I colori / colors
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract(...)
I colori / colors
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract rationalism”, is dedicated to overlapping colours, and creates pages that have become real painting masterpieces. Luigi Veronesi (Milan, 1908-1998) always thought art as an instrument that involves all the aspects of the aesthetic experience, and investigated its relationship with the age of mechanization. Famous for his colour transpositions of music scores, he was a member of the MAC (Movement for Concrete Art) and one of the most "european" among Italian abstract painters. He also was one of the first authors to use photography in childrens’ books.
Littérature jeunesse
Eth Yearbook 2010
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This book includes student work from the courses of study in architectural design, technology and visual design at the Faculty of Architecture of the ETH, Zurich. It describes the entire breadth of approaches and disciplines which characterise the school. The work featured was produced in the previous year in the semester studios as part of a thesis project or in one of(...)
Eth Yearbook 2010
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This book includes student work from the courses of study in architectural design, technology and visual design at the Faculty of Architecture of the ETH, Zurich. It describes the entire breadth of approaches and disciplines which characterise the school. The work featured was produced in the previous year in the semester studios as part of a thesis project or in one of the Master of Advanced Studies programmes (MAS), but also in academic exchange programs between: The Institute for the History and Theory of Architecture (gta); The Institute for Building Technology (HBT); The Institute for Historic Building Research and Conservation (IDB); The Network City and Landscape (NSL) with the ETH Studio Basel/Contemporary City Institute; The Institute for Urban Design (ISB). The Institute for Landscape Architecture (ILA) also present selected works of their teaching and research activities.
Architecture contemporaine
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This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory (1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that(...)
The theory of architectural practice
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This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory (1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that interprets Bo Bardi’s text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts. This translation clearly renders Bo Bardi’s work in English, and contextualizes it theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.
Théorie de l’architecture
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This book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912–94), known as Gego. In locating the artist’s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ''edge of modernity.'' In(...)
Gego: Weaving the space between
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This book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912–94), known as Gego. In locating the artist’s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ''edge of modernity.'' In situating Gego’s work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego’s work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego’s radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy.
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ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the(...)
Urbane akupuntur : Inge Roecker / ASIR Architekten, Stuttgart - ASIR Studio, Vancouver
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ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the historic Chinatown neighborhood while proposing concrete possibilities for transformations into contemporary uses. Through models, drawings and video projections, the catalogue's exhibition presents four buildings and ensembles in Germany as well as a selected research project in Vancouver’s Chinatown. All work is connected to the theme of urban dwelling. The projects are intended to conceptually and programmatically improve and sustain their surroundings as well as to present innovative solutions for urban living. The chosen projects place an emphasis on the mending of broken urban fabric, thus performing an ‘acupuncture’ on the city.
petits formats
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Internationally known for his labors as head of the famous magazine Quaderns between 1981 and 1990, Josep Lluís Mateo has never abandoned his professional practice as an architect, building not only in Spain, but in various European countries, an activity he currently combines with teaching at the ETH in Zurich. This monographic issue presents his most recent projects(...)
Revues
février 2002, Barcelona
2G 25 : Josep Lluis Mateo, recent work
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Internationally known for his labors as head of the famous magazine Quaderns between 1981 and 1990, Josep Lluís Mateo has never abandoned his professional practice as an architect, building not only in Spain, but in various European countries, an activity he currently combines with teaching at the ETH in Zurich. This monographic issue presents his most recent projects and buildings. Among his built works are the housing block on Borneo Island (Amsterdam), two groups of apartments in Barcelona, a covered swimming pool in Girona, and the Barcelona International Convention Center, due to be inaugurated in 2004. This number features essays by such prestigious international critics as Wilfried Wang, Ákos Moravánszky, Manuel Delgado, Aaron Betsky and Ignasi de Solà-Morales, and is complemented by a conversation with Iñaki Ábalos, a text by Mateo himself, "In Globalization", and photos taken especially for this issue by Xavier Ribas.
Revues
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Théorie de l’architecture
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Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest. This illustrated book gives(...)
Botanical art from the golden age of scientific discovery
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Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest. This illustrated book gives the humble wall chart its due, reproducing more than two hundred of them in dazzling full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail.
Jardins
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With Neri and Hu Design and Research Office, the Chinese avantgarde in architecture, research and teaching, product and interior design has arrived in Europe. This publication accompanies the exhibition "Reflective Nostalgia" presented at the Aedes Architecture Forum (Berlin), which aimed to highlight the way in which Lyndon Neri and Rossana Hu examine the historical and(...)
Neri and Hu Design and Research Office: Reflective Nostalgia
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With Neri and Hu Design and Research Office, the Chinese avantgarde in architecture, research and teaching, product and interior design has arrived in Europe. This publication accompanies the exhibition "Reflective Nostalgia" presented at the Aedes Architecture Forum (Berlin), which aimed to highlight the way in which Lyndon Neri and Rossana Hu examine the historical and the contemporary as well as the listed and the everyday and to transform them into new uses in a respectful and future-oriented manner. Their transdisciplinary design approach is in the DNA of the studio. The success of the broad spectrum of their work is reflected in numerous international awards. The exhibition installation featured architectural models, photographs and videos, as well as a selection of furniture, showcasing Neri and Hu's alternative reading of historical contexts, including all the contradictions and details, as well as the unexpected spatial compositions with which they respond.
Architecture, monographies
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According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself. What are the reasons for this exclusionary working culture? Even in Germany, most architecture graduates since the turn of the millennium have been female—but a large number of conventions and assumptions within the(...)
Black turtleneck, round glasses
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According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself. What are the reasons for this exclusionary working culture? Even in Germany, most architecture graduates since the turn of the millennium have been female—but a large number of conventions and assumptions within the discipline make it difficult for women to remain in the profession. As a result, a great deal of highly trained talent is lost. This book uses an intersectional feminist perspective to examine the structural causes that push women—and anyone else who isn’t a white cis man—out of the field. How can architectural teaching and discourse, as well as the industry’s self-image, become more diverse? Where are the experiences of a pluralistic society missing from the built environment? How can we bring about cultural change in planning and architecture?