9835 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Personnes et institutions:
Date:
1987-1988
1987-1988
Titre:
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Niveau de description archivistique:
Project
Project
Date:
1987-1988
1987-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
Personnes et institutions:
Date:
1968-1976
1968-1976
Titre:
Etobicoke General Hospital, Etobicoke, Ontario (1966-1971)
Actions:
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
Etobicoke General Hospital, Etobicoke, Ontario (1966-1971)
Actions:
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
Niveau de description archivistique:
Project
Project
Date:
1968-1976
1968-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
1974-1981
1974-1981
Titre:
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations and Press Hall Extension, Toronto, Ontario (1976)
Actions:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations and Press Hall Extension, Toronto, Ontario (1976)
Actions:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1974-1981
1974-1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1981.PR16
Description:
This project series documents the construction of the Victoria and Grey Trust Company office in Stratford, Ontario from 1981-1984. The office identified the project number as 8116. This project consisted of an office building and computer center to be the new head office of Victoria and Grey Trust Company. Originally, the building was proposed as an eleven-storey office tower, but eventually the design was scaled back to five storeys with a basement and penthouse. Once construction commenced, the building became even shorter and included a parking garage. The building was located at 60 Erie Street. This project documents only the construction of this office building; the design was completed under a different project number assigned by the office (see project series AP018.S1.1980.PR14 in this fonds). The project is recorded through drawings, photographic materials and textual records dating from 1981-1984. The drawings are mostly reprographic copies arranged within the textual materials. There are some original detail drawings arranged within the textual materials. Some drawings were produced by architecture firm Routhwaite and Fairfield. The photographic materials show the construction progress of the project. The textual records consist of correspondence, conference and site reports, authority and detail documentation, financial documents, supplementary instructions, change orders and specifications.
AP018.S1.1981.PR16
Description:
This project series documents the construction of the Victoria and Grey Trust Company office in Stratford, Ontario from 1981-1984. The office identified the project number as 8116. This project consisted of an office building and computer center to be the new head office of Victoria and Grey Trust Company. Originally, the building was proposed as an eleven-storey office tower, but eventually the design was scaled back to five storeys with a basement and penthouse. Once construction commenced, the building became even shorter and included a parking garage. The building was located at 60 Erie Street. This project documents only the construction of this office building; the design was completed under a different project number assigned by the office (see project series AP018.S1.1980.PR14 in this fonds). The project is recorded through drawings, photographic materials and textual records dating from 1981-1984. The drawings are mostly reprographic copies arranged within the textual materials. There are some original detail drawings arranged within the textual materials. Some drawings were produced by architecture firm Routhwaite and Fairfield. The photographic materials show the construction progress of the project. The textual records consist of correspondence, conference and site reports, authority and detail documentation, financial documents, supplementary instructions, change orders and specifications.
Personnes et institutions:
Date:
1981-1984
1981-1984
Titre:
Victoria and Grey Trust Company, Head Office Construction, Stratford, Ontario (1981-1982)
Actions:
AP018.S1.1981.PR16
Description:
This project series documents the construction of the Victoria and Grey Trust Company office in Stratford, Ontario from 1981-1984. The office identified the project number as 8116. This project consisted of an office building and computer center to be the new head office of Victoria and Grey Trust Company. Originally, the building was proposed as an eleven-storey office tower, but eventually the design was scaled back to five storeys with a basement and penthouse. Once construction commenced, the building became even shorter and included a parking garage. The building was located at 60 Erie Street. This project documents only the construction of this office building; the design was completed under a different project number assigned by the office (see project series AP018.S1.1980.PR14 in this fonds). The project is recorded through drawings, photographic materials and textual records dating from 1981-1984. The drawings are mostly reprographic copies arranged within the textual materials. There are some original detail drawings arranged within the textual materials. Some drawings were produced by architecture firm Routhwaite and Fairfield. The photographic materials show the construction progress of the project. The textual records consist of correspondence, conference and site reports, authority and detail documentation, financial documents, supplementary instructions, change orders and specifications.
Victoria and Grey Trust Company, Head Office Construction, Stratford, Ontario (1981-1982)
Actions:
AP018.S1.1981.PR16
Description:
This project series documents the construction of the Victoria and Grey Trust Company office in Stratford, Ontario from 1981-1984. The office identified the project number as 8116. This project consisted of an office building and computer center to be the new head office of Victoria and Grey Trust Company. Originally, the building was proposed as an eleven-storey office tower, but eventually the design was scaled back to five storeys with a basement and penthouse. Once construction commenced, the building became even shorter and included a parking garage. The building was located at 60 Erie Street. This project documents only the construction of this office building; the design was completed under a different project number assigned by the office (see project series AP018.S1.1980.PR14 in this fonds). The project is recorded through drawings, photographic materials and textual records dating from 1981-1984. The drawings are mostly reprographic copies arranged within the textual materials. There are some original detail drawings arranged within the textual materials. Some drawings were produced by architecture firm Routhwaite and Fairfield. The photographic materials show the construction progress of the project. The textual records consist of correspondence, conference and site reports, authority and detail documentation, financial documents, supplementary instructions, change orders and specifications.
Niveau de description archivistique:
Project
Project
Date:
1981-1984
1981-1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Personnes et institutions:
Date:
1978-1986
1978-1986
Titre:
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Niveau de description archivistique:
Project
Project
Date:
1978-1986
1978-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1988-1995
1988-1995
Titre:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1995
1988-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
Personnes et institutions:
Date:
1977-1992
1977-1992
Titre:
State Gallery Addition and New Chamber Theatre Competition and Construction, Stuttgart, Germany
Actions:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
State Gallery Addition and New Chamber Theatre Competition and Construction, Stuttgart, Germany
Actions:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
Niveau de description archivistique:
File 52
File 52
Date:
1977-1992
1977-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Personnes et institutions:
Date:
1991-2001
1991-2001
Titre:
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Niveau de description archivistique:
Project
Project
Date:
1991-2001
1991-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1983-1990
1983-1990
Titre:
Canadian Chancery, Washington D.C. (1983-1990)
Actions:
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Canadian Chancery, Washington D.C. (1983-1990)
Actions:
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1983-1990
1983-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Niveau de description archivistique:
Project
Project
Date:
1990-1993
1990-1993
Personnes et institutions:
