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The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little(...)
Le Corbusier: The architect on the beach
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The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little understood. Dispensing with his trademark suit and bowtie, Le Corbusier was spending increasing amounts of time at the shore in the 1940s, collecting stones, shells, and other jetsam, and enjoying the works of the philosopher and ardent shell collector Paul Valéry. And it was here that the seemingly hyper-rational architect developed a revolutionary new theory of design, built around these polished and splintered shapes. Stating that nature was the source of his inspiration, Le Corbusier embarked on a meandering odyssey through the literature and esoteric writings of his day, going on to produce such unorthodox projects as Chandigarh’s Palace of Assembly and the strange and beautiful Ronchamp Chapel in Paris, whose roof is said to have been modeled after an inverted crab’s shell. The development of Le Corbusier’s new approach not only changed modernism but also inspired—and continues to inspire—new shapes and lines in the work of a host of architects. In this superbly written and accessible piece of architectural history, Maak develops the intricate story of a breakthrough in architecture that began on a beach.
Architecture, monographies
livres
Claude Parent : les desseins d'un architecte / Audrey Jeanroy ; préface de Dominique Perrault.
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382 pages : illustrations (some color), facsimiles, plans, portraits ; 24 cm
Marseille : Parenthèses, [2022], ©2022
Claude Parent : les desseins d'un architecte / Audrey Jeanroy ; préface de Dominique Perrault.
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382 pages : illustrations (some color), facsimiles, plans, portraits ; 24 cm
livres
Marseille : Parenthèses, [2022], ©2022
livres
Transgression : graphisme et postmodernisme / Rick Poynor ; [traduction Marie Josèphe Levadoux].
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192 pages : illustrations ; 23 cm.
Paris : Pyramyd éditions, 2021.
Transgression : graphisme et postmodernisme / Rick Poynor ; [traduction Marie Josèphe Levadoux].
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192 pages : illustrations ; 23 cm.
livres
Paris : Pyramyd éditions, 2021.
livres
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351 pages : illustrations (chiefly color) ; 25 cm.
[Paris] : Pyramyd éditions, 2019.
Atlas mondial des maisons contemporaines / Jonathan Bell & Ellie Stathaki.
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351 pages : illustrations (chiefly color) ; 25 cm.
livres
[Paris] : Pyramyd éditions, 2019.
The architecture book
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This book analyzes not just buildings themselves, but the ideas and principles that make each of the featured structures so important to the history and evolution of our built environment. From ancient and classical architecture through medieval, Gothic, and Renaissance buildings, the explosion of Baroque and Rococo, and the 19th-century "battle of the styles," to the(...)
The architecture book
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This book analyzes not just buildings themselves, but the ideas and principles that make each of the featured structures so important to the history and evolution of our built environment. From ancient and classical architecture through medieval, Gothic, and Renaissance buildings, the explosion of Baroque and Rococo, and the 19th-century "battle of the styles," to the emergence of modernism, postmodernism, and the glittering skyscrapers of the 20th and 21st centuries, the book traces the evolution of construction. Using stunning infographics and mind-maps, it shows how architects throughout history have pushed boundaries and created innovative buildings. Examples of architectural movements and styles are drawn from all over the world.
The U.N. building
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When it was completed in 1952 along New York's East River, The United Nations Building stood as a symbol of world humanitarianism, a beacon of unity after the Second World War. More than 50 years on, the 39-story building is regarded as one of the pinnacles of mid-century modernism. Its magnificent public spaces and assembly halls, as well as its impressive collection(...)
octobre 2005, New York
The U.N. building
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When it was completed in 1952 along New York's East River, The United Nations Building stood as a symbol of world humanitarianism, a beacon of unity after the Second World War. More than 50 years on, the 39-story building is regarded as one of the pinnacles of mid-century modernism. Its magnificent public spaces and assembly halls, as well as its impressive collection of art by Chagall, Henry Moore and many others make it one of the most visited sites in New York. On the celebration of the United Nations' 60th anniversary, and before a long period of renovation, this book presents a portrait of this fascinating building.
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The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, "Wassily Kandinsky:(...)
Wassily Kandinsky: The Sketchbooks
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The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, "Wassily Kandinsky: The sketchbooks" is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism.
Revisiting postmodernism
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This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning,(...)
Revisiting postmodernism
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This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning, furniture design, art and literature. Looking at Postmodernism through the lens of examples from around the world, each chapter explores the movement in the UK on the one hand, and its international counterparts on the other, reflecting on the historical movement but also how postmodernism influences practices today.
Expositions en cours
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$10.00
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New (...)
The architecture of Ulrich Franzen
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New York in 1955. His encounter with Modernism had a determining influence on his work, and Franzen soon developed his own individual architectural language. Reference to context and collage, the bringing together of different elements in free composition are typical themes in his work. The spectrum of his architecture spans elegant, generous residences and severe, rigorous buildings for industry and research. He has also worked on projects in urban development.
livres
avril 1999, Basel
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$79.00
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In the decade following the success of his design for the Hôtel Tassel in Brussels in 1893, Victor Horta, the creator of Art Nouveau architecture, produced more than forty buildings—and a movement. Prepared in close collaboration with the Horta Museum, Brussels, Victor Horta: The Architect of Art Nouveau discusses the many influences on Horta’s designs and his legacy. The(...)
Victor Horta: the architecture of Art Nouveau
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In the decade following the success of his design for the Hôtel Tassel in Brussels in 1893, Victor Horta, the creator of Art Nouveau architecture, produced more than forty buildings—and a movement. Prepared in close collaboration with the Horta Museum, Brussels, Victor Horta: The Architect of Art Nouveau discusses the many influences on Horta’s designs and his legacy. The richly ornamental style of Art Nouveau, characterized by fluid lines based on natural forms, expressed a desire to abandon the historical styles of the nineteenth century and to develop a language that was beautifully crafted and thoroughly contemporary, laying the foundations for the development of modernism in architecture and interior design.
Architecture, monographies