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Although airports are now best known for interminable waits at check-in counters, liquid restrictions for carry-on luggage, and humiliating shoe-removal rituals at security, they were once the backdrops for jet-setters who strutted, martinis in hand, through curvilinear terminals designed by Eero Saarinen. In the critically acclaimed Naked Airport, Alastair Gordon traces(...)
Naked Airport: a cultural history of the world's most revolutionary structure
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Although airports are now best known for interminable waits at check-in counters, liquid restrictions for carry-on luggage, and humiliating shoe-removal rituals at security, they were once the backdrops for jet-setters who strutted, martinis in hand, through curvilinear terminals designed by Eero Saarinen. In the critically acclaimed Naked Airport, Alastair Gordon traces the cultural history of this defining institution from its origins in the muddy fields of flying machines to its frontline position in the struggle against international terrorism. From global politics to action movies to the daily commute, Gordon shows how the airport has changed our sense of time, distance, and style, and ultimately the way cities are built and business is done. He introduces the people who shaped and were shaped by this place of sudden transition: pilots like Charles Lindbergh, architects like Le Corbusier, and political figures like Fiorello LaGuardia and Adolf Hitler. Naked Airport is a profoundly original history of a long-neglected yet central component of modern life.
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French cultural historian DeJean presents an entertaining account of how home life was virtually reinvented in Paris from 1670 to 1765 as sofas, running water and flush toilets appeared in modern residences: the city became a giant workshop in which inventions in the arts and crafts and innovative technologies were tried out. Louis XIV's and Louis XV's royal mistresses(...)
septembre 2009
The age of comfort: when Paris discovered casual and the modern home began
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French cultural historian DeJean presents an entertaining account of how home life was virtually reinvented in Paris from 1670 to 1765 as sofas, running water and flush toilets appeared in modern residences: the city became a giant workshop in which inventions in the arts and crafts and innovative technologies were tried out. Louis XIV's and Louis XV's royal mistresses displayed a bold vision for integrating architecture, interior decor and fashion, thus influencing modern comfort. In private mansions, French architects subdivided interior space to allow for varying degrees of privacy. As bathing became a pleasurable, commonplace activity, tubs became more comfortable and were redesigned as decorative objects in their own right. Men fell in love with the superexpensive flush toilet; the sofa—created by the architect Meissonnier—attained instant celebrity status; and interior decoration became a subset of the new architecture of private life as Parisians discovered that domestic interiors should be the expression of their personal taste.
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The rediscovery of the city that has been evident recently has by no means superseded the human desire for nature. On the contrary, the goal has been finding urban solutions that do justice to these growing needs and do so in ways that meet the requirements for design, ecology, sociology, and economy. This publication addresses the subject of designing inner-city spaces.(...)
Urban green: European landscape design for the 21st century
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The rediscovery of the city that has been evident recently has by no means superseded the human desire for nature. On the contrary, the goal has been finding urban solutions that do justice to these growing needs and do so in ways that meet the requirements for design, ecology, sociology, and economy. This publication addresses the subject of designing inner-city spaces. It documents twenty recently realized examples in Europe, most of which feature greenery, designed by international landscape architects such as Gustafson Porter, Field Operations, Michel Desvigne, Gross.Max, Latz + Partner, and West 8. The projects, built between 2004 and 2010, range from private urban gardens by way of squares, streets, and promenades to large-scale projects such as the revitalization of riverside areas or master plans for the green spaces of entire cities. Urban greenery is an important contribution to ecological urban development. The projects documented offer examples of how this can succeed using the most modern materials and technologies.
Paysages urbains
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Celebrating the ultimate masterpieces of modernist design, from the Arts and Crafts movement up to the twenty-first century, Total Design offers an intimate tour of houses conceived as complete works of art. Each of the spectacular houses making up Total Design demonstrates how an architect realized a unifying vision through all aspects of design—architecture, furniture,(...)
Total design: architecture and interiors of iconic modern houses
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Celebrating the ultimate masterpieces of modernist design, from the Arts and Crafts movement up to the twenty-first century, Total Design offers an intimate tour of houses conceived as complete works of art. Each of the spectacular houses making up Total Design demonstrates how an architect realized a unifying vision through all aspects of design—architecture, furniture, fittings, decorative objects, color, and gardens. Presenting masterpieces of modern architecture conceived as complete works of art inside and out, author George H. Marcus, a veteran chronicler of modernist design, delivers a highly accessible tour of the creations of some of the twentieth century’s greatest architects and designers, including Frank Lloyd Wright, Mies van der Rohe, Alvar Aalto, Eero Saarinen, Charles Rennie Mackintosh, and Gio Ponti. Together these masterworks of design offer a stunning survey of the many modes of modernist design, from the inventive refinement of Pierre Chareau to the colorful Nordic forms of Finn Juhl to the twenty-first-century expressionism of Daniel Libeskind.
Design d’intérieur
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This important book tells the multifaceted story of humankind’s relationship with flooding, a story that is permeated with a history of both worship and fear. Modern water engineering has turned plains and valleys into fully inhabitable environments. At the same time, those environments have become highly vulnerable to climate change. In efforts to prevent future floods,(...)
Floodscapes: contemporary landscape strategies in times of climate change
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This important book tells the multifaceted story of humankind’s relationship with flooding, a story that is permeated with a history of both worship and fear. Modern water engineering has turned plains and valleys into fully inhabitable environments. At the same time, those environments have become highly vulnerable to climate change. In efforts to prevent future floods, countries are rediscovering adaptation strategies: making room for flooding, redistributing risks and reconsidering the use and legal status of floodplains. Through historical investigations and six contemporary projects implemented in four European countries, "Floodscapes" illustrates how flood-mitigation measures can be embedded in local space and culture. Merged with landscape development, agriculture, recreation, nature, and even urban growth, river management becomes a design issue, giving landscape architects and urban designers a prominent role in future transitions. This book provides an in-depth look into the most common natural disaster in the US, and the innovative solutions that have arisen.
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Koichi Takada is part of a new generation of architects striving to bring nature back into the urban environment—an approach he developed after living in Tokyo, New York, and London. His architecture reconnects people to the natural environment, drawing inspiration from organic forms and local contexts. This volume showcases a series of Takada’s recent projects,(...)
Koichi Takada: Architecture, nature and design
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Koichi Takada is part of a new generation of architects striving to bring nature back into the urban environment—an approach he developed after living in Tokyo, New York, and London. His architecture reconnects people to the natural environment, drawing inspiration from organic forms and local contexts. This volume showcases a series of Takada’s recent projects, illustrating the unique way his talent connects the natural and the designed, and how it has evolved over the last ten years. Photographs of buildings and interiors juxtapose against sketches and images of nature—illustrating the aesthetic inspirations behind the designs and the way they embody light, air, and even sound. Philip Jodidio’s texts guide readers through the range of spaces that span from the interiors of the award-winning National Museum of Qatar in Doha and Urban Forest in Brisbane, the ''greenest residential building in Australia,'' to striking buildings in Sydney, Melbourne, Los Angeles, China, and the construction of a new space in Tokyo.
Architecture, monographies
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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews(...)
Stirling and Gowan: architecture from austerity to affluence
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James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.
Architecture, monographies
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The architectural scale model has long had an essential role in the design process, creating a tangible, three-dimensional representation of the finished building, but it has not been explored as an artistic medium in its own right. The Deutsches Architekturmuseum (DAM) began to fill in this gap in architectural scholarship in 2009, focusing on the history of the model(...)
The architectural model: tool, fetish, small utopia
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The architectural scale model has long had an essential role in the design process, creating a tangible, three-dimensional representation of the finished building, but it has not been explored as an artistic medium in its own right. The Deutsches Architekturmuseum (DAM) began to fill in this gap in architectural scholarship in 2009, focusing on the history of the model with particular attention paid to the twentieth and twenty-first centuries. Drawing on the museum’s vast collection of models, comprised of more than 1,200 objects created by over four hundred architects from around the world, researchers created both this book and a corresponding exhibit set to open in May 2012. The Architectural Model covers a variety of topics, from the rise of specialized workshops after 1945 to the way in which more sophisticated machinery led to a “Miniature Boom” in the 1950s and ’60s. Of special interest is the discussion of the how working models are used by professionals to develop and change their ideas.
Maquettes
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On the occasion of its fiftieth anniversary, the Josef and Anni Albers Foundation publishes You can go anywhere. This collection of essays by Foundation staff and collaborators reveals the broad scope of how the nonprofit has carried on the legacy of the Alberses over the years. After an introduction exploring the Foundation's history, You can go anywhere features a wide(...)
juin 2022
You can go anywhere: The Josef and Anni Albers Foundation at 50
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On the occasion of its fiftieth anniversary, the Josef and Anni Albers Foundation publishes You can go anywhere. This collection of essays by Foundation staff and collaborators reveals the broad scope of how the nonprofit has carried on the legacy of the Alberses over the years. After an introduction exploring the Foundation's history, You can go anywhere features a wide range of essays by people from around the world who have contributed to the Foundation's work, such as architects Manuel Herz and Toshiko Mori; designers Paul Smith and Christopher Farr; and curators, museum directors, and staff members. The book is richly illustrated with photos by Iwan Baan, Giovanni Hänninen, and Sofia Verzbolovskis, as well as archival material and art by the Alberses. The heart of the book is devoted to the Foundation's many donations to international museums, including rarely shown works of art. In 2005, the Foundation supported the creation of the humanitarian organization Le Korsa, which helps local communities in Senegal, through health services, education, agriculture, and culture programs. Essays about Le Korsa are sure to inspire the art world, public institutions, and philanthropists.On the occasion of its fiftieth anniversary, the Josef and Anni Albers Foundation publishes You can go anywhere. This collection of essays by Foundation staff and collaborators reveals the broad scope of how the nonprofit has carried on the legacy of the Alberses over the years. After an introduction exploring the Foundation's history, You can go anywhere features a wide range of essays by people from around the world who have contributed to the Foundation's work, such as architects Manuel Herz and Toshiko Mori; designers Paul Smith and Christopher Farr; and curators, museum directors, and staff members. The book is richly illustrated with photos by Iwan Baan, Giovanni Hänninen, and Sofia Verzbolovskis, as well as archival material and art by the Alberses. The heart of the book is devoted to the Foundation's many donations to international museums, including rarely shown works of art. In 2005, the Foundation supported the creation of the humanitarian organization Le Korsa, which helps local communities in Senegal, through health services, education, agriculture, and culture programs. Essays about Le Korsa are sure to inspire the art world, public institutions, and philanthropists.
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A(...)
Théorie de l’architecture
novembre 2005, Minneapolis, London
Commodification and spectacle in architecture
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A built environment intended to seduce consumers is more likely to offer instant gratification than to invite independent thought and reflection. But how harmful, if at all, is this unprecedented commercialization of architecture? Framed with an introduction by Kenneth Frampton, the contributions to "Commodification and spectacle in architecture" stake out a variety of positions in the debate over the extent to which it is possible—or desirable—to escape from, resist, or suggest plausible alternatives to the dominant culture of consumer capitalism. Rejecting any dreamy nostalgia for an idealized present or past in which design is completely divorced from commerce—and, in some cases, celebrating the pleasures of spectacle—the individual essays range from indictments of particular architects and critiques of the profession to broader concerns about what the phenomenon of commodification means for the practice of democracy and the health of society. Bringing together an impressive and varied group of critics and practitioners, "Commodification and spectacle in architecture" will help to sharpen the discussion of how design can respond to our hypercommodified culture.
Théorie de l’architecture