2983 Résultats
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que(...)
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que(...)
Publication:
septembre 2023
septembre 2023
Titre:
L'atttrait de la métamorphose. Momenta Biennale 2023
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que celui-ci soit végétal, animal ou technologique. Cette publication réunit les présentations de chacune des expositions, un essai sur le potentiel métamorphique de la « conscience-peau » par Anne Anlin Cheng, une suite photographique inédite de Chris Curreri ainsi qu’un texte de la commissaire Ji-Yoon Han qui propose une réflexion sur la notion d’image à travers le prisme de la thématique.
L'atttrait de la métamorphose. Momenta Biennale 2023
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que celui-ci soit végétal, animal ou technologique. Cette publication réunit les présentations de chacune des expositions, un essai sur le potentiel métamorphique de la « conscience-peau » par Anne Anlin Cheng, une suite photographique inédite de Chris Curreri ainsi qu’un texte de la commissaire Ji-Yoon Han qui propose une réflexion sur la notion d’image à travers le prisme de la thématique.
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Publication:
septembre 2023
septembre 2023
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
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Aperture magazine anthology: the minor white years, 1952–1976
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
Aperture magazine anthology: the minor white years, 1952–1976
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
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livres
Publication:
juin 2012
juin 2012
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$40.00
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More than an exhibition catalogue, this reference book is lavishly illustrated with the works from the 25 exhibitions of the event, and includes essays by leading commentators on contemporary art and technology. The camera is not a tool just waiting to be picked up and used, but a sophisticated instrument with its own laws, its own ways of working, and even its own life.(...)
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More than an exhibition catalogue, this reference book is lavishly illustrated with the works from the 25 exhibitions of the event, and includes essays by leading commentators on contemporary art and technology. The camera is not a tool just waiting to be picked up and used, but a sophisticated instrument with its own laws, its own ways of working, and even its own life.(...)
Titre:
Drone: The automated image. Le Mois de la photo à Montréal 2013
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More than an exhibition catalogue, this reference book is lavishly illustrated with the works from the 25 exhibitions of the event, and includes essays by leading commentators on contemporary art and technology. The camera is not a tool just waiting to be picked up and used, but a sophisticated instrument with its own laws, its own ways of working, and even its own life. With the incorporation of automatic devices – and, more recently, computers – the camera has its own agency. It can see what is invisible to the human eye; it can work continuously; it can travel to places that humans would find impossible or dangerous to visit; it can enter the human body and travel into outer space. It has been taken for granted that the photographic image is the most important aspect of the photographic process. However, the artists and writers in Drone: The Automated Image suggest something completely different. At the centre of their concerns is the changing relationship between the camera and the body and how the camera can function with little human involvement. As humans rely more and more on technology to extend vision, the camera takes on behaviours associated with the body. From CCTV to Google Street View, from remote cameras to robots, and from photo booths to drones, cameras are remaking the conditions of human existence.
Drone: The automated image. Le Mois de la photo à Montréal 2013
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More than an exhibition catalogue, this reference book is lavishly illustrated with the works from the 25 exhibitions of the event, and includes essays by leading commentators on contemporary art and technology. The camera is not a tool just waiting to be picked up and used, but a sophisticated instrument with its own laws, its own ways of working, and even its own life. With the incorporation of automatic devices – and, more recently, computers – the camera has its own agency. It can see what is invisible to the human eye; it can work continuously; it can travel to places that humans would find impossible or dangerous to visit; it can enter the human body and travel into outer space. It has been taken for granted that the photographic image is the most important aspect of the photographic process. However, the artists and writers in Drone: The Automated Image suggest something completely different. At the centre of their concerns is the changing relationship between the camera and the body and how the camera can function with little human involvement. As humans rely more and more on technology to extend vision, the camera takes on behaviours associated with the body. From CCTV to Google Street View, from remote cameras to robots, and from photo booths to drones, cameras are remaking the conditions of human existence.
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Publication:
septembre 2013
septembre 2013
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Véritable manifeste, le premier volume de la collection « Ré-inventaire » retrace un parcours dans le fonds de l'inventaire et présente les partis pris photographiques mis en place au cours de ces dix dernières années dans cette collection. Elle montre comment la photographie s'ouvre aux paysages, aux ensembles urbains, aux habitants. Un état des lieux présente un(...)
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Véritable manifeste, le premier volume de la collection « Ré-inventaire » retrace un parcours dans le fonds de l'inventaire et présente les partis pris photographiques mis en place au cours de ces dix dernières années dans cette collection. Elle montre comment la photographie s'ouvre aux paysages, aux ensembles urbains, aux habitants. Un état des lieux présente un(...)
Titre:
État des lieux : croisement des regards sur le patrimoine
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Véritable manifeste, le premier volume de la collection « Ré-inventaire » retrace un parcours dans le fonds de l'inventaire et présente les partis pris photographiques mis en place au cours de ces dix dernières années dans cette collection. Elle montre comment la photographie s'ouvre aux paysages, aux ensembles urbains, aux habitants. Un état des lieux présente un panorama des grandes thématiques abordées par ce fonds constitué de milliers d'images : patrimoine gothique, industriel, rural, etc. Il est enrichi par l'apport de courts textes de plusieurs auteurs, apportant de multiples éclairages sur cet ensemble exceptionnel.
État des lieux : croisement des regards sur le patrimoine
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Véritable manifeste, le premier volume de la collection « Ré-inventaire » retrace un parcours dans le fonds de l'inventaire et présente les partis pris photographiques mis en place au cours de ces dix dernières années dans cette collection. Elle montre comment la photographie s'ouvre aux paysages, aux ensembles urbains, aux habitants. Un état des lieux présente un panorama des grandes thématiques abordées par ce fonds constitué de milliers d'images : patrimoine gothique, industriel, rural, etc. Il est enrichi par l'apport de courts textes de plusieurs auteurs, apportant de multiples éclairages sur cet ensemble exceptionnel.
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livres
livres
Publication:
avril 2017
avril 2017
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livres
livres
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Sir John Soane / by H.J. Birnstingl ; with 35 illustrations from photographs by F.R. Yerbury.
Sir John Soane / by H.J. Birnstingl ; with 35 illustrations from photographs by F.R. Yerbury.
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29 pages, 35 leaves of plates : illustrations ; 26 cm.
Description:
29 pages, 35 leaves of plates : illustrations ; 26 cm.
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London [England] : E. Benn, 1925.
London [England] : E. Benn, 1925.
Titre:
Sir John Soane / by H.J. Birnstingl ; with 35 illustrations from photographs by F.R. Yerbury.
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29 pages, 35 leaves of plates : illustrations ; 26 cm.
Sir John Soane / by H.J. Birnstingl ; with 35 illustrations from photographs by F.R. Yerbury.
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29 pages, 35 leaves of plates : illustrations ; 26 cm.
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London [England] : E. Benn, 1925.
London [England] : E. Benn, 1925.
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Description:
256 pages : illustrations (some color) ; 31 cm
Description:
256 pages : illustrations (some color) ; 31 cm
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[London] : Thames and Hudson, ©1987.
[London] : Thames and Hudson, ©1987.
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Victorian and Edwardian furniture and interiors : from the gothic revival to art nouveau / Jeremy Cooper.
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256 pages : illustrations (some color) ; 31 cm
Victorian and Edwardian furniture and interiors : from the gothic revival to art nouveau / Jeremy Cooper.
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256 pages : illustrations (some color) ; 31 cm
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[London] : Thames and Hudson, ©1987.
[London] : Thames and Hudson, ©1987.
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218 pages : illustrations (some color) ; 28 cm
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218 pages : illustrations (some color) ; 28 cm
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London ; New York : Spon Press, 2001.
London ; New York : Spon Press, 2001.
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Great city parks / Alan Tate.
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218 pages : illustrations (some color) ; 28 cm
Great city parks / Alan Tate.
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218 pages : illustrations (some color) ; 28 cm
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livres
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London ; New York : Spon Press, 2001.
London ; New York : Spon Press, 2001.
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Piecing together Los Angeles : an Esther McCoy reader / edited and with an essay by Susan Morgan.
Piecing together Los Angeles : an Esther McCoy reader / edited and with an essay by Susan Morgan.
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391 pages : illustrations ; 21 cm
Description:
391 pages : illustrations ; 21 cm
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Valencia, CA : East of Borneo, in collaboration with the Art School at California Institute of the Arts, ©2012.
Valencia, CA : East of Borneo, in collaboration with the Art School at California Institute of the Arts, ©2012.
Titre:
Piecing together Los Angeles : an Esther McCoy reader / edited and with an essay by Susan Morgan.
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Description:
391 pages : illustrations ; 21 cm
Piecing together Los Angeles : an Esther McCoy reader / edited and with an essay by Susan Morgan.
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391 pages : illustrations ; 21 cm
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livres
livres
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Valencia, CA : East of Borneo, in collaboration with the Art School at California Institute of the Arts, ©2012.
Valencia, CA : East of Borneo, in collaboration with the Art School at California Institute of the Arts, ©2012.
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livres
livres
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$47.00
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This collection of nearly two hundred photos captures the decline of one of the biggest symbols of American consumerism—the shopping mall. Seph Lawless details the dilapidated state of these buildings that were once thriving with people and merchandise, now left to rot and be overrun with plant and animal life. Alongside these images are first-hand accounts from people(...)
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This collection of nearly two hundred photos captures the decline of one of the biggest symbols of American consumerism—the shopping mall. Seph Lawless details the dilapidated state of these buildings that were once thriving with people and merchandise, now left to rot and be overrun with plant and animal life. Alongside these images are first-hand accounts from people(...)
Titre:
Abandoned malls of America: Crumbling commerce left behind
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This collection of nearly two hundred photos captures the decline of one of the biggest symbols of American consumerism—the shopping mall. Seph Lawless details the dilapidated state of these buildings that were once thriving with people and merchandise, now left to rot and be overrun with plant and animal life. Alongside these images are first-hand accounts from people who grew up going to these malls, reminiscing on the dually wistful and fond memories of their once-favorite local hangouts.
Abandoned malls of America: Crumbling commerce left behind
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This collection of nearly two hundred photos captures the decline of one of the biggest symbols of American consumerism—the shopping mall. Seph Lawless details the dilapidated state of these buildings that were once thriving with people and merchandise, now left to rot and be overrun with plant and animal life. Alongside these images are first-hand accounts from people who grew up going to these malls, reminiscing on the dually wistful and fond memories of their once-favorite local hangouts.
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livres
livres
Publication:
mars 2020
mars 2020
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Photographie par région
Photographie par région
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livres
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ix, 246 : illustrations (chiefly color) ; 30 cm
Description:
ix, 246 : illustrations (chiefly color) ; 30 cm
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Hobart, Tas. : Tasmanian Museum and Art Gallery, 2002.
Hobart, Tas. : Tasmanian Museum and Art Gallery, 2002.
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Creating a gothic paradise : Pugin at the antipodes / Brian Andrews.
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ix, 246 : illustrations (chiefly color) ; 30 cm
Creating a gothic paradise : Pugin at the antipodes / Brian Andrews.
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ix, 246 : illustrations (chiefly color) ; 30 cm
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livres
livres
Publication:
Hobart, Tas. : Tasmanian Museum and Art Gallery, 2002.
Hobart, Tas. : Tasmanian Museum and Art Gallery, 2002.
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