9750 Résultats
Classification:
expositions
expositions
Actions:
Description:
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
30 janvier 2014 au 25 mai 2014
30 janvier 2014 au 25 mai 2014
Titre:
La photographie de la ville arabe au XIXe siècle
Actions:
Description:
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
La photographie de la ville arabe au XIXe siècle
Actions:
Description:
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
Classification:
expositions
expositions
Date:
30 janvier 2014 au
25 mai 2014
30 janvier 2014 au
25 mai 2014
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Personnes et institutions:
Date:
1994-2015
1994-2015
Titre:
Documents d’archives de COOP HIMMELB(L)AU pour le projet BMW Welt
Actions:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Documents d’archives de COOP HIMMELB(L)AU pour le projet BMW Welt
Actions:
AP181
Résumé:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2015
1994-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Personnes et institutions:
Date:
[1837-ca. 1862]
[1837-ca. 1862]
Titre:
Muséum nationale d'histoire naturelle
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Muséum nationale d'histoire naturelle
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Niveau de description archivistique:
File 5
File 5
Date:
[1837-ca. 1862]
[1837-ca. 1862]
Personnes et institutions:
Classification:
événements
événements
Titre:
Histoires de l’environnement
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Date:
15 décembre 2016, 18h
15 décembre 2016, 18h
Titre:
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Classification:
événements
événements
Date:
15 décembre 2016
18h
15 décembre 2016
18h
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Personnes et institutions:
Date:
1975-1997
1975-1997
Titre:
Fonds Groupe de recherche sur Montréal
Actions:
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Fonds Groupe de recherche sur Montréal
Actions:
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1975-1997
1975-1997
Personnes et institutions:
Classification:
événements
événements
Titre:
Nuit blanche 2025 : 38%
Nuit blanche 2025 : 38%
Actions:
Description:
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Mot(s)-clé(s):
Nuit Blanche 2025
Nuit Blanche 2025
Date:
1 mars 2025 au 2 mars 2025, de 19h à 1h
1 mars 2025 au 2 mars 2025, de 19h à 1h
Titre:
Nuit blanche 2025 : 38%
Actions:
Description:
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Nuit blanche 2025 : 38%
Actions:
Description:
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Classification:
événements
événements
Date:
1 mars 2025 au
2 mars 2025
de 19h à 1h
1 mars 2025 au
2 mars 2025
de 19h à 1h
Mot(s)-clé(s):
Nuit Blanche 2025
Nuit Blanche 2025
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Robert Duchesnay
Fonds Robert Duchesnay
Numéro de référence:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Personnes et institutions:
Date:
1985-1992
1985-1992
Titre:
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1985-1992
1985-1992
Personnes et institutions:
Titre:
Fried. Krupp Essen A/R
Fried. Krupp Essen A/R
Actions:
Numéro de référence:
PH1983:0485
Description:
Portfolio of photographs showing cast-steel muzzle-loading guns and artillery, fortress and siege mortars, coast and landing guns, workshops, machinery and company products, manufactured by the Krupp armament plant in Essen/Ruhr river valley (in Prussia). This portfolio shows different models of guns and canons, locomotive wheels, exterior views of the factory with large chimneys and line-ups of workers, a panorama showing the factory complex and dwellings built for the workers, mines, inside views of the factory with machinery and two maps : one of the layout of the grounds that is colour-coded to indicate growth between 1861 and 1871 - Rhenish Prussia (Rhein provinz), and one of the world distribution of Krupp representatives - District of Essen, Europe, Germany and the World. This portfolio was compiled and probably sent, like many others by the company, to Krupp Cast Steel Works agents throughout Europe or used as a presentation catalogue for international expositions.
PH1983:0485
Description:
Portfolio of photographs showing cast-steel muzzle-loading guns and artillery, fortress and siege mortars, coast and landing guns, workshops, machinery and company products, manufactured by the Krupp armament plant in Essen/Ruhr river valley (in Prussia). This portfolio shows different models of guns and canons, locomotive wheels, exterior views of the factory with large chimneys and line-ups of workers, a panorama showing the factory complex and dwellings built for the workers, mines, inside views of the factory with machinery and two maps : one of the layout of the grounds that is colour-coded to indicate growth between 1861 and 1871 - Rhenish Prussia (Rhein provinz), and one of the world distribution of Krupp representatives - District of Essen, Europe, Germany and the World. This portfolio was compiled and probably sent, like many others by the company, to Krupp Cast Steel Works agents throughout Europe or used as a presentation catalogue for international expositions.
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Date:
between ca.1861 and ca. 1872
between ca.1861 and ca. 1872
Titre:
Fried. Krupp Essen A/R
Actions:
PH1983:0485
Description:
Portfolio of photographs showing cast-steel muzzle-loading guns and artillery, fortress and siege mortars, coast and landing guns, workshops, machinery and company products, manufactured by the Krupp armament plant in Essen/Ruhr river valley (in Prussia). This portfolio shows different models of guns and canons, locomotive wheels, exterior views of the factory with large chimneys and line-ups of workers, a panorama showing the factory complex and dwellings built for the workers, mines, inside views of the factory with machinery and two maps : one of the layout of the grounds that is colour-coded to indicate growth between 1861 and 1871 - Rhenish Prussia (Rhein provinz), and one of the world distribution of Krupp representatives - District of Essen, Europe, Germany and the World. This portfolio was compiled and probably sent, like many others by the company, to Krupp Cast Steel Works agents throughout Europe or used as a presentation catalogue for international expositions.
Fried. Krupp Essen A/R
Actions:
PH1983:0485
Description:
Portfolio of photographs showing cast-steel muzzle-loading guns and artillery, fortress and siege mortars, coast and landing guns, workshops, machinery and company products, manufactured by the Krupp armament plant in Essen/Ruhr river valley (in Prussia). This portfolio shows different models of guns and canons, locomotive wheels, exterior views of the factory with large chimneys and line-ups of workers, a panorama showing the factory complex and dwellings built for the workers, mines, inside views of the factory with machinery and two maps : one of the layout of the grounds that is colour-coded to indicate growth between 1861 and 1871 - Rhenish Prussia (Rhein provinz), and one of the world distribution of Krupp representatives - District of Essen, Europe, Germany and the World. This portfolio was compiled and probably sent, like many others by the company, to Krupp Cast Steel Works agents throughout Europe or used as a presentation catalogue for international expositions.
Date:
between ca.1861 and ca. 1872
between ca.1861 and ca. 1872
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
Personnes et institutions:
Titre:
News releases, zoning, bridges, waterfront construction, statistics population, land, 1967 expo regulation
Actions:
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
News releases, zoning, bridges, waterfront construction, statistics population, land, 1967 expo regulation
Actions:
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
Classification:
documents textuels
documents textuels
Personnes et institutions:
