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The most recent issue of "Afterall" at the bookstore.
Afterall 42 Automne/Winter 2016
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The most recent issue of "Afterall" at the bookstore.
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in(...)
Uniformagazine no.6 Spring-Summer 2016
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in progress include a new book in collaboration with geographers Hannah Neate and Ruth Craggs which will highlight the diversity of current responses to modernist architecture; a survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground’ culture… which owed nothing to the official art establishment”; and a book with the sound poet and performance artist Nathan Walker from his residency in June at the Armitt Museum in Cumbria.
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No.7. "Uniformagazine" has so far published contributions by Derek Beaulieu, David Bellingham, John Bevis, Peter Blegvad, Janet Boulton, Paul Bowles, Angus Carlyle, J. R. Carpenter, Chiara Caterina, Rebecca Chesney, Les Coleman, Jeremy Cooper, Simon Cutts, Stephen Duncalf, Martin Fidler, Ian Hamilton Finlay, Michael Gibbs, Kenneth Goldsmith, Michael Hampton, Martha(...)
Uniformagazine no.7 Autumn 2016
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No.7. "Uniformagazine" has so far published contributions by Derek Beaulieu, David Bellingham, John Bevis, Peter Blegvad, Janet Boulton, Paul Bowles, Angus Carlyle, J. R. Carpenter, Chiara Caterina, Rebecca Chesney, Les Coleman, Jeremy Cooper, Simon Cutts, Stephen Duncalf, Martin Fidler, Ian Hamilton Finlay, Michael Gibbs, Kenneth Goldsmith, Michael Hampton, Martha Hellion, Geoffrey Hutchings, Elizabeth James, Ronald Johnson, John Kannenberg, Brian Lane, Cathy Lane, David Matless, Chris McCabe, Claudia Molitor, Gavin Morrison, Reinhard Mucha, Stuart Mugridge, Maria Papadomanolaki, Mark Pawson, Kasper Pincis, Rick Poynor, Steve Roden, Colin Sackett, Dawn Scarfe, Theo Simpson, Grant Smith, Phil Smith, Tim Staples, Gertrude Stein, Peter Suchin, Michael Upton, Erica Van Horn, Jan Voss, Emmanuelle Waeckerle, Ian Waites, Nathan Walker, Eric Watier, Tom Wilkinson, Stephen Willats, Ken Worpole, L. L. Zamenhof.
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Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New(...)
Flat Out : claims on architecture from an unlikely cast
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New Brutalism for the afterlife, while The Graphic Essayist fills columns with new orders. In “Easier Done than Said” an editorial board member appears as The Cameo to make much ado about the reception of the inaugural Chicago Architectural Biennial. The cast for this issue features (in order of appearance) Pier Paolo Tamburelli, Jayne Kelley, Alexander Eisenschmidt, Sam Jacob, Robert Bruegmann, Paul Andersen, Jon Langford, Ellen Grimes, John McMorrough, Ania Jaworska, Zehra Ahmed, R. E. Somol, Penelope Dean, and Julia Di Castri. Character portraits are by Cody Hudson.
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"States of War" is the inaugural issue of a new quarterly journal _Lapham's Quarterly_ edited by Lewis Lapham, former _Harper's Magazine_ editor. Although packaged as a journal/magazine about current issues, it's really a collection of "primary sources" - roughly defined as material contemporary to the time, such as memoirs, speeches, transcripts and poems.
Laphams Quarterly, vol 1, n1, state of war, winter 2008
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"States of War" is the inaugural issue of a new quarterly journal _Lapham's Quarterly_ edited by Lewis Lapham, former _Harper's Magazine_ editor. Although packaged as a journal/magazine about current issues, it's really a collection of "primary sources" - roughly defined as material contemporary to the time, such as memoirs, speeches, transcripts and poems.
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“I remember it being the best music ever. The Beats were so funky then”, says N.Y.’s MC Missy Dee following that vibe and talking about her experiences being one of the first girl MCs at about 1981 - how she was invited by famous Grandmaster Flash to rock on the mic at the age of 15. The most famous MC battle in Hip Hop histoy ever was fought out between two ladies -(...)
Anattitude magazine #3 - old school issue
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“I remember it being the best music ever. The Beats were so funky then”, says N.Y.’s MC Missy Dee following that vibe and talking about her experiences being one of the first girl MCs at about 1981 - how she was invited by famous Grandmaster Flash to rock on the mic at the age of 15. The most famous MC battle in Hip Hop histoy ever was fought out between two ladies - Roxanne Shanté and Sparky D, who struggled for the crown like Muhammed Ali and Joe Frazier. That and more is telling us Brooklyn’s Battle Queen Sparky D with an energetic power like it was yesterday. London’s designer Karen Jane is talking to Cookie, one part of the famous UK rap crew The Cookie Crew about how pure and authenic Hip Hop was back then while dropping their break-through hit “Rok Da House” with the Beatmasters.
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Azure september 2008
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In this issue: Torino Puts Its Backbone into a Post-industrial Future. Italy’s motor city is remaking itself by redeveloping the railway lands that bisect the city.
Azure september 2008
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In this issue: Torino Puts Its Backbone into a Post-industrial Future. Italy’s motor city is remaking itself by redeveloping the railway lands that bisect the city.
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Gentlemen & Arseholes is a reprint of the first issue of the cultural journal Encounter from 1953, along with a series of supplementary materials that are inserted between the original pages.
Encounter, vol 1, october 1967: gentlemen and arseholes
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Gentlemen & Arseholes is a reprint of the first issue of the cultural journal Encounter from 1953, along with a series of supplementary materials that are inserted between the original pages.
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