de golf, auxquels s’ajoute un quartier culturel comptant un nombre impressionnant de musées conçus par cinq lauréats du prix Pritzker. Cet(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
21 août 2014 , 18h
21 août 2014 , 18h
Titre:
L'enseignement de... Saadiyat
Actions:
Description:
À peine à 500 mètres du centre-ville d’Abu Dhabi, l’île de Saadiyat est un paysage urbain de rêve créé par la Tourism Development Investment Company. Saadiyat conjugue secteurs résidentiels de luxe, hotels 5 étoiles et terrains de golf, auxquels s’ajoute un quartier culturel comptant un nombre impressionnant de musées conçus par cinq lauréats du prix Pritzker. Cet(...)
L'enseignement de... Saadiyat
Actions:
Description:
À peine à 500 mètres du centre-ville d’Abu Dhabi, l’île de Saadiyat est un paysage urbain de rêve créé par la Tourism Development Investment Company. Saadiyat conjugue secteurs résidentiels de luxe, hotels 5 étoiles et terrains de golf, auxquels s’ajoute un quartier culturel comptant un nombre impressionnant de musées conçus par cinq lauréats du prix Pritzker. Cet(...)
Classification:
événements
événements
Date:
21 août 2014
18h
21 août 2014
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
événements
événements
Actions:
Description:
Susanne Bauer, chercheure en résidence 2016, présente ses recherches : Les débats théoriques dans le monde de l’architecture aux États-Unis depuis le début des années 1960 portaient souvent sur des questions d’analyse formelle de l’espace architectural et, plus largement, sur l’état de la situation de l’architecture et sur ses perspectives d’avenir. Certains de ces(...)
Susanne Bauer, chercheure en résidence 2016, présente ses recherches : Les débats théoriques dans le monde de l’architecture aux États-Unis depuis le début des années 1960 portaient souvent sur des questions d’analyse formelle de l’espace architectural et, plus largement, sur l’état de la situation de l’architecture et sur ses perspectives d’avenir. Certains de ces(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
21 juillet 2016, 18h
21 juillet 2016, 18h
Titre:
Séminaire de chercheur en résidence : Susanne Bauer
Actions:
Description:
Susanne Bauer, chercheure en résidence 2016, présente ses recherches : Les débats théoriques dans le monde de l’architecture aux États-Unis depuis le début des années 1960 portaient souvent sur des questions d’analyse formelle de l’espace architectural et, plus largement, sur l’état de la situation de l’architecture et sur ses perspectives d’avenir. Certains de ces(...)
Séminaire de chercheur en résidence : Susanne Bauer
Actions:
Description:
Susanne Bauer, chercheure en résidence 2016, présente ses recherches : Les débats théoriques dans le monde de l’architecture aux États-Unis depuis le début des années 1960 portaient souvent sur des questions d’analyse formelle de l’espace architectural et, plus largement, sur l’état de la situation de l’architecture et sur ses perspectives d’avenir. Certains de ces(...)
Classification:
événements
événements
Date:
21 juillet 2016
18h
21 juillet 2016
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
expositions
expositions
Actions:
Localisation:
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
Date:
11 juin 2022 au 26 mars 2023
11 juin 2022 au 26 mars 2023
Classification:
expositions
expositions
Date:
11 juin 2022 au
26 mars 2023
11 juin 2022 au
26 mars 2023
Localisation:
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
