3261 Résultats
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Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
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Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
Titre:
Retracing the expanded field: encounters between art and architecture
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Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
Retracing the expanded field: encounters between art and architecture
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Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
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livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$54.95
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Résumé:
The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point(...)
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Résumé:
The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2014
juillet 2014
Titre:
Architecture after revolution
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The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee. You will not find here descriptions of popular uprising, armed resistance, or political negotiations, despite these of course forming an integral and necessary part of any radical political transformation. Instead, the authors present a series of provocative projects that try to imagine “the morning after revolution.”
Architecture after revolution
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The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee. You will not find here descriptions of popular uprising, armed resistance, or political negotiations, despite these of course forming an integral and necessary part of any radical political transformation. Instead, the authors present a series of provocative projects that try to imagine “the morning after revolution.”
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livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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L’apparition du numérique a entraîné ces dernières années une transformation profonde des modèles de production et de circulation des livres, qui ont peu changé depuis le XVIIIe siècle. Le web, en particulier, a provoqué une remise en question du sens même du partage des connaissances : d’une économie de la rareté, nous sommes passés à la surabondance. Auparavant, une(...)
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Résumé:
L’apparition du numérique a entraîné ces dernières années une transformation profonde des modèles de production et de circulation des livres, qui ont peu changé depuis le XVIIIe siècle. Le web, en particulier, a provoqué une remise en question du sens même du partage des connaissances : d’une économie de la rareté, nous sommes passés à la surabondance. Auparavant, une(...)
Publication:
novembre 2014
novembre 2014
Titre:
Pratique de l'édition numérique
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L’apparition du numérique a entraîné ces dernières années une transformation profonde des modèles de production et de circulation des livres, qui ont peu changé depuis le XVIIIe siècle. Le web, en particulier, a provoqué une remise en question du sens même du partage des connaissances : d’une économie de la rareté, nous sommes passés à la surabondance. Auparavant, une poignée d’institutions centralisatrices, privées et publiques, étaient garantes du choix, de l’évaluation et de la distribution des contenus ; aujourd’hui, il n’y a plus de systèmes de légitimation, ou alors ils sont déstructurés. Après avoir fait le constat de la crise de ces modèles et de la difficulté d’en proposer de nouveaux, ce livre présente les enjeux et les défis complexes du nouveau monde de l’édition numérique.
Pratique de l'édition numérique
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L’apparition du numérique a entraîné ces dernières années une transformation profonde des modèles de production et de circulation des livres, qui ont peu changé depuis le XVIIIe siècle. Le web, en particulier, a provoqué une remise en question du sens même du partage des connaissances : d’une économie de la rareté, nous sommes passés à la surabondance. Auparavant, une poignée d’institutions centralisatrices, privées et publiques, étaient garantes du choix, de l’évaluation et de la distribution des contenus ; aujourd’hui, il n’y a plus de systèmes de légitimation, ou alors ils sont déstructurés. Après avoir fait le constat de la crise de ces modèles et de la difficulté d’en proposer de nouveaux, ce livre présente les enjeux et les défis complexes du nouveau monde de l’édition numérique.
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livres
livres
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novembre 2014
novembre 2014
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vidéo
vidéo
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1 streaming video file (42 sec.) : silent, colour
Description:
1 streaming video file (42 sec.) : silent, colour
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[Montréal] : CCA, [2014]
[Montréal] : CCA, [2014]
Titre:
L'histoire se répète = History repeats itself.
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1 streaming video file (42 sec.) : silent, colour
L'histoire se répète = History repeats itself.
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1 streaming video file (42 sec.) : silent, colour
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vidéo
vidéo
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[Montréal] : CCA, [2014]
[Montréal] : CCA, [2014]
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audio
audio
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1 online resource.
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[Place of publication not identified] : e-flux, 2024.
[Place of publication not identified] : e-flux, 2024.
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audio
audio
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[Place of publication not identified] : e-flux, 2024.
[Place of publication not identified] : e-flux, 2024.
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audio
audio
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1 online resource
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[Place of publication not identified] : ArtFCity, 2017.
[Place of publication not identified] : ArtFCity, 2017.
Titre:
Making Monstrosity Visible in Three Parts : Paglen, Ga, and Fast.
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1 online resource
Making Monstrosity Visible in Three Parts : Paglen, Ga, and Fast.
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1 online resource
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audio
audio
Publication:
[Place of publication not identified] : ArtFCity, 2017.
[Place of publication not identified] : ArtFCity, 2017.
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125 pages ; 19 cm
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125 pages ; 19 cm
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Paris : Découverte, 2009.
Paris : Découverte, 2009.
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livres
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Paris : Découverte, 2009.
Paris : Découverte, 2009.
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vidéo
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1 online resource (1 video file (3 min., 22 sec.)) : sound, color
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1 online resource (1 video file (3 min., 22 sec.)) : sound, color
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[Montréal] : CCA, [2014]
[Montréal] : CCA, [2014]
Titre:
David Gissen presents The Mound of Vendôme
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1 online resource (1 video file (3 min., 22 sec.)) : sound, color
David Gissen presents The Mound of Vendôme
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1 online resource (1 video file (3 min., 22 sec.)) : sound, color
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vidéo
vidéo
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[Montréal] : CCA, [2014]
[Montréal] : CCA, [2014]
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livres
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92 pages : illustrations ; 21 cm.
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92 pages : illustrations ; 21 cm.
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Cambridge, Massachusetts : Harvard University Graduate School of Design ; Berlin : Sternberg Press, [2015], ©2015
Cambridge, Massachusetts : Harvard University Graduate School of Design ; Berlin : Sternberg Press, [2015], ©2015
Titre:
The architecture of taste / Pierre Hermé with Savinien Caracostea and Sanford Kwinter.
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92 pages : illustrations ; 21 cm.
The architecture of taste / Pierre Hermé with Savinien Caracostea and Sanford Kwinter.
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92 pages : illustrations ; 21 cm.
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livres
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Cambridge, Massachusetts : Harvard University Graduate School of Design ; Berlin : Sternberg Press, [2015], ©2015
Cambridge, Massachusetts : Harvard University Graduate School of Design ; Berlin : Sternberg Press, [2015], ©2015
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279 pages : illustrations (chiefly color) ; 24 cm
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279 pages : illustrations (chiefly color) ; 24 cm
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North Point, Hong Kong : viction:ary, [2022], ©2022
North Point, Hong Kong : viction:ary, [2022], ©2022
Titre:
Good by design : ideas for a better world : 77 impactful projects / edited and produced by viction:ary ; creative direction by Victor Cheung.
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279 pages : illustrations (chiefly color) ; 24 cm
Good by design : ideas for a better world : 77 impactful projects / edited and produced by viction:ary ; creative direction by Victor Cheung.
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279 pages : illustrations (chiefly color) ; 24 cm
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livres
livres
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North Point, Hong Kong : viction:ary, [2022], ©2022
North Point, Hong Kong : viction:ary, [2022], ©2022
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