Trees like stones
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Klaus Merkel has been photographing stones, rocky landscapes and trees for over thirty years, which he pairs up in double pictures. He portrays the astounding harmony between the animate and the inanimate, between natural and designed manifestations. Fascinating affinities become visible when he shows the limestone blocks of the Great Pyramid of Giza alongside basalt(...)
Trees like stones
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Klaus Merkel has been photographing stones, rocky landscapes and trees for over thirty years, which he pairs up in double pictures. He portrays the astounding harmony between the animate and the inanimate, between natural and designed manifestations. Fascinating affinities become visible when he shows the limestone blocks of the Great Pyramid of Giza alongside basalt cliffs in Northern Ireland, and the cultivated lime-tree walkway of a castle grounds next to the nave of a cathedral. As the forest of figures and pinnacles of Milan Cathedral is placed next to the sandstone columns of Bryce Canyon, fascinating connections between natural form and art emerge. The book thus invites the reader to examine and compare the multiple similarities of the surfaces' structures of natural as well as artificial objects.
Monographies photo
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the(...)
Franco Fontana: life in photos
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the opportunity to create unforgettable images that are universally praised.Franco Fontana was born in Modena, in 1933, where he lives and works. His works are displayed in many private and public collections all over the world, including the MoMA, New York; Metropolitan Museum, Tokyo; Pushkin Museum of Fine Arts, Moscow; Palazzo Reale, Milan; and Maison Europeenne de la Photographie, Paris. His works have been published in more than sixty books in various editions and languages.
Monographies photo
Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban(...)
Petra Blaisse: Art applied
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This retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban landscapes to intimate domestic spaces defined by soft textile walls. The resulting spaces defy conventional classification. This comprehensive survey encompasses renowned projects including the recently completed Taipei Performing Arts Center; the Kunsthal Rotterdam; Biblioteca degli Alberi in Milan, a park spanning almost ten hectares; and LocHal Library in Tilburg, a vast factory repurposed using an architecture of semi-translucent curtains. It also presents revelatory unrealised projects and explores the studio’s many collaborations, including the rich body of work produced with OMA since the late 1980s.
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform(...)
Everything XI-XV. Everything without content 232
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform in urban fringes (in Milan), and what to do with the existing obsolete office space in the urban centre (in Brussels). Our unlikely guide to the contemporary idea of sustainable living and working in the city was the work of Aldo and Hannie van Eyck, which would grow into a separate book itself (Excess of Architecture). Brussels also served as a testbed for establishing a relation between the production of culture and the instrumental role of architecture within that process.
Architecture contemporaine
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Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even(...)
Gabriele Basilico fotografa Aldo Rossi
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Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even more importantly, the moral compass with which they explored the world around them. Growing up in a Milan of which the industrial civilisation was by then in its death throes, they grasped the opportunity to create a new language still mindful of tradition. The volume brings together Basilico's photographs of Rossi's architecture for the first time, and is enriched by contributions from Chiara Spangaro and Pier Paolo Tamburelli, project notes by Rossi, as well as the writings that they dedicated to each other.
Monographies photo
Rome new architecture
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Many of the architects responsible for modern-day Rome—such as Hadid, Fuksas, Baldeweg, and Meier—have reached international stature. Many contemporary Italian architects—such as King Roselli, Labics, and IaN+—use Rome as a lab for testing their ideas. While some might note the weakness of the residential sector in attracting architectural quality, it is hard to escape(...)
février 2009, Milano
Rome new architecture
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Many of the architects responsible for modern-day Rome—such as Hadid, Fuksas, Baldeweg, and Meier—have reached international stature. Many contemporary Italian architects—such as King Roselli, Labics, and IaN+—use Rome as a lab for testing their ideas. While some might note the weakness of the residential sector in attracting architectural quality, it is hard to escape the growing attention paid to public spaces and infrastructures. This volume surveys Rome’s varied architectural landscape and contains over forty projects and a map, demonstrating how the geography of the city is evolving, and how quality can be found both in the center and on the edge of town. Sebastiano Brandolini writes for many specialized journals and is particularly interested in the relationship between architecture and engineering. Over the years he taught at the Milan Polytechnic, IUAV in Venice, London School of Economics.
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This new monograph celebrating 40 years of practice by David Chipperfield Architects is published in double-volume format and covers a cross section of both built and unbuilt work. The monograph highlights several activities led by British Pritzker Prize Laureate Sir David Chipperfield (born 1953) throughout his career. In 1985 he established David Chipperfield(...)
David Chipperfield Architects: 1985-2014: 2015-2025
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This new monograph celebrating 40 years of practice by David Chipperfield Architects is published in double-volume format and covers a cross section of both built and unbuilt work. The monograph highlights several activities led by British Pritzker Prize Laureate Sir David Chipperfield (born 1953) throughout his career. In 1985 he established David Chipperfield Architects, which grew into a global practice with offices in London, Berlin, Milan, Shanghai and Santiago de Compostel. Around 100 design entries are accompanied by 10 critical essays and a series of articles that have been published over the years by various commentators, including Joseph Rykwert and Barry Bergdoll. Richly illustrated, both volumes feature contributions by renowned visual artists such as Candida Höfer, Thomas Struth and Friederike von Rauch. The monograph is edited by Rik Nys and designed by John Morgan Studio.
Architecture, monographies
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This publication sheds light on the era between 1948 and 1970, when the arrival at Milano Centrale train station not only represented a turning point in the lives of certain young Swiss graphic artists but also became a decisive moment for the history of design. Being cosmopolitan had its difficulties, but it richly rewarded many recent graduates of the famous(...)
décembre 2006, Zürich
Poster collection 14 : Zurich-Milano
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This publication sheds light on the era between 1948 and 1970, when the arrival at Milano Centrale train station not only represented a turning point in the lives of certain young Swiss graphic artists but also became a decisive moment for the history of design. Being cosmopolitan had its difficulties, but it richly rewarded many recent graduates of the famous Kunstgewerbeschule Zürich. Supplied with a type of education that was not available in Italy at the time, Swiss graphic artists encountered an optimistic and undogmatic attitude that was inspiring and new. Italy’s path to a widely admired form of visual communication was marked by a profound transalpine dialogue and earned Milan a reputation as a city for which it was worth leaving behind one’s homeland. The publication includes such icons of the history of poster design as Max Huber and Walter Ballmer.
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décembre 2006, Zürich
I colori / colors
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract(...)
I colori / colors
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract rationalism”, is dedicated to overlapping colours, and creates pages that have become real painting masterpieces. Luigi Veronesi (Milan, 1908-1998) always thought art as an instrument that involves all the aspects of the aesthetic experience, and investigated its relationship with the age of mechanization. Famous for his colour transpositions of music scores, he was a member of the MAC (Movement for Concrete Art) and one of the most "european" among Italian abstract painters. He also was one of the first authors to use photography in childrens’ books.
Littérature jeunesse
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iv, [3]-54 pages ; 20 cm
London : Printed for the Author, and sold by J. Millan ..., M. DCC. XXXVII [1737]
A reply to Mr. John James's review of the several pamphlets and schemes, that have been offer'd to the publick, for the building of a bridge at Westminster ... : also, the nature of the tides and fall of water at London Bridge, fully explained ... / by B. Langley.
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iv, [3]-54 pages ; 20 cm
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London : Printed for the Author, and sold by J. Millan ..., M. DCC. XXXVII [1737]