2G 31 : Riegler Riewe
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Associates since 1987, the Austrian architects Florian Riegler and Roger Riewe, with their professional practice in Graz and Cologne, tackle their projects in a subtle and practical way, renouncing formal authorship as the motor of the design process. Their buildings respond to the environment and to the cultural baggage of society without wishing to offer the spectator(...)
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septembre 2004, Barcelona
2G 31 : Riegler Riewe
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Associates since 1987, the Austrian architects Florian Riegler and Roger Riewe, with their professional practice in Graz and Cologne, tackle their projects in a subtle and practical way, renouncing formal authorship as the motor of the design process. Their buildings respond to the environment and to the cultural baggage of society without wishing to offer the spectator a stunning form with pre-existing symbolic meanings. Quite the opposite, in fact: Riegler Riewe’s buildings reveal themselves to be places in which the user has a highly active role in the definition and perception of the spaces. This number of the magazine 2G demonstrates how their planning strategies enable them to readily tackle buildings of an ever-increasing size and complexity, from transport infrastructures such as the rail stations in Innsbruck and Vienna or the airports in Graz and Hamburg, taking in educational buildings like the Computer and Electronics Institutes of the University of Graz, complex residential projects and the football stadium in Cologne.
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The December 2024 issue of a+u magazine features the work of Nikken Sekkei. Founded 125 years ago in 1900, the Nikkei Sekkei group is an organizational design firm with about 3,000 employees. Nikken Sekkei’s designers have worked on numerous building and urban design projects in Japan. When pursuing their work, what do they rely on? And what have they inherited from their(...)
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décembre 2024
A+U 651 24:12 Nikken 2000-2024
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The December 2024 issue of a+u magazine features the work of Nikken Sekkei. Founded 125 years ago in 1900, the Nikkei Sekkei group is an organizational design firm with about 3,000 employees. Nikken Sekkei’s designers have worked on numerous building and urban design projects in Japan. When pursuing their work, what do they rely on? And what have they inherited from their predecessors? As we edited and prepared this issue for publication, we became increasingly interested in Nikken Sekkei’s floor plans and layout plans. Many of the designers who appear in this issue stressed the importance of floor plans and layout plans as a tool that anyone working hard on a project design can use to explore the needs of society and the client. This attitude toward design may be something that they feel they must pass on from one generation to the next as they grow in influence. Every project profile in this issue includes a 1/750 scale floor and layout plan.
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Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more(...)
Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more than ever before in history. Emerging designations for gender are more often embedded within a more inclusive, albeit challenging and complex web of shifting societal values around identity. To further capture this pivotal and seismic shift in the history of the human identity spectrum, guest editor Wayne Baerwaldt has invited lens-based visual artists and writers to reflect on their creative subject matter and their gender identity in any way they felt comfortable-through still and moving images, narrative text, collage, Instagram sites, audio, poetry, and so on. Each contributor was asked to examine the impact of their own evolving gender identity on their creative lens-based work.
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Palais 31 : natures mortes
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L'artiste allemande Anne Imhof conçoit le numéro 31 du magazine PALAIS à l'occasion de l'exposition Natures Mortes, sa carte blanche au Palais de Tokyo. Après avoir assiégé le pavillon allemand avec son chef-d'œuvre Faust récompensé par le Lion d'or à la Biennale de Venise en 2017, Anne Imhof prend possession de l'ensemble du Palais de Tokyo, pour composer une œuvre(...)
Palais 31 : natures mortes
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L'artiste allemande Anne Imhof conçoit le numéro 31 du magazine PALAIS à l'occasion de l'exposition Natures Mortes, sa carte blanche au Palais de Tokyo. Après avoir assiégé le pavillon allemand avec son chef-d'œuvre Faust récompensé par le Lion d'or à la Biennale de Venise en 2017, Anne Imhof prend possession de l'ensemble du Palais de Tokyo, pour composer une œuvre totale et polyphonique. Elle y fait fusionner l'espace et les corps, la musique et la peinture, ses œuvres et celles de ses complices, l'artiste Eliza Douglas et la trentaine d'artistes invités. Au sommaire de ce numéro : Interviews d'Anne Imhof et d'Eliza Douglas par Vittoria Matarrese. Textes de Laurence Bertrand Dorléac, Jean René Étienne, Emma Lavigne, Paul B. Preciado, Catherine Wood, Renaud Gadoury et Hugo Vitrani. Deux larges ensembles iconographiques consacrés au travail d'Anne Imhof et à son projet au Palais de Tokyo, comprenant de nombreuses vues de l'exposition, et aux œuvres des artistes d'hier et d'aujourd'hui présentées dans Natures Mortes.
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Paisea #017 urban park 2
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Paisea, has decided to repeat for the first time a subject, and presents urban park 2, an opportunity to compare and contrast, to extend and to add to the perspectives of June 2007. In this second monographic magazine focused on the urban park, priority is given to large scale projects, in an attempt to highlight the difference between gardens and parks. Equally(...)
Paisea #017 urban park 2
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Paisea, has decided to repeat for the first time a subject, and presents urban park 2, an opportunity to compare and contrast, to extend and to add to the perspectives of June 2007. In this second monographic magazine focused on the urban park, priority is given to large scale projects, in an attempt to highlight the difference between gardens and parks. Equally important has been the park’s location within the urban fabric, with the establishment of three types of project classified according to their position in the city: central parks, perhaps the most classical type of park but also increasingly difficult to find, in which the open space is surrounded by buildings, providing oxygen in the clogged up city; parks on borders where they are spaces of opportunity, transition and absorption between different types of land use; and finally, connecting parks, where the park brings infrastructures and connections together and becomes a new reference point in the urban fabric.
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Womens work
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In 1975, Alison Knowles, founding member of Fluxus, and experimental composer Annea Lockwood co-edited and self-published 'Womens Work', a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This facsimile edition, comprising a book and poster housed in a(...)
Womens work
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In 1975, Alison Knowles, founding member of Fluxus, and experimental composer Annea Lockwood co-edited and self-published 'Womens Work', a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues.
Théorie de l’art
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x, 306 pages ; 25 cm
New York : Bloomsbury Visual Arts, An imprint of Bloomsbury Publishing Plc, 2018.
The printed and the built : architecture, print culture, and public debate in the nineteenth century / edited by Mari Hvattum, Anne Hultzsch.
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x, 306 pages ; 25 cm
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New York : Bloomsbury Visual Arts, An imprint of Bloomsbury Publishing Plc, 2018.
livres
Cabinet 14: doubles,
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
Cabinet 14: doubles,
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
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février 2004, New York
périodiques
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«Nouvellement en poste à titre de rédactrice en chef du magazine Continuité, j’aborde pour la première fois le patrimoine à travers l’univers mystérieux de l’archéologie. Tantôt issus de la période historique, tantôt d’origine préhistorique, les artéfacts trouvés en sol québécois représentent autant de trésors qui nous révèlent un peu de nous-mêmes. Produits de notre(...)
Continuité 112 printemps 2007 : dossier archéologie : l'histoire échappée belle!
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«Nouvellement en poste à titre de rédactrice en chef du magazine Continuité, j’aborde pour la première fois le patrimoine à travers l’univers mystérieux de l’archéologie. Tantôt issus de la période historique, tantôt d’origine préhistorique, les artéfacts trouvés en sol québécois représentent autant de trésors qui nous révèlent un peu de nous-mêmes. Produits de notre intervention sur la nature, ils traversent le temps, rescapés de l’oubli. Ces traces précieuses renaissent de la terre pour nous dévoiler des mœurs et des coutumes fondatrices qui nous ont dessinés. Fouiller le patrimoine archéologique, c’est chercher à comprendre un peu notre existence à travers un passé qui refuse de s’effacer. Malheureusement, ce riche patrimoine demeure trop souvent inaccessible. Il subit l’isolement du site de fouilles puis, confiné aux tiroirs, il tait ses restes d’histoire. On voudrait l’inviter à parler de l’homme à l’homme, mais son unicité qu’on doit préserver en fait un témoin fragile. Aborder le patrimoine archéologique en terre québécoise, c’est diffuser l’histoire d’un monde qui survit au mystère. Laissons ses empreintes toucher notre mémoire collective, un défi omniprésent en archéologie.» -Caroline Marois
périodiques
avril 2007, Québec
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périodiques
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Architects are workaholics. Many of them work ten hours a day, seven days a week, fifty weeks a year. The little time they have left over is sacred and must be respected as such. In this spirit, 91° is a crossover leisure magazine that specifically caters to architects’ special interests. It is published semiannually. Art: Why people pose nude for Spencer Tunick.(...)
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mars 2008
91 degrees, Issue one, autumn 2007, More than Architecture
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Architects are workaholics. Many of them work ten hours a day, seven days a week, fifty weeks a year. The little time they have left over is sacred and must be respected as such. In this spirit, 91° is a crossover leisure magazine that specifically caters to architects’ special interests. It is published semiannually. Art: Why people pose nude for Spencer Tunick. Fashion: What building skins and clothing have in common. Research: On site at the fiber cement lab in Denmark. Interview: A look inside the studio of the French architect Edouard François. Photography: The world through the viewfinder. Literature: What comes out when writers think about architecture. Sports: Why many architects don bow and arrow in their free time. Travel: Tenerife, far from Ballermann, beach, and sangria. Europe: What causes architects to pack up and travel the world. Cars: What architects like to drive when they go racing through the countryside. At Home With: Hans Kollhoff. Construction Site: On working conditions in Shangri-la – working in Dubai. And more.
périodiques
mars 2008
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