3141 Résultats
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Activism doubt
Activism doubt
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$35.95
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The visual report ‘Activism Doubt,’ is the vibrant result of a series of public works where Jonas Staal and Harmen de Hoop used each other as performers for their respective works according to a number of agreed rules. This process resulted in a powerful mapping of artistic possibilities that engage with public space/the public domain, while also examining such questions(...)
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The visual report ‘Activism Doubt,’ is the vibrant result of a series of public works where Jonas Staal and Harmen de Hoop used each other as performers for their respective works according to a number of agreed rules. This process resulted in a powerful mapping of artistic possibilities that engage with public space/the public domain, while also examining such questions(...)
Publication:
janvier 2010
janvier 2010
Titre:
Activism doubt
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$35.95
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The visual report ‘Activism Doubt,’ is the vibrant result of a series of public works where Jonas Staal and Harmen de Hoop used each other as performers for their respective works according to a number of agreed rules. This process resulted in a powerful mapping of artistic possibilities that engage with public space/the public domain, while also examining such questions as – is it possible to combine both political and artistic objectives?, and; what is the influence of the artist on the structure and usage of the public domain? Intriguing and engaging, the book is illustrated throughout and accompanied by interviews with the two artists, letters and explanatory notes.
Activism doubt
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$35.95
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The visual report ‘Activism Doubt,’ is the vibrant result of a series of public works where Jonas Staal and Harmen de Hoop used each other as performers for their respective works according to a number of agreed rules. This process resulted in a powerful mapping of artistic possibilities that engage with public space/the public domain, while also examining such questions as – is it possible to combine both political and artistic objectives?, and; what is the influence of the artist on the structure and usage of the public domain? Intriguing and engaging, the book is illustrated throughout and accompanied by interviews with the two artists, letters and explanatory notes.
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livres
livres
Publication:
janvier 2010
janvier 2010
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livres
livres
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Typography sketchbooks
Typography sketchbooks
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$62.00
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Résumé:
Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings(...)
$62.00
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Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings(...)
Publication:
octobre 2011
octobre 2011
Titre:
Typography sketchbooks
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$62.00
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Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings provide fascinating insights into the expressive quality of letters and words. Aimed at all those who use type, whether by hand or on-screen, this pleasing compendium stresses the importance of good typography at a time when reading habits are changing and celebrates a craft that has endured for centuries.
Typography sketchbooks
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$62.00
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Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings provide fascinating insights into the expressive quality of letters and words. Aimed at all those who use type, whether by hand or on-screen, this pleasing compendium stresses the importance of good typography at a time when reading habits are changing and celebrates a craft that has endured for centuries.
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livres
livres
Publication:
octobre 2011
octobre 2011
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livres
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$45.00
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Résumé:
Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings(...)
$45.00
(disponible sur commande)
Résumé:
Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings(...)
Publication:
février 2012
février 2012
Titre:
Typography sketchbooks (Paperback version)
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$45.00
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Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings provide fascinating insights into the expressive quality of letters and words. Aimed at all those who use type, whether by hand or on-screen, this pleasing compendium stresses the importance of good typography at a time when reading habits are changing and celebrates a craft that has endured for centuries.
Typography sketchbooks (Paperback version)
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$45.00
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Résumé:
Typography is an obsession for most designers. It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings provide fascinating insights into the expressive quality of letters and words. Aimed at all those who use type, whether by hand or on-screen, this pleasing compendium stresses the importance of good typography at a time when reading habits are changing and celebrates a craft that has endured for centuries.
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livres
livres
Publication:
février 2012
février 2012
Classification:
audio
audio
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1 online resource (1 audio file)
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Joshua Citarella 2020
Joshua Citarella 2020
Titre:
Memes as Politics : Episode 06: So Much for the Tolerant Tech
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1 online resource (1 audio file)
Memes as Politics : Episode 06: So Much for the Tolerant Tech
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1 online resource (1 audio file)
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audio
audio
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Joshua Citarella 2020
Joshua Citarella 2020
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1 online resource (77 PDF pages) : illustrations
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Paris : Onestar Press, 2003
Paris : Onestar Press, 2003
Titre:
All the men who think they can be me / Mary Ellen Carroll.
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1 online resource (77 PDF pages) : illustrations
All the men who think they can be me / Mary Ellen Carroll.
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1 online resource (77 PDF pages) : illustrations
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Paris : Onestar Press, 2003
Paris : Onestar Press, 2003
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4 pages, 55 plates : illustrations, plans, portrait ; 49 cm
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4 pages, 55 plates : illustrations, plans, portrait ; 49 cm
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Roma : Nella stamperìa di Niccolò, e Marco Pagliarini mercanti librari, e stampatori, 1743 [i.e. 1773?]
Roma : Nella stamperìa di Niccolò, e Marco Pagliarini mercanti librari, e stampatori, 1743 [i.e. 1773?]
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Castelli : e ponti di maestro Niccola Zabaglia con alcune ingegnose pratiche, e con la descrizione del trasporto dell' obelisco vaticano, e di altri del cavaliere Domenico Fontana.
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4 pages, 55 plates : illustrations, plans, portrait ; 49 cm
Castelli : e ponti di maestro Niccola Zabaglia con alcune ingegnose pratiche, e con la descrizione del trasporto dell' obelisco vaticano, e di altri del cavaliere Domenico Fontana.
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4 pages, 55 plates : illustrations, plans, portrait ; 49 cm
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Roma : Nella stamperìa di Niccolò, e Marco Pagliarini mercanti librari, e stampatori, 1743 [i.e. 1773?]
Roma : Nella stamperìa di Niccolò, e Marco Pagliarini mercanti librari, e stampatori, 1743 [i.e. 1773?]
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volumes <1, 4-7, 9-15> 29 cm
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volumes <1, 4-7, 9-15> 29 cm
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Paris, M. Le Garrec, 1930-<1985>
Paris, M. Le Garrec, 1930-<1985>
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Inventaire du fonds français après 1800, par Jean Laran.
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volumes <1, 4-7, 9-15> 29 cm
Inventaire du fonds français après 1800, par Jean Laran.
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volumes <1, 4-7, 9-15> 29 cm
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Paris, M. Le Garrec, 1930-<1985>
Paris, M. Le Garrec, 1930-<1985>
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$31.50
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Résumé:
Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes(...)
$31.50
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Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes(...)
Publication:
octobre 2005, Corte Madera
octobre 2005, Corte Madera
Titre:
Vladimir Nabokov : alphabet in color
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$31.50
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Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes hard g (vulcanized rubber) and r (a sooty rag being ripped). Oatmeal n, noodle-limp l, and the ivory-backed hand mirror of o take care of the whites". For anyone who has ever wondered how the colors Nabokov heard might manifest themselves visually, "Alphabet in color" is a remarkable journey of discovery. Jean Holabird’s interpretation of the colored alphabets of one of the twentieth century’s literary greats is a revelation. Nabokov saw rich colors in letters and sounds and noted the deficiency of color in literature, praising Gogol as the first Russian writer to truly appreciate yellow and violet. This book masterfully brings to life the charming and vibrant synesthetic colored letters that until now existed only in Nabokov’s mind. In "Alphabet in color" Jean Holabird’s grasp of form and space blends perfectly with Nabokov’s idea that a subtle interaction exists between sound and shape. He saw q as browner than k, while s is not the light blue of c, but a curious mixture of azure and mother-of-pearl. . . . "Dull green, combined somehow with violet, is the best I can do for w".
Vladimir Nabokov : alphabet in color
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$31.50
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Résumé:
Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes hard g (vulcanized rubber) and r (a sooty rag being ripped). Oatmeal n, noodle-limp l, and the ivory-backed hand mirror of o take care of the whites". For anyone who has ever wondered how the colors Nabokov heard might manifest themselves visually, "Alphabet in color" is a remarkable journey of discovery. Jean Holabird’s interpretation of the colored alphabets of one of the twentieth century’s literary greats is a revelation. Nabokov saw rich colors in letters and sounds and noted the deficiency of color in literature, praising Gogol as the first Russian writer to truly appreciate yellow and violet. This book masterfully brings to life the charming and vibrant synesthetic colored letters that until now existed only in Nabokov’s mind. In "Alphabet in color" Jean Holabird’s grasp of form and space blends perfectly with Nabokov’s idea that a subtle interaction exists between sound and shape. He saw q as browner than k, while s is not the light blue of c, but a curious mixture of azure and mother-of-pearl. . . . "Dull green, combined somehow with violet, is the best I can do for w".
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livres
livres
Publication:
octobre 2005, Corte Madera
octobre 2005, Corte Madera
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livres
livres
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$45.95
(disponible sur commande)
Résumé:
Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
$45.95
(disponible sur commande)
Résumé:
Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
Titre:
Stories from architecture: Behind the lines at Drawing Matter
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$45.95
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
Stories from architecture: Behind the lines at Drawing Matter
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$45.95
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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archives
archives
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1 folder, containing 11 items ; 30 cm
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1 folder, containing 11 items ; 30 cm
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Brochures issued by Cathedral Stoneworks, 1991
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1 folder, containing 11 items ; 30 cm
Brochures issued by Cathedral Stoneworks, 1991
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1 folder, containing 11 items ; 30 cm
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archives
archives
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