4832 Résultats
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Tim Edensor highlights the danger of eradicating the evocative urban sites of industrial ruins through policies that privilege homogeneous new developments. It is precisely their fragmentary nature and lack of fixed meaning that render ruins deeply meaningful.
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Tim Edensor highlights the danger of eradicating the evocative urban sites of industrial ruins through policies that privilege homogeneous new developments. It is precisely their fragmentary nature and lack of fixed meaning that render ruins deeply meaningful.
Titre:
Industrial ruins : space, aesthetics and materiality
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Tim Edensor highlights the danger of eradicating the evocative urban sites of industrial ruins through policies that privilege homogeneous new developments. It is precisely their fragmentary nature and lack of fixed meaning that render ruins deeply meaningful.
Industrial ruins : space, aesthetics and materiality
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Tim Edensor highlights the danger of eradicating the evocative urban sites of industrial ruins through policies that privilege homogeneous new developments. It is precisely their fragmentary nature and lack of fixed meaning that render ruins deeply meaningful.
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livres
livres
Publication:
janvier 1900, Oxford, New York
janvier 1900, Oxford, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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$33.00
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In 1980, German architect Oswald Mathias Ungers (1926–2007) participated in a competition for solar housing. His contribution received a special prize, but the design was never realised and has been largely ignored since. Yet it remains the only project in which the architect explicitly addressed the issue of sustainability. This publication brings his design to light(...)
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In 1980, German architect Oswald Mathias Ungers (1926–2007) participated in a competition for solar housing. His contribution received a special prize, but the design was never realised and has been largely ignored since. Yet it remains the only project in which the architect explicitly addressed the issue of sustainability. This publication brings his design to light(...)
Titre:
Negotiating Ungers: the aesthetics of sustainability
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In 1980, German architect Oswald Mathias Ungers (1926–2007) participated in a competition for solar housing. His contribution received a special prize, but the design was never realised and has been largely ignored since. Yet it remains the only project in which the architect explicitly addressed the issue of sustainability. This publication brings his design to light once again, and is the outcome of an unconventional approach to the architect’s design practice that was undertaken as part of the 2018 summer school at the Ungers Archiv für Architekturwissenschaft (UAA) in Cologne.
Negotiating Ungers: the aesthetics of sustainability
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In 1980, German architect Oswald Mathias Ungers (1926–2007) participated in a competition for solar housing. His contribution received a special prize, but the design was never realised and has been largely ignored since. Yet it remains the only project in which the architect explicitly addressed the issue of sustainability. This publication brings his design to light once again, and is the outcome of an unconventional approach to the architect’s design practice that was undertaken as part of the 2018 summer school at the Ungers Archiv für Architekturwissenschaft (UAA) in Cologne.
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livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$44.95
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The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven(...)
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The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven(...)
Titre:
Our aesthetics categories: zany, cute, interesting
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The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.
Our aesthetics categories: zany, cute, interesting
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Résumé:
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$48.00
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In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human(...)
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In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human(...)
Titre:
Contagious architecture: computation, aesthetics, and space
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In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing.
Contagious architecture: computation, aesthetics, and space
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In Contagious Architecture, Luciana Parisi offers a philosophical inquiry into the status of the algorithm in architectural and interaction design. Her thesis is that algorithmic computation is not simply an abstract mathematical tool but constitutes a mode of thought in its own right, in that its operation extends into forms of abstraction that lie beyond direct human cognition and control. These include modes of infinity, contingency, and indeterminacy, as well as incomputable quantities underlying the iterative process of algorithmic processing.
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livres
livres
Publication:
mars 2013
mars 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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1 volume : chiefly illustrations ; 25 cm
Description:
1 volume : chiefly illustrations ; 25 cm
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Atlanta, Ga. : J & L Books, ©2009.
Atlanta, Ga. : J & L Books, ©2009.
Titre:
Bertrand Fleuret : landmasses and railways = Landmassen und Gleise = continents et chemins de fer / Bertrand Fleuret.
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1 volume : chiefly illustrations ; 25 cm
Bertrand Fleuret : landmasses and railways = Landmassen und Gleise = continents et chemins de fer / Bertrand Fleuret.
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1 volume : chiefly illustrations ; 25 cm
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livres
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Atlanta, Ga. : J & L Books, ©2009.
Atlanta, Ga. : J & L Books, ©2009.
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What really happens between a spectator and a work of art at the moment of encounter? How does one experience "meaning" in a work of art? How does an interpretation of an art object come to take hold for a viewer? How can that process of interpretation, which often takes place at a subconscious level beyond language, be understood and articulated? In "The perfect(...)
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What really happens between a spectator and a work of art at the moment of encounter? How does one experience "meaning" in a work of art? How does an interpretation of an art object come to take hold for a viewer? How can that process of interpretation, which often takes place at a subconscious level beyond language, be understood and articulated? In "The perfect(...)
Titre:
The perfect spectator: the experience of the artwork and reception aesthetics
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What really happens between a spectator and a work of art at the moment of encounter? How does one experience "meaning" in a work of art? How does an interpretation of an art object come to take hold for a viewer? How can that process of interpretation, which often takes place at a subconscious level beyond language, be understood and articulated? In "The perfect spectator", author Janneke Wesseling addresses these questions by turning to the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between an active artwork and an active observer. Wesseling proceeds from her own intensely personal encounters with art objects, and her professional experience studying and writing about art, in order to arrive at a new theoretical framework for the sight and contemplation of art.
The perfect spectator: the experience of the artwork and reception aesthetics
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Résumé:
What really happens between a spectator and a work of art at the moment of encounter? How does one experience "meaning" in a work of art? How does an interpretation of an art object come to take hold for a viewer? How can that process of interpretation, which often takes place at a subconscious level beyond language, be understood and articulated? In "The perfect spectator", author Janneke Wesseling addresses these questions by turning to the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between an active artwork and an active observer. Wesseling proceeds from her own intensely personal encounters with art objects, and her professional experience studying and writing about art, in order to arrive at a new theoretical framework for the sight and contemplation of art.
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livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Théorie de l’art
Théorie de l’art
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272 pages : illustrations (some color) ; 26 cm
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272 pages : illustrations (some color) ; 26 cm
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New York : Princeton Architectural Press, 2001.
New York : Princeton Architectural Press, 2001.
Titre:
Wendingen : a journal for the arts, 1918-1932 / Martijn F. Le Coultre ; introduction, Ellen Lupton ; essay, Alston W. Purvis.
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272 pages : illustrations (some color) ; 26 cm
Wendingen : a journal for the arts, 1918-1932 / Martijn F. Le Coultre ; introduction, Ellen Lupton ; essay, Alston W. Purvis.
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272 pages : illustrations (some color) ; 26 cm
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New York : Princeton Architectural Press, 2001.
New York : Princeton Architectural Press, 2001.
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Description:
386 pages : illustrations ; 24 cm
Description:
386 pages : illustrations ; 24 cm
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New York : Zone Books, 2007., Cambridge, Massachusetts : Distributed by the MIT Press, ©2007
New York : Zone Books, 2007., Cambridge, Massachusetts : Distributed by the MIT Press, ©2007
Titre:
The inner touch : archaeology of a sensation / Daniel Heller-Roazen.
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Description:
386 pages : illustrations ; 24 cm
The inner touch : archaeology of a sensation / Daniel Heller-Roazen.
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386 pages : illustrations ; 24 cm
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livres
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New York : Zone Books, 2007., Cambridge, Massachusetts : Distributed by the MIT Press, ©2007
New York : Zone Books, 2007., Cambridge, Massachusetts : Distributed by the MIT Press, ©2007
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livres
livres
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The Museum of French Monuments 1795-1816 : 'killing art to make history' / by Alexandra Stara.
The Museum of French Monuments 1795-1816 : 'killing art to make history' / by Alexandra Stara.
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xiii, 183 pages ; 26 cm
Description:
xiii, 183 pages ; 26 cm
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Burlington : Ashgate, 2013.
Burlington : Ashgate, 2013.
Titre:
The Museum of French Monuments 1795-1816 : 'killing art to make history' / by Alexandra Stara.
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xiii, 183 pages ; 26 cm
The Museum of French Monuments 1795-1816 : 'killing art to make history' / by Alexandra Stara.
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xiii, 183 pages ; 26 cm
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livres
Publication:
Burlington : Ashgate, 2013.
Burlington : Ashgate, 2013.
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243 pages : illustrations (some color) ; 28 cm
Description:
243 pages : illustrations (some color) ; 28 cm
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New York : Princeton Architectural Press, ©2002.
New York : Princeton Architectural Press, ©2002.
Titre:
How to photograph buildings and interiors / Gerry Kopelow.
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243 pages : illustrations (some color) ; 28 cm
How to photograph buildings and interiors / Gerry Kopelow.
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243 pages : illustrations (some color) ; 28 cm
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livres
livres
Publication:
New York : Princeton Architectural Press, ©2002.
New York : Princeton Architectural Press, ©2002.
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