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Kristy Balliet and Brennan Buck are architects and have both worked as assistants to Greg Lynn. This is their 'visual catalog' of the Lynn Studio's work over the last five years. It is a project-based visual catalog of design innovations that were created with Lynn's students. Each chapter describes an exactly defined formal, aesthetic or atmospheric building block and(...)
Architecture, monographies
juillet 2010
Visual catalog : Greg Lynn's studio at the University of Applied Arts Vienna
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Kristy Balliet and Brennan Buck are architects and have both worked as assistants to Greg Lynn. This is their 'visual catalog' of the Lynn Studio's work over the last five years. It is a project-based visual catalog of design innovations that were created with Lynn's students. Each chapter describes an exactly defined formal, aesthetic or atmospheric building block and its cultural context. The descriptions comprise introductions, reference images, theoretical contributions and the student's projects for the studio. The Visual Catalog offers a unique insight into Greg Lynn's design and teaching practice. Since the 1990s, Lynn has been considered the pioneer of a new generation of architects whose primary tool are computers. Going against the trend towards reduced, minimalist renderings in current architecture publications, the Studio Lynn Visual Catalog is a high-gloss monograph overflowing with graphical material that can be understood as an inspiring manual for students and practicing architects.
Architecture, monographies
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This book presents and analyses the career of architect Carlos Ferrater since the creation of his new studio called OAB (Office of Architecture in Barcelona). With the arrival of young architects to the team, the activity of OAB is not only deployed in the execution of construction projects, but how it is also complemented and enriched by going into depth in other fields(...)
OAB: Carlos Ferrater and partners
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This book presents and analyses the career of architect Carlos Ferrater since the creation of his new studio called OAB (Office of Architecture in Barcelona). With the arrival of young architects to the team, the activity of OAB is not only deployed in the execution of construction projects, but how it is also complemented and enriched by going into depth in other fields such as teaching and academic research. OAB draws on the collaborative nature of Carlos Ferrater’s previous studio, incorporating new ways of understanding the contributions of each team member to generate richer, more varied, and flexible projects. Their most relevant projects are the Beach Promenade in Benidorm, the Mandarin Hotel, the Zaragoza-Delicias Station, House A and Roca Barcelona Gallery, among many others. Recent works and projects presented by means of extensive photoreportages, plans, drawings and QR codes which link the printed matter and the digital world.
Architecture, monographies
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This book is the first to document the remarkable history of the International Institute of Design (IID), an independent school of architecture founded and directed by Alvin Boyarsky from 1970 – 72, and highlights a pivotal episode in the career of Boyarsky, best known for his subsequent role as chairman of the Architectural Association (1971 – 90). Launched in the wake(...)
In progress: the IID summer sessions
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This book is the first to document the remarkable history of the International Institute of Design (IID), an independent school of architecture founded and directed by Alvin Boyarsky from 1970 – 72, and highlights a pivotal episode in the career of Boyarsky, best known for his subsequent role as chairman of the Architectural Association (1971 – 90). Launched in the wake of the institutional upheavals that had swept schools of architecture during the late 1960s, the IID introduced an alternative model of architectural instruction: one that brought together a range of teaching methods, design strategies, theories and projects alongside an international assortment of protagonists. In Progress details this short-lived experiment through a trove of previously unpublished material, and reveals how three informal architectural gatherings, held over three successive summers, can be seen to have established not only a network of architects and discourses, but a new model for architectural education.
Architecture contemporaine
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Life as a design student is filled with questions. Rochester Institute of Technology Associate Professor of Design Mitch Goldstein has many answers, shared in clear, clever, and sage advice that is helpful for students at any level of their education, as well as anyone thinking about attending design school and wondering what it's really all about. For design students(...)
How to be a design student (and how to teach them)
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Life as a design student is filled with questions. Rochester Institute of Technology Associate Professor of Design Mitch Goldstein has many answers, shared in clear, clever, and sage advice that is helpful for students at any level of their education, as well as anyone thinking about attending design school and wondering what it's really all about. For design students and art professionals, Goldstein is a brilliant resource for real-world thoughts about design school and creative practice. Drawing on 16 years of teaching design and his popular "Dear Design Student" Twitter project, Goldstein explores all aspects of how to get the most out of the school experience, and beyond as a creative professional. From collaboration and critiques to practice and process, this is an inspiring roadmap for design students as well as a valuable guide for design professors to help them understand how to shape curriculum from a student's perspective and better the collaborative experience.
Théorie du design
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
juin 2023
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both(...)
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both appropriate and culturally of their 'place’. The design responds specifically to both the culture of the British council in East Africa and the site context of central Nairobi to create a dramatic, beautiful space. The British Council’s Visual Arts Department commissioned a site specific work for the new building from artist David Tremlett who was invited to contribute wall drawings to the front and back elevations and to the main corridors leading to the teaching areas within the building. The drawings of rubbed pigment and varnish highlight accentuate the flat planes of the building and the colours harmonise with the vibrant richness of the Kenyan soil, vegetation and sky.
petits formats
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature(...)
Bureau of the Centre for the Study of Surrealism and its Legacy
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. Renowned for his work exploring taxonomy, archaeology and ecology, Mark Dion in his "Bureau" documents his opportunistic encounters with the Museum of Manchester’s neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, Egyptian fakes and the minutiae that have fallen through the cracks of museum practice and lain abandoned. Dion’s "Bureau of the Centre for the Study of Surrealism and its Legacy" is both a repository for the detritus of museum life and a working process, classifying the museum’s un-classifiable whilst exploring the bureaucratic workings of the institution.
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of(...)
ECAL : A success story in art and design
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of design, the teaching principles that have led to ECAL's rise are documented, along with accounts of its subsequent successes. Today ECAL is at the top of the international game in graphic design, photography and, especially, industrial design. ECAL frequently garners commissions from museums and companies like Christofle, Swarovski, Nestle and Coca-Cola and has been included in numerous exhibitions and publications. In addition to staff and students, key players in the world of design and criticism, such as Paola Antonelli, Stephen Shore, Rolf Fehlbaum, Paolo Roversi, Ronan Bouroullec and Fernando and Humberto Company contribute a professional perspective.
Design industriel
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“The Mexican Roof”, built as an architectural signal for an organisation promoting sustainable agriculture, is one of the few examples where a very ambitious project, conceived in the architecture design studio at the University of Applied Arts Vienna, has been successfully translated into reality. Executed by the students themselves in a remote province in Mexico it is(...)
Prinz Eisenbeton 5 : techo en Mexico / the Mexican roof - 96° 13' W. 16° 33'N
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“The Mexican Roof”, built as an architectural signal for an organisation promoting sustainable agriculture, is one of the few examples where a very ambitious project, conceived in the architecture design studio at the University of Applied Arts Vienna, has been successfully translated into reality. Executed by the students themselves in a remote province in Mexico it is basically a roof made out of bamboo that shelters the new community from the sun and collects water, the basis of any kind of growth. It is a conspicuous landmark that also serves very practical functions. The book presents the building process in Mexico starting with the finished roof and going back in time as well, an index that lists the various notions of the conceptual work in Vienna. Special attention is given to a specific method of teaching that encourages students to go for their visions, even if difficult, by providing methods, experience and determination necessary to solve the problems associated with this endeavour.
Architecture écologique
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From "Magic and myth-work to care and repair" is a two-part book bringing together fourteen essays broadly concerned with the "fiction of the self" and with practices and explorations beyond that fiction. Each part of the book approaches this theme from a different angle. The first part, entitled "On magic and myth-work," deals with practices of transformation and with(...)
From magic and myth-work to care and repair
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From "Magic and myth-work to care and repair" is a two-part book bringing together fourteen essays broadly concerned with the "fiction of the self" and with practices and explorations beyond that fiction. Each part of the book approaches this theme from a different angle. The first part, entitled "On magic and myth-work," deals with practices of transformation and with contemporary myth-making in relation to landscape, performance, and writing. The second part, “On Care and Repair,” gathers together essays that are more personal, but that also look to various technologies (or devices) of self-care alongside ideas of collaboration and the collective. Crucial throughout this exploration are questions of agency and self-narration, but also how these connect to larger issues around historical trauma, neoliberalism, and ecological crisis. The essays reference many other texts and fellow travellers, and also draw on the author's own experiences (and teaching) within various art and theory worlds, as well as with performance, magical practices, gaming, and Buddhism.
Théorie de l’art