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Plus célèbre pour ses motifs floraux que pour son engagement politique, William Morris (1834-1896) consacre pourtant une partie de sa vie à dénoncer les contradictions internes du capitalisme. À travers ses discours, ses utopies politiques ou sa pratique artistique, il alerte sur les effets destructeurs de l’industrialisme, tant écologiques que sociaux. Convaincu que(...)
William Morris et la vie belle et créatrice
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Plus célèbre pour ses motifs floraux que pour son engagement politique, William Morris (1834-1896) consacre pourtant une partie de sa vie à dénoncer les contradictions internes du capitalisme. À travers ses discours, ses utopies politiques ou sa pratique artistique, il alerte sur les effets destructeurs de l’industrialisme, tant écologiques que sociaux. Convaincu que la beauté donne sens à l’existence, il appelle à la convivialité, à l’épanouissement personnel et à l’émancipation collective, grâce à la réappropriation des activités créatrices. Florent Bussy nous montre que sa vision d’une société fondée sur le partage plutôt que la concurrence, l’égalité plutôt que la domination, la beauté plutôt que l’artifice, la qualité plutôt que le gaspillage est une source d’inspiration inestimable pour tout projet de transformation sociale radicale.
Théorie/ philosophie
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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different(...)
The new design museum: Co-creating the present, prototyping the future
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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different geographical locations, it reveals how spaces of culture dedicated to design need transformation—of their missions, programs, and outreach platforms—to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. This book ultimately examines the critical role of cultural institutions as engines for knowledge production, where a democratic politics of mutual care and shared purpose can be explored and exercised.
Muséologie
James Andrew Rosen: aphasia
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"aphasia" is divided into the four seasons, ver (spring), hiems (winter), autumnus (fall), and aestas (summer), symbolizing in this context the various stages that bridge the moments before, during, and after transformational moments. The linearity of the seasons is disrupted throughout the book through the use of translucent pages, highlighting their transformation. In(...)
James Andrew Rosen: aphasia
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"aphasia" is divided into the four seasons, ver (spring), hiems (winter), autumnus (fall), and aestas (summer), symbolizing in this context the various stages that bridge the moments before, during, and after transformational moments. The linearity of the seasons is disrupted throughout the book through the use of translucent pages, highlighting their transformation. In ver the book opens with a stream of dreamy and very light images, representing peace and stasis, these are the moments before. In hiems, the pallet turns very cold, the images are set on black, with various figures in states of flight or distress. Autumus presents moments of both discovery and decay, dual aspects of healing processes, and finally, aestas, features a return to the vitality of the outside world.
Monographies photo
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Building on Jeanne Gang’s recent book of the same name, "The art of architectural grafting" explores her concept for bringing new life to existing buildings through strategic additions that expand on structures’ original capacity and minimise their carbon footprint. The horticultural practice of grafting connects two separate plants, one old and one new, so they can grow(...)
Jeanne Gang: The Art of Architectural Grafting
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Building on Jeanne Gang’s recent book of the same name, "The art of architectural grafting" explores her concept for bringing new life to existing buildings through strategic additions that expand on structures’ original capacity and minimise their carbon footprint. The horticultural practice of grafting connects two separate plants, one old and one new, so they can grow and flourish as one. This centuries-old technique is still employed today in the quest for more fruitful, tastier and more resilient plant varieties. Gang’s concept of architectural grafting applies the sensibility and principles of this approach to design at multiple scales. Rather than demolition and new construction, this approach focuses on the transformation and expansion of existing structures, thereby preserving both historic fabric and material resources.
Architecture contemporaine
C3 436: Seung H-Sang
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''C3 436'' explores architecture shaped by place, purpose, and poetic depth. New Projects chapter features Leopold Banchini Architects who craft an off-grid house inspired by ancestral wisdom in the Moroccan desert, while a modernist library by Jakob + MacFarlane reimagines the Tree of Knowledge. Seung H-Sang’s meditative designs reflect an architecture of boundaries and(...)
C3 436: Seung H-Sang
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''C3 436'' explores architecture shaped by place, purpose, and poetic depth. New Projects chapter features Leopold Banchini Architects who craft an off-grid house inspired by ancestral wisdom in the Moroccan desert, while a modernist library by Jakob + MacFarlane reimagines the Tree of Knowledge. Seung H-Sang’s meditative designs reflect an architecture of boundaries and the afterlife, portrayed here in the Order of St. Benedict Waegwan Abbey. K-Projects illustrates layered stories: Seoul’s urban transformation, subtle civic centers, and cultural roots nurtured in agricultural settings. Featuring Terminal 7 Architects, 818 architects, Chak Chak Studio and Young-pil Kim + YuMi Hyun. Across interviews and essays, architects and critics reflect on building with memory, identity, and imagination in a rapidly shifting world.
Revues
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This research by a+t research group proposes an alternative reading of the history of housing. Rather than being organised around architectural styles or movements, it is structured through five essential conditions that define the lived experience of inhabitation: Opulence, Precarity, Dignity, Prosperity, and Fraternity. Drawing on 178 case studies—ranging from the onset(...)
Housing Loops - Opulence, Precarity, Dignity, Prosperity and Fraternity
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This research by a+t research group proposes an alternative reading of the history of housing. Rather than being organised around architectural styles or movements, it is structured through five essential conditions that define the lived experience of inhabitation: Opulence, Precarity, Dignity, Prosperity, and Fraternity. Drawing on 178 case studies—ranging from the onset of the Industrial Revolution in the mid-eighteenth century to the second decade of the twenty-first—this critical chronology maps the evolution of collective housing in relation to the social demands of each historical period. The timeline identifies key patterns in housing design, recurring spatial loops that transcend eras, advances in construction technologies, and the transformation of the domestic unit as a nucleus of cohabitation.
Architecture résidentielle
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Au cours des trois dernières décennies, le numérique s’est irrémédiablement immiscé dans les objets du quotidien et les pratiques socioculturelles. Il s’éprouve notamment à travers l’utilisation des plateformes, des moteurs de recherche et de la téléphonie mobile. Pour qualifier ce déploiement technique et économique, la notion de «?service?» est continuellement(...)
Numérique. La tentation du service
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Au cours des trois dernières décennies, le numérique s’est irrémédiablement immiscé dans les objets du quotidien et les pratiques socioculturelles. Il s’éprouve notamment à travers l’utilisation des plateformes, des moteurs de recherche et de la téléphonie mobile. Pour qualifier ce déploiement technique et économique, la notion de «?service?» est continuellement convoquée. Mais comment caractériser le pouvoir de transformation du numérique sur notre manière d’être au monde?? Comment l’idée, qui fut celle du design moderne, de chercher à mettre des formes au monde, peut-elle s’en accommoder?? En revenant notamment sur le travail de Walter Gropius et Louis Sullivan, Pierre-Damien Huyghe montre qu’il nous faut désormais affronter un risque nouveau?: celui de la perversité d’objets à double sens, ou à double fonction.
Expositions en cours
Sebastião Salgado: Glaciers
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Sebastia~o Salgado brings together 65 duotone photographs from his epic project "Genesis," offering a visual survey of some of the planet’s most remote and ice-bound regions. From the ice fields of Patagonia and the peaks of the Himalayas to the vast shelves of Antarctica and the volcanic flanks of Kamchatka, these images record the forms, textures, and scale of glacial(...)
Sebastião Salgado: Glaciers
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Sebastia~o Salgado brings together 65 duotone photographs from his epic project "Genesis," offering a visual survey of some of the planet’s most remote and ice-bound regions. From the ice fields of Patagonia and the peaks of the Himalayas to the vast shelves of Antarctica and the volcanic flanks of Kamchatka, these images record the forms, textures, and scale of glacial landscapes around the world. Shot in Salgado’s large-format, black-and-white style, the photographs emphasize the physical presence of ice—its ridges, fractures, density, and drift. Light and shadow reveal the structural complexity of each scene, from massive crevasses to the delicate patterns of wind-swept snow. An essay by climate scientist Elisa Palazzi examines the science of glacier formation, transformation, and decline.
Monographies photo
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For the past three centuries, urban dwellers and planners have imagined future cities that would be radically different from those of the past. Planners pursued progress, whether focused on flying vehicles above, sewage systems below, or daily life in between. Yet, as Bruno Carvalho shows in this original and wide-ranging history, which features some sixty illustrations,(...)
The invention of the future: A history of cities in the modern world
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For the past three centuries, urban dwellers and planners have imagined future cities that would be radically different from those of the past. Planners pursued progress, whether focused on flying vehicles above, sewage systems below, or daily life in between. Yet, as Bruno Carvalho shows in this original and wide-ranging history, which features some sixty illustrations, modern cities continuously defied predictions. Visionary designs and technological innovations created dramatic, unforeseen outcomes, and the ongoing urban boom is a story of continuity as well as rupture. A compelling history of imagined futures and the transformation of urban life, The Invention of the Future also suggests what we might learn from the stories of our cities as we shape them for the twenty-first century.
Théorie de l’urbanisme
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Helsinki is among the European cities that have undergone profound transformation in recent years. This third edition of the architectural guide offers a comprehensive record of these changes. While central districts have largely retained their historic character, peripheral areas have been reshaped through the conversion of former industrial and harbour sites into new(...)
Architectural guide Helsiniki: Buildings and projects from 1917 to the present day
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Helsinki is among the European cities that have undergone profound transformation in recent years. This third edition of the architectural guide offers a comprehensive record of these changes. While central districts have largely retained their historic character, peripheral areas have been reshaped through the conversion of former industrial and harbour sites into new residential and commercial quarters. Featuring 210 buildings designed since Finland’s independence from Russia in 1917, the guide is organised chronologically, allowing readers to trace architectural developments and stylistic shifts over time. Two introductory essays provide architectural history and urban-planning context, while profiles of Finnish architects offer insight into the key figures who have shaped the city’s built environment. Owing to its close proximity, selected buildings in Espoo are also included.
Guides des villes