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The almost 100 arts assignments compiled in this volume are designed to foster cross-disciplinary creativity in the visual arts, performance, theater, music and design. Everyone who teaches the arts knows the value of the assignment that is seemingly simple but which nonetheless challenges participants, students and pupils to the maximum. The tasks are organized around(...)
Wicked arts assignments: practising creativity in contemporary arts education
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The almost 100 arts assignments compiled in this volume are designed to foster cross-disciplinary creativity in the visual arts, performance, theater, music and design. Everyone who teaches the arts knows the value of the assignment that is seemingly simple but which nonetheless challenges participants, students and pupils to the maximum. The tasks are organized around the following themes: Go Public, Narrate, Remix, Explore Nature, Engage, Soul Search, Make Some Noise, Localize, Build & Move, Keep in Time and Hack. The assignments can be carried out in various contexts, from primary schools to higher education, from home to online. They are intended to spark the imagination of both teachers and students, contributing to new, topical educational and artistic practices. The book is complemented by a theoretical framework and interviews with experts in contemporary arts and education.
Théorie de l’art
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and(...)
février 2016
Infratecture: Infrastructure by Design
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and architect Marc Verheijen discusses the infrastructure of cities from 15 different perspectives and features 30 examples of international best practices in infrastructure design. A practically oriented book about designing and building everything from roads and viaducts to environmental habitats and noise barriers, Infratecture is also an argument for these integrated design solutions, all the more urgent at a moment of accelerated global urbanization. Infratecture argues that, with the right mind set, genuine cooperation and sophisticated design, infrastructure can form a significant, and positive, part of the everyday environment.
The art book for children
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Can dressing up be art? How do you paint feelings? Why did Giuseppe Arcimboldo choose a grocer’s shop to find his inspiration? How do you make an Alberto Giacometti? Can you paint a noise? Why did Jeff Koons make a giant sculpture from 70,000 plants? This book explores the choices and attitudes of thirty different artists. It helps stimulate children’s own creativity(...)
Littérature jeunesse
octobre 2006, London
The art book for children
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Can dressing up be art? How do you paint feelings? Why did Giuseppe Arcimboldo choose a grocer’s shop to find his inspiration? How do you make an Alberto Giacometti? Can you paint a noise? Why did Jeff Koons make a giant sculpture from 70,000 plants? This book explores the choices and attitudes of thirty different artists. It helps stimulate children’s own creativity and imagination by asking them to wonder why artists create things in the way that they do. It explores the various ideas, meanings, roles and functions of art by looking at painting, sculpture, photography and prints and helps develop children’s understanding of colour, form, texture and pattern. Simple, clear and fun, it is an ideal tool for teachers and parents, as well as a perfect introduction to all those approaching art for the first time.
Littérature jeunesse
Ryoji Ikeda: datamatics
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a(...)
Ryoji Ikeda: datamatics
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a long-term art project that explores our reception of miniscule audio and visual data. Developed between 2006–2012, it consists of an audiovisual concert, installations, publications, a radio program and a CD. This book documents most of the works from the series, emphasizing three major Datamatics exhibitions presented in Yamaguchi (Japan 2008), Bogota (Columbia 2011) and Gijon (Spain 2012). Alongside graphic material relating to the production processes such as data sources, graphic scores and technical diagrams, the book also includes texts by curators Kazunao Abe, Maria Belen Sez de Ibarra and Benjamin Weil.
Acoustique
Log: 33
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Log 33 delivers emerging currents and renewed interests in architectural thought. It includes a thorough examination of object-oriented philosophy: two essays offering contrasting positions on its value for the architectural discipline as well as a conversation between philosopher Graham Harman and architects Todd Gannon, David Ruy, and Tom Wiscombe. Objects are invoked(...)
Log: 33
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Log 33 delivers emerging currents and renewed interests in architectural thought. It includes a thorough examination of object-oriented philosophy: two essays offering contrasting positions on its value for the architectural discipline as well as a conversation between philosopher Graham Harman and architects Todd Gannon, David Ruy, and Tom Wiscombe. Objects are invoked throughout the issue in myriad other ways – in essays on the postcritical legacy, architecture and objecthood, shape and character, history and machines – highlighting the currency and multivalence of the term object in the discourse today. Log 33 also presents Wolfgang Schivelbusch’s “World Machines,” the new preface to his recently republished book The Railway Journey (plus an introduction to his work by Sanford Kwinter) as well as critical commentary on architectural events from around the world, essays on urban noise and architectural acoustics, new explorations of the architect’s hand in drawing, and more.
Revues
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
Sonic experience : a guide to everyday sounds
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Acoustique
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The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this(...)
The anti-museum - an anthology
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The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion - unpatented but regularly reappropriated - traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of "Closed Exhibitions" from Dada to Noise music, from "Everything is Art" to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, "The anti-museum" sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
Muséologie
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Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound(...)
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945
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Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history,Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s.
Théorie de l’architecture
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Moon man
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the(...)
Moon man
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Tomi Ungerer, illustrator of Jeff Brown's original Flat Stanley and winner of the prestigious 1998 Hans Christian Andersen Illustrator Award, paints the man in the moon as a benevolent, soft-bodied man who curls up in "his shimmering seat in space." Most evenings, he looks over longingly at the happy, dancing earth people, until one night when he can't resist catching the fiery tail of a comet and hitching a ride to Earth. Ungerer, ever satirical, reports the resulting frenzy of authorities upon hearing the crash landing: "The noise brought hundreds of people from a nearby town. Soldiers sped to defend the earth. Firemen hastened to quench the flaming light. The ice cream man hurried to set up his stand for the spectators." Of course, when the crowd discovers the unidentified fallen object, "statesmen, scientists, and generals panicked." Moon Man is thrown in jail, facing criminal investigation! How will he ever return to his lunar dwelling? Kids will love this quirky "there's no place like home" tale, and Ungerer's gentle, funny mocking of "important people" won't be lost on anyone. (Ages 4 to 8)
livres
janvier 2008
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Overcrowding, noise and air pollution, long commutes and lack of daylight can take a huge toll on the mental well-being of city-dwellers. With mental healthcare services under increasing pressure, could a better approach to urban design and planning provide a solution? The restrictions faced by city residents around the world during the COVID-19 pandemic has brought home(...)
Restorative cities: urban design for mental health and wellbeing
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Overcrowding, noise and air pollution, long commutes and lack of daylight can take a huge toll on the mental well-being of city-dwellers. With mental healthcare services under increasing pressure, could a better approach to urban design and planning provide a solution? The restrictions faced by city residents around the world during the COVID-19 pandemic has brought home just how much urban design can affect our mental health – and created an imperative to seize this opportunity. ''Restorative cities'' explores a new way of designing cities, one which places mental health and wellness at the forefront. Establishing a blueprint for urban design for mental health, it examines a range of strategies – from sensory architecture to place-making for creativity and community – and brings a genuinely evidence-based approach that will appeal to designers and planners, health practitioners and researchers alike - and provide compelling insights for anyone who cares about how our surroundings affect us. Written by a psychiatrist and public health specialist, and an environmental psychologist with extensive experience of architectural practice, this much-needed work will prompt debate and inspire built environment students and professionals to think more about the positive potential of their designs for mental well-being.
L'humain et la ville