1076 Résultats
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xvii, 201 pages : illustrations ; 25 cm.
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xvii, 201 pages : illustrations ; 25 cm.
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Cambridge, MA : MIT Press, 2010.
Cambridge, MA : MIT Press, 2010.
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Architecture at the edge of everything else / edited by Esther Choi and Marrikka Trotter.
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xvii, 201 pages : illustrations ; 25 cm.
Architecture at the edge of everything else / edited by Esther Choi and Marrikka Trotter.
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xvii, 201 pages : illustrations ; 25 cm.
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livres
livres
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Cambridge, MA : MIT Press, 2010.
Cambridge, MA : MIT Press, 2010.
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livres
livres
Titre:
Curating art now
Curating art now
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$46.99
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Résumé:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
$46.99
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
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Curating art now
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$46.99
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
Curating art now
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$46.99
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Curating research
Curating research
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$40.00
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This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
$40.00
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This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
Titre:
Curating research
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$40.00
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This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Curating research
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This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
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livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Curating Subjects
Curating Subjects
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$36.00
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This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
$36.00
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This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
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Curating Subjects
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$36.00
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This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Curating Subjects
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$36.00
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This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
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livres
livres
Publication:
octobre 2011, London
octobre 2011, London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$29.95
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Résumé:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
$29.95
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Résumé:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
Titre:
The culture of curating and the curating of culture(s)
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$29.95
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
The culture of curating and the curating of culture(s)
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$29.95
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Curating as ethics
Curating as ethics
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$39.95
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Résumé:
Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging,(...)
$39.95
(disponible sur commande)
Résumé:
Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging,(...)
Titre:
Curating as ethics
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$39.95
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Résumé:
Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging, and distributing an always conjectural knowledge about the world. 'Curating as Ethics' is primarily philosophical in scope, evading normative approaches to ethics in favor of an intuitive ethics that operates at the threshold of thought and action. It explores the work of authors as diverse as Heidegger, Spinoza, Meillassoux, Mudimbe, Chalier, and Kofman. Jean-Paul Martinon begins with the fabric of these ethics: how it stems from matter, how it addresses death, how it apprehends interhuman relationships. In the second part he establishes the ground on which the ethics is based, the things that make up the curatorial—for example, the textual and visual evidence or the digital medium. The final part focuses on the activity of curating as such—sharing, caring, preparing, dispensing, and so on.
Curating as ethics
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$39.95
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Résumé:
Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging, and distributing an always conjectural knowledge about the world. 'Curating as Ethics' is primarily philosophical in scope, evading normative approaches to ethics in favor of an intuitive ethics that operates at the threshold of thought and action. It explores the work of authors as diverse as Heidegger, Spinoza, Meillassoux, Mudimbe, Chalier, and Kofman. Jean-Paul Martinon begins with the fabric of these ethics: how it stems from matter, how it addresses death, how it apprehends interhuman relationships. In the second part he establishes the ground on which the ethics is based, the things that make up the curatorial—for example, the textual and visual evidence or the digital medium. The final part focuses on the activity of curating as such—sharing, caring, preparing, dispensing, and so on.
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livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Muséologie
Muséologie
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livres
livres
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Description:
595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
Description:
595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
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New York : Allworth Press, [2022], ©2022
New York : Allworth Press, [2022], ©2022
Titre:
The Black experience in design : identity, expression & reflection / Anne H. Berry, Kareem Collie, Penina Acayo Laker, Lesley-Ann Noel, Jennifer Rittner, Kelly Walters.
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595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
The Black experience in design : identity, expression & reflection / Anne H. Berry, Kareem Collie, Penina Acayo Laker, Lesley-Ann Noel, Jennifer Rittner, Kelly Walters.
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595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
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livres
livres
Publication:
New York : Allworth Press, [2022], ©2022
New York : Allworth Press, [2022], ©2022
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livres
livres
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x, 406 pages : illustrations (some color) ; 24 cm
Description:
x, 406 pages : illustrations (some color) ; 24 cm
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Los Angeles : Getty Research Institute, [2018]
Los Angeles : Getty Research Institute, [2018]
Titre:
Harald Szeemann : selected writings / Harald Szeemann ; edited by Doris Chon, Glenn Phillips, and Pietro Rigolo ; translated by Jonathan Blower and Elizabeth Tucker.
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x, 406 pages : illustrations (some color) ; 24 cm
Harald Szeemann : selected writings / Harald Szeemann ; edited by Doris Chon, Glenn Phillips, and Pietro Rigolo ; translated by Jonathan Blower and Elizabeth Tucker.
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x, 406 pages : illustrations (some color) ; 24 cm
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livres
livres
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Los Angeles : Getty Research Institute, [2018]
Los Angeles : Getty Research Institute, [2018]
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livres
livres
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viii, 247 pages : illustrations (some color), plans (some color) ; 26 cm
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viii, 247 pages : illustrations (some color), plans (some color) ; 26 cm
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New Haven : Yale University Press ; Cambridge : Harvard University Graduate School of Design, ©2008.
New Haven : Yale University Press ; Cambridge : Harvard University Graduate School of Design, ©2008.
Titre:
Josep Lluís Sert : the architect of urban design, 1953-1969 / edited by Eric Mumford and Hashim Sarkis ; with Neyran Turan.
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viii, 247 pages : illustrations (some color), plans (some color) ; 26 cm
Josep Lluís Sert : the architect of urban design, 1953-1969 / edited by Eric Mumford and Hashim Sarkis ; with Neyran Turan.
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viii, 247 pages : illustrations (some color), plans (some color) ; 26 cm
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livres
livres
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New Haven : Yale University Press ; Cambridge : Harvard University Graduate School of Design, ©2008.
New Haven : Yale University Press ; Cambridge : Harvard University Graduate School of Design, ©2008.
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livres
livres
Titre:
Ways of curating
Ways of curating
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$28.00
(disponible sur commande)
Résumé:
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
$28.00
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Résumé:
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Titre:
Ways of curating
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$28.00
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Ways of curating
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$28.00
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
