Timber
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box(...)
Timber
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Timber is a vital resource that is all around us. It is the house that shelters us, the furniture we relax in, the books we read, the paper we print, the disposable diapers for our babies, and the boxes that contain our cereal, detergent, and new appliances. The way we produce and consume timber, however, is changing. With international timber companies and big box discount retailers increasingly controlling through global commodity chains where and how much timber is traded, the world's remaining old-growth forests, particularly in the developing world, are under threat of disappearing - all for the price of a consumer bargain. This trailblazing book is the first to expose what's happening inside corporate commodity chains with conclusions that fundamentally challenge our understanding of how and why deforestation persists. Authors Peter Dauvergne and Jane Lister reveal how timber now moves through long and complex supply chains from the forests of the global South through the factories of emerging economies like China to the big box retail shelves of Europe and North America. Well-off consumers are getting unprecedented deals. But the social and environmental costs are extraordinarily high as corporations mine the world's poorest regions and most vulnerable ecosystems. The growing power of big retail within these commodity chains is further increasing South-North inequities and unsustainable global consumption. Yet, as this book's highly original analysis uncovers, it is also creating some intriguing opportunities to promote more responsible business practices and better global forest governance.
Expositions en cours
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Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation(...)
The glorious lie/The gloy of the lie : A poetry card game inspired by Stéphane Mallarmé's ''The Book''
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Upon his death, Stéphane Mallarmé (1842–98) left hundreds of notes on an unrealized great work he called ''The Book.'' Housed in a clear Plexiglas box, this card-deck conception of his project draws from that material, and from other writings alluding to its possible forms, including a letter in which he describes ''a book that is architectural... The orphic explanation of the Earth, which is the sole duty of the poet, and the literary game par excellence.'' The title of this game derives from another letter in which Mallarmé writes, ''perhaps the title of my volume of lyric poetry will be 'The Glory of the Lie, or The Glorious Lie.' ” Each deck contains 48 cards: three with artwork on each side, and 45 with words or phrases on each side. The size of the cards, their gold edging and the physical housing of the decks in the box reflect descriptions and clues in Mallarmé’s notes. The manner of playing the game is left open, but quotes and diagrams by Mallarmé in the accompanying 20-page booklet point to the idea of pulling cards from each of the four decks and laying them out for one reading, then flipping the cards over for a second reading. The image cards function like the Arcana of Tarot, providing a visual language equal to the word cards. The readings might be used to create poetry or, like Tarot, to divine or illuminate.
Littérature et poésie
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture(...)
A+U 647 : OMA Shohei Shigemats
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture that demonstrates how the rational box and soft form can coexist, as embodied in the contemporary public realm. A selection of 34 projects representing the architecture of both New York and Tokyo is expanded upon with essays by Shigematsu and others, plus two conversations with the architect.
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389 pages : illustrations (some color) ; 26 cm
[Barcelona?] : Poligrafa Ediciones Sa, 2007.
Jeff Wall : works and collected writings / Michael Newman.
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389 pages : illustrations (some color) ; 26 cm
livres
[Barcelona?] : Poligrafa Ediciones Sa, 2007.
$60.00
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This is a walk through a decade’s worth of work by Misha Kahn. Glitzy, wobbly, hairy, witty—no number of adjectives aptly describes an output so vast, one which ranges from underwater mosaic sculptures and scrap-metal chaise longues to a gem-encrusted, wrist-worn, labyrinth-style ball game. Neither strictly an artist nor a designer, Misha himself emphatically avoids(...)
Misha Kahn: Casually sauntering the perimeter of now
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This is a walk through a decade’s worth of work by Misha Kahn. Glitzy, wobbly, hairy, witty—no number of adjectives aptly describes an output so vast, one which ranges from underwater mosaic sculptures and scrap-metal chaise longues to a gem-encrusted, wrist-worn, labyrinth-style ball game. Neither strictly an artist nor a designer, Misha himself emphatically avoids categorisation for the very real fear it might box him in and close off fresh, breakable ground. It’s this boundless energy for every new material or technical challenge, combined with his singular ideas and aesthetics, that has made Misha a leading creative voice of his generation.
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Plastic containers from around the world figure in this series by still-life photographer Shinichi Kaneko. The containers originate from 20 cities, the majority of which Kaneko visited himself, making the rounds past DIY stores, mid-sized supermarkets, suburban big-box stores, and more in search of bottles of intriguing shape. He then shot the objects under strong(...)
Readymade: Shinichi Kaneko Photographs
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Plastic containers from around the world figure in this series by still-life photographer Shinichi Kaneko. The containers originate from 20 cities, the majority of which Kaneko visited himself, making the rounds past DIY stores, mid-sized supermarkets, suburban big-box stores, and more in search of bottles of intriguing shape. He then shot the objects under strong lighting while using filters to minimise surface halation and render a matte finish, a process he describes as akin to puzzling out a chess problem. Yet the results reveal aspects and guises that ordinarily remain hidden from view. The aim of Kaneko’s project is to discover new narratives within readymade products.
Monographies photo
Hunch no 4 2001/2002
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Jump from Ground Zero to Koolhaas’s “Jewel Box in Vegas” with Jeff Derksen. Unravel the “Genetic Codes of The Wild City” with the STEALTH Group in Belgrade and John Thackara of Doors of Perception. Let Oscar Niemeyer tell you why “We’re all Screwed”. Discover the “Razzmatazz Formula of Times Square” with Javier Rojas and Nanne de Ru. Witness the first (and the last?)(...)
Hunch no 4 2001/2002
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Jump from Ground Zero to Koolhaas’s “Jewel Box in Vegas” with Jeff Derksen. Unravel the “Genetic Codes of The Wild City” with the STEALTH Group in Belgrade and John Thackara of Doors of Perception. Let Oscar Niemeyer tell you why “We’re all Screwed”. Discover the “Razzmatazz Formula of Times Square” with Javier Rojas and Nanne de Ru. Witness the first (and the last?) “Columns of Fire” with Thomas A. P. van Leeuwen. Dig up Gert-Jan Willemse’s “Design for a World Without People” with Pier Vittorio Aureli and Saskia Kloosterboer, and then decide whether the architectural debate in Holland is about “Nothingness or Nothing at All”.
Revues
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The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their(...)
Storied ground: landscape and the shaping of English national identity
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The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their meaning. Between the late eighteenth and early twentieth centuries, Englishness extended far beyond the pastoral idyll of chocolate-box thatched cottages, waving fields of corn and quaint country churches. It was found in diverse locations - urban as well as rural, north as well as south - and it took strikingly diverse forms.
Théorie du paysage
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George Pendle on Qaddafi's shades / Sophia Al-Maria: Sign of Allah / Gary Dauphin: the cleaver sleeve / Peter Trachtenberg: Metraton's breastplate / Sergio Michek & Paolo Woods: General Dostum's clocks / Tom Morton: the headlace of Xerxes / Anand Balakrishnan: Naguib Mahfouz's white linen suit / Jace Clayton: Hamid Batma's Tabla drum / Lisa Farjam: my beating heart /(...)
Revues
juin 2008, New York
Bidoun: arts and culture from the middle east: 14 spring/summer 2008: objects
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George Pendle on Qaddafi's shades / Sophia Al-Maria: Sign of Allah / Gary Dauphin: the cleaver sleeve / Peter Trachtenberg: Metraton's breastplate / Sergio Michek & Paolo Woods: General Dostum's clocks / Tom Morton: the headlace of Xerxes / Anand Balakrishnan: Naguib Mahfouz's white linen suit / Jace Clayton: Hamid Batma's Tabla drum / Lisa Farjam: my beating heart / James Parker: Gurdjeff's Citroën / Rachel Aviv: Saddam Hussein's key to the city of Detroit / Brent Hayes Edwards: afro-horn / Sohrab Mohebbi: the pearl cannnon / Rasha Salti: Hafez Al-Assad's iron bladder / Anna Boghiguian: Santé cigarette box / Pankaj Mishra: biscuit tin / Peter James Hudson: Condoleeza Rice's ice skates / Marco Roth: berber blanket / Reza Negarestani: the object and many more ...
Revues
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this(...)
Art and the moving image : a critical reader
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? This publication gathers together key texts including new, translated and previously unavailable essays by writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen.