2794 Résultats
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livres
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$64.95
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Résumé:
The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this(...)
$64.95
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Résumé:
The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this(...)
Titre:
The anti-museum - an anthology
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$64.95
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The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion - unpatented but regularly reappropriated - traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of "Closed Exhibitions" from Dada to Noise music, from "Everything is Art" to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, "The anti-museum" sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
The anti-museum - an anthology
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Prix:
$64.95
(disponible sur commande)
Résumé:
The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion - unpatented but regularly reappropriated - traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of "Closed Exhibitions" from Dada to Noise music, from "Everything is Art" to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, "The anti-museum" sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
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livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Naoya Hatakeyama
Naoya Hatakeyama
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at(...)
$51.95
(disponible sur commande)
Résumé:
Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at(...)
Titre:
Naoya Hatakeyama
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$51.95
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Résumé:
Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at times of lunar landscapes or prehistoric scenes - to his Underground series, in which the artist pursues urban tectonics in a vertical photographic progression from the air down into the depths of the city sewer system with its almost theatrical lighting effects. At the same time, his consistently serial works also reveal the presence of a horizontal principle as an expression of the importance of the aspect of time in his art - in highly explosive moments, for example, as in Blasts (1995/96), photos of detonations in quarries, or in the urban tableaux conceived as extended-time studies in 48 or 72 parts in his Unlimited series (1989-1997). One of the first monographs devoted to this artist, this book covers all of his serial work as well as some of his most recent projects.
Naoya Hatakeyama
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$51.95
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Résumé:
Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at times of lunar landscapes or prehistoric scenes - to his Underground series, in which the artist pursues urban tectonics in a vertical photographic progression from the air down into the depths of the city sewer system with its almost theatrical lighting effects. At the same time, his consistently serial works also reveal the presence of a horizontal principle as an expression of the importance of the aspect of time in his art - in highly explosive moments, for example, as in Blasts (1995/96), photos of detonations in quarries, or in the urban tableaux conceived as extended-time studies in 48 or 72 parts in his Unlimited series (1989-1997). One of the first monographs devoted to this artist, this book covers all of his serial work as well as some of his most recent projects.
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livres
livres
Publication:
mai 2002, Ostfildern-Ruit, Germany
mai 2002, Ostfildern-Ruit, Germany
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Monographies photo
Monographies photo
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artéfacts
artéfacts
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Exemplaires:
Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
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[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
Titre:
Magnet Master. Set no. 900 : a new creative toy / designed by Carrara ; sponsored by Walker Art Center.
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Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
Magnet Master. Set no. 900 : a new creative toy / designed by Carrara ; sponsored by Walker Art Center.
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Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
Classification:
artéfacts
artéfacts
Publication:
[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
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livres
livres
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$9.95
(disponible en magasin)
Résumé:
Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
$9.95
(disponible en magasin)
Résumé:
Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
Titre:
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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$9.95
(disponible en magasin)
Résumé:
Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Prix:
$9.95
(disponible en magasin)
Résumé:
Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Classification:
livres
livres
Publication:
novembre 1998, Montréal
novembre 1998, Montréal
Sujet:
Publications du CCA
Publications du CCA
