8533 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1981.PR12
Description:
This project series documents additions and alterations to the McCutcheon Residence in Gormley, Ontario (now Whitchurch-Stouffville, Ontario) from 1981-1982. The office identified the project number as 8112. This project consisted primarily of a large addition onto the east side of the existing brick house. The first part of the addition, attached directly onto the existing house, was two storeys to match the original, and contained the master bedroom and sitting room on the second floor, a large kitchen with walk-in pantry and dining area on the main floor, and storage in the basement. The second part of the addition ran perpendicular to the rest of the house, attached to the new kitchen, and was one storey. It contained the staff quarters at the front of the house, and two garages at the back, including one for skidoos and tractors. Alterations to the current home were also made, including the removal of the patio at the back of the home and of the walls that enclosed the existing pool and kitchen. The addition used similar materials to the existing home, which included cedar shingles, brick walls, and copper roofing over the windows. The project is recorded through drawings, photographic materials and textual records dating from 1981-1982. The drawings consist of sketches, floor and site plans, elevations, sections, and mechanical, electrical and structural drawings. Drawings of the existing home are also present. The photographs are of aerial views of the house and surrounding area and textual records consist of contractor documentation.
AP018.S1.1981.PR12
Description:
This project series documents additions and alterations to the McCutcheon Residence in Gormley, Ontario (now Whitchurch-Stouffville, Ontario) from 1981-1982. The office identified the project number as 8112. This project consisted primarily of a large addition onto the east side of the existing brick house. The first part of the addition, attached directly onto the existing house, was two storeys to match the original, and contained the master bedroom and sitting room on the second floor, a large kitchen with walk-in pantry and dining area on the main floor, and storage in the basement. The second part of the addition ran perpendicular to the rest of the house, attached to the new kitchen, and was one storey. It contained the staff quarters at the front of the house, and two garages at the back, including one for skidoos and tractors. Alterations to the current home were also made, including the removal of the patio at the back of the home and of the walls that enclosed the existing pool and kitchen. The addition used similar materials to the existing home, which included cedar shingles, brick walls, and copper roofing over the windows. The project is recorded through drawings, photographic materials and textual records dating from 1981-1982. The drawings consist of sketches, floor and site plans, elevations, sections, and mechanical, electrical and structural drawings. Drawings of the existing home are also present. The photographs are of aerial views of the house and surrounding area and textual records consist of contractor documentation.
Personnes et institutions:
Date:
1981-1982
1981-1982
Titre:
Mr. and Mrs. F.Y. McCutcheon Residence, Additions and Alterations, Gormley, Ontario (1981-1982)
Actions:
AP018.S1.1981.PR12
Description:
This project series documents additions and alterations to the McCutcheon Residence in Gormley, Ontario (now Whitchurch-Stouffville, Ontario) from 1981-1982. The office identified the project number as 8112. This project consisted primarily of a large addition onto the east side of the existing brick house. The first part of the addition, attached directly onto the existing house, was two storeys to match the original, and contained the master bedroom and sitting room on the second floor, a large kitchen with walk-in pantry and dining area on the main floor, and storage in the basement. The second part of the addition ran perpendicular to the rest of the house, attached to the new kitchen, and was one storey. It contained the staff quarters at the front of the house, and two garages at the back, including one for skidoos and tractors. Alterations to the current home were also made, including the removal of the patio at the back of the home and of the walls that enclosed the existing pool and kitchen. The addition used similar materials to the existing home, which included cedar shingles, brick walls, and copper roofing over the windows. The project is recorded through drawings, photographic materials and textual records dating from 1981-1982. The drawings consist of sketches, floor and site plans, elevations, sections, and mechanical, electrical and structural drawings. Drawings of the existing home are also present. The photographs are of aerial views of the house and surrounding area and textual records consist of contractor documentation.
Mr. and Mrs. F.Y. McCutcheon Residence, Additions and Alterations, Gormley, Ontario (1981-1982)
Actions:
AP018.S1.1981.PR12
Description:
This project series documents additions and alterations to the McCutcheon Residence in Gormley, Ontario (now Whitchurch-Stouffville, Ontario) from 1981-1982. The office identified the project number as 8112. This project consisted primarily of a large addition onto the east side of the existing brick house. The first part of the addition, attached directly onto the existing house, was two storeys to match the original, and contained the master bedroom and sitting room on the second floor, a large kitchen with walk-in pantry and dining area on the main floor, and storage in the basement. The second part of the addition ran perpendicular to the rest of the house, attached to the new kitchen, and was one storey. It contained the staff quarters at the front of the house, and two garages at the back, including one for skidoos and tractors. Alterations to the current home were also made, including the removal of the patio at the back of the home and of the walls that enclosed the existing pool and kitchen. The addition used similar materials to the existing home, which included cedar shingles, brick walls, and copper roofing over the windows. The project is recorded through drawings, photographic materials and textual records dating from 1981-1982. The drawings consist of sketches, floor and site plans, elevations, sections, and mechanical, electrical and structural drawings. Drawings of the existing home are also present. The photographs are of aerial views of the house and surrounding area and textual records consist of contractor documentation.
Niveau de description archivistique:
Project
Project
Date:
1981-1982
1981-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Personnes et institutions:
Date:
1987-1992
1987-1992
Titre:
Di Stefano Residence, London, Ontario (1987-1990)
Actions:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Di Stefano Residence, London, Ontario (1987-1990)
Actions:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Niveau de description archivistique:
Project
Project
Date:
1987-1992
1987-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D1
Description:
Project series documents Cedric Price's early work (before 1960), some of it undertaken on behalf of other architects (Drew Drake & Lasdun), smaller projects, and miscellaneous project records, including unrealized project proposals, architectural competitions, self-financed research, and consultation. Material includes mostly conceptual and presentation drawings, some design development drawings and photographic material, as well as, a few detail and construction drawings. Many of the smaller projects include only a few drawings or photographs and some only contain textual records. Early projects include: renovations to the premises of Balding & Mansell; a model titled 'Projural at Cadogan Place/for N. Fraser Esq'; Oldham Pub; Corby Civic Centre and Small Jobs; Department Store display; Bradwell Lodge (Essex); Pearson House; Bachelors' quarters, Nigeria; Guest house Gachsaran, Iran; display and service table for the Architectural Association dining room (London); Decorative panel for the School of Engineering, University of Liverpool; basement extension for Sheila Delaney; shop conversion at 25 Pembridge Road (London); proposed exhibition stand for Granwood Flooring Co. Ltd; Ardyne Point; Trocadero; material on fish farming (see also DR2004:1298 in Series 3); renovation at 41 Newport Street (Oldham); and renovations at 27 Witley Court on Coram Street (Bloomsbury). Project series also contains material for the following minor projects: Theatre Project, New York; Competition Vaux Brewery; Competition Liverpool University; Cinema Picadilly; Cap Benat Villa (Cote d'Azur, France); U.S. Trade Centre (St James's Street, London); Tunisia (Report on Tourism); design for Kasmin Gallery, for the Anthony Hill Exhibit; Trog; Anti-University (London); Army; Ellis Hillman Extension; Chelsea FC Sports; Picstate; C.S.P.; J.R.D.; Seaside; R.H.D.R.; Glubble; Crucifix; Oil; Cardington; Commin; Trust; Jubilee; SS '91; USIT; FRIAR; Sensor; Trak; Pruda; Yorskhire, AA 150th Competition; Viaduct; Island; ECH; Plaspot; GEE; Donew; INIVA; Treehouse; and Stuttgart Competition. The project National School Plan (1964-1966) contains a proposal by Cedric Price for restructuring architectural education in the United Kingdom. Project series also contains material for Almshouses, at Lindow Lodge in Lancaster, England, and Parish Hall, in Middleton, Lancaster by C. B. Pearson & Son, Architects, for which Price's involvement is unclear. Miscellaneous record files include an unidentified interior perspective drawing; office instructions for pre-planning considerations for large festival sites; drawings that illustrate the office working method; a summary of Australian work; a summary of current ideas, as well as, various unidentified projects. 'TRDG' appears as a variant title for Trog (DR1995:0234). 'Comstutt' and 'Stuttgart' appear as variants titles for 'Stuttgart Competition' (DR1995:0258). 'Placemark' appears as a variant title for 'Plaspot' (DR2004:1286). 'Boys House, Stowe School', 'Stowe Buckingham', and 'New Boys House, Stowe School', appear as variant titles for 'Treehouse' (DR2004:1293). 'New Aviary, Cap Benat' and 'Aviary Project - Cap Benat, France' appear as variant titles for 'Cap Benat Villa'. 'Platou - Oil Platforms' appears as a variant title for 'Oil' (DR2004:1299 and DR2004:1300). DR1995:0168:001-003 and DR1995:0169:001-008 are attributed to Fry Drew Drake & Lasdun, although Cedric Price appears as the draughtsman. Group DR1995:0173 contains drawings attributed to C. B. Pearson & Son, Architects. Group DR2004:1354 contains a site plan attributed to SAG Cook, RIBA, Borough Architect. Photographs in DR2006:0086 and DR2004:1276 in Early Work and Miscellaneous Records (AP144.S2.D1) are attributed to Charles B. Pearson & Son Architects. Simister and Sutcliffe are associate architects for the renovations at 41 Newport Street, Oldham (DR2006:0080).
AP144.S2.D1
Description:
Project series documents Cedric Price's early work (before 1960), some of it undertaken on behalf of other architects (Drew Drake & Lasdun), smaller projects, and miscellaneous project records, including unrealized project proposals, architectural competitions, self-financed research, and consultation. Material includes mostly conceptual and presentation drawings, some design development drawings and photographic material, as well as, a few detail and construction drawings. Many of the smaller projects include only a few drawings or photographs and some only contain textual records. Early projects include: renovations to the premises of Balding & Mansell; a model titled 'Projural at Cadogan Place/for N. Fraser Esq'; Oldham Pub; Corby Civic Centre and Small Jobs; Department Store display; Bradwell Lodge (Essex); Pearson House; Bachelors' quarters, Nigeria; Guest house Gachsaran, Iran; display and service table for the Architectural Association dining room (London); Decorative panel for the School of Engineering, University of Liverpool; basement extension for Sheila Delaney; shop conversion at 25 Pembridge Road (London); proposed exhibition stand for Granwood Flooring Co. Ltd; Ardyne Point; Trocadero; material on fish farming (see also DR2004:1298 in Series 3); renovation at 41 Newport Street (Oldham); and renovations at 27 Witley Court on Coram Street (Bloomsbury). Project series also contains material for the following minor projects: Theatre Project, New York; Competition Vaux Brewery; Competition Liverpool University; Cinema Picadilly; Cap Benat Villa (Cote d'Azur, France); U.S. Trade Centre (St James's Street, London); Tunisia (Report on Tourism); design for Kasmin Gallery, for the Anthony Hill Exhibit; Trog; Anti-University (London); Army; Ellis Hillman Extension; Chelsea FC Sports; Picstate; C.S.P.; J.R.D.; Seaside; R.H.D.R.; Glubble; Crucifix; Oil; Cardington; Commin; Trust; Jubilee; SS '91; USIT; FRIAR; Sensor; Trak; Pruda; Yorskhire, AA 150th Competition; Viaduct; Island; ECH; Plaspot; GEE; Donew; INIVA; Treehouse; and Stuttgart Competition. The project National School Plan (1964-1966) contains a proposal by Cedric Price for restructuring architectural education in the United Kingdom. Project series also contains material for Almshouses, at Lindow Lodge in Lancaster, England, and Parish Hall, in Middleton, Lancaster by C. B. Pearson & Son, Architects, for which Price's involvement is unclear. Miscellaneous record files include an unidentified interior perspective drawing; office instructions for pre-planning considerations for large festival sites; drawings that illustrate the office working method; a summary of Australian work; a summary of current ideas, as well as, various unidentified projects. 'TRDG' appears as a variant title for Trog (DR1995:0234). 'Comstutt' and 'Stuttgart' appear as variants titles for 'Stuttgart Competition' (DR1995:0258). 'Placemark' appears as a variant title for 'Plaspot' (DR2004:1286). 'Boys House, Stowe School', 'Stowe Buckingham', and 'New Boys House, Stowe School', appear as variant titles for 'Treehouse' (DR2004:1293). 'New Aviary, Cap Benat' and 'Aviary Project - Cap Benat, France' appear as variant titles for 'Cap Benat Villa'. 'Platou - Oil Platforms' appears as a variant title for 'Oil' (DR2004:1299 and DR2004:1300). DR1995:0168:001-003 and DR1995:0169:001-008 are attributed to Fry Drew Drake & Lasdun, although Cedric Price appears as the draughtsman. Group DR1995:0173 contains drawings attributed to C. B. Pearson & Son, Architects. Group DR2004:1354 contains a site plan attributed to SAG Cook, RIBA, Borough Architect. Photographs in DR2006:0086 and DR2004:1276 in Early Work and Miscellaneous Records (AP144.S2.D1) are attributed to Charles B. Pearson & Son Architects. Simister and Sutcliffe are associate architects for the renovations at 41 Newport Street, Oldham (DR2006:0080).
Personnes et institutions:
Date:
1955-2002
1955-2002
Titre:
Early Work and Miscellaneous Records
Actions:
AP144.S2.D1
Description:
Project series documents Cedric Price's early work (before 1960), some of it undertaken on behalf of other architects (Drew Drake & Lasdun), smaller projects, and miscellaneous project records, including unrealized project proposals, architectural competitions, self-financed research, and consultation. Material includes mostly conceptual and presentation drawings, some design development drawings and photographic material, as well as, a few detail and construction drawings. Many of the smaller projects include only a few drawings or photographs and some only contain textual records. Early projects include: renovations to the premises of Balding & Mansell; a model titled 'Projural at Cadogan Place/for N. Fraser Esq'; Oldham Pub; Corby Civic Centre and Small Jobs; Department Store display; Bradwell Lodge (Essex); Pearson House; Bachelors' quarters, Nigeria; Guest house Gachsaran, Iran; display and service table for the Architectural Association dining room (London); Decorative panel for the School of Engineering, University of Liverpool; basement extension for Sheila Delaney; shop conversion at 25 Pembridge Road (London); proposed exhibition stand for Granwood Flooring Co. Ltd; Ardyne Point; Trocadero; material on fish farming (see also DR2004:1298 in Series 3); renovation at 41 Newport Street (Oldham); and renovations at 27 Witley Court on Coram Street (Bloomsbury). Project series also contains material for the following minor projects: Theatre Project, New York; Competition Vaux Brewery; Competition Liverpool University; Cinema Picadilly; Cap Benat Villa (Cote d'Azur, France); U.S. Trade Centre (St James's Street, London); Tunisia (Report on Tourism); design for Kasmin Gallery, for the Anthony Hill Exhibit; Trog; Anti-University (London); Army; Ellis Hillman Extension; Chelsea FC Sports; Picstate; C.S.P.; J.R.D.; Seaside; R.H.D.R.; Glubble; Crucifix; Oil; Cardington; Commin; Trust; Jubilee; SS '91; USIT; FRIAR; Sensor; Trak; Pruda; Yorskhire, AA 150th Competition; Viaduct; Island; ECH; Plaspot; GEE; Donew; INIVA; Treehouse; and Stuttgart Competition. The project National School Plan (1964-1966) contains a proposal by Cedric Price for restructuring architectural education in the United Kingdom. Project series also contains material for Almshouses, at Lindow Lodge in Lancaster, England, and Parish Hall, in Middleton, Lancaster by C. B. Pearson & Son, Architects, for which Price's involvement is unclear. Miscellaneous record files include an unidentified interior perspective drawing; office instructions for pre-planning considerations for large festival sites; drawings that illustrate the office working method; a summary of Australian work; a summary of current ideas, as well as, various unidentified projects. 'TRDG' appears as a variant title for Trog (DR1995:0234). 'Comstutt' and 'Stuttgart' appear as variants titles for 'Stuttgart Competition' (DR1995:0258). 'Placemark' appears as a variant title for 'Plaspot' (DR2004:1286). 'Boys House, Stowe School', 'Stowe Buckingham', and 'New Boys House, Stowe School', appear as variant titles for 'Treehouse' (DR2004:1293). 'New Aviary, Cap Benat' and 'Aviary Project - Cap Benat, France' appear as variant titles for 'Cap Benat Villa'. 'Platou - Oil Platforms' appears as a variant title for 'Oil' (DR2004:1299 and DR2004:1300). DR1995:0168:001-003 and DR1995:0169:001-008 are attributed to Fry Drew Drake & Lasdun, although Cedric Price appears as the draughtsman. Group DR1995:0173 contains drawings attributed to C. B. Pearson & Son, Architects. Group DR2004:1354 contains a site plan attributed to SAG Cook, RIBA, Borough Architect. Photographs in DR2006:0086 and DR2004:1276 in Early Work and Miscellaneous Records (AP144.S2.D1) are attributed to Charles B. Pearson & Son Architects. Simister and Sutcliffe are associate architects for the renovations at 41 Newport Street, Oldham (DR2006:0080).
Early Work and Miscellaneous Records
Actions:
AP144.S2.D1
Description:
Project series documents Cedric Price's early work (before 1960), some of it undertaken on behalf of other architects (Drew Drake & Lasdun), smaller projects, and miscellaneous project records, including unrealized project proposals, architectural competitions, self-financed research, and consultation. Material includes mostly conceptual and presentation drawings, some design development drawings and photographic material, as well as, a few detail and construction drawings. Many of the smaller projects include only a few drawings or photographs and some only contain textual records. Early projects include: renovations to the premises of Balding & Mansell; a model titled 'Projural at Cadogan Place/for N. Fraser Esq'; Oldham Pub; Corby Civic Centre and Small Jobs; Department Store display; Bradwell Lodge (Essex); Pearson House; Bachelors' quarters, Nigeria; Guest house Gachsaran, Iran; display and service table for the Architectural Association dining room (London); Decorative panel for the School of Engineering, University of Liverpool; basement extension for Sheila Delaney; shop conversion at 25 Pembridge Road (London); proposed exhibition stand for Granwood Flooring Co. Ltd; Ardyne Point; Trocadero; material on fish farming (see also DR2004:1298 in Series 3); renovation at 41 Newport Street (Oldham); and renovations at 27 Witley Court on Coram Street (Bloomsbury). Project series also contains material for the following minor projects: Theatre Project, New York; Competition Vaux Brewery; Competition Liverpool University; Cinema Picadilly; Cap Benat Villa (Cote d'Azur, France); U.S. Trade Centre (St James's Street, London); Tunisia (Report on Tourism); design for Kasmin Gallery, for the Anthony Hill Exhibit; Trog; Anti-University (London); Army; Ellis Hillman Extension; Chelsea FC Sports; Picstate; C.S.P.; J.R.D.; Seaside; R.H.D.R.; Glubble; Crucifix; Oil; Cardington; Commin; Trust; Jubilee; SS '91; USIT; FRIAR; Sensor; Trak; Pruda; Yorskhire, AA 150th Competition; Viaduct; Island; ECH; Plaspot; GEE; Donew; INIVA; Treehouse; and Stuttgart Competition. The project National School Plan (1964-1966) contains a proposal by Cedric Price for restructuring architectural education in the United Kingdom. Project series also contains material for Almshouses, at Lindow Lodge in Lancaster, England, and Parish Hall, in Middleton, Lancaster by C. B. Pearson & Son, Architects, for which Price's involvement is unclear. Miscellaneous record files include an unidentified interior perspective drawing; office instructions for pre-planning considerations for large festival sites; drawings that illustrate the office working method; a summary of Australian work; a summary of current ideas, as well as, various unidentified projects. 'TRDG' appears as a variant title for Trog (DR1995:0234). 'Comstutt' and 'Stuttgart' appear as variants titles for 'Stuttgart Competition' (DR1995:0258). 'Placemark' appears as a variant title for 'Plaspot' (DR2004:1286). 'Boys House, Stowe School', 'Stowe Buckingham', and 'New Boys House, Stowe School', appear as variant titles for 'Treehouse' (DR2004:1293). 'New Aviary, Cap Benat' and 'Aviary Project - Cap Benat, France' appear as variant titles for 'Cap Benat Villa'. 'Platou - Oil Platforms' appears as a variant title for 'Oil' (DR2004:1299 and DR2004:1300). DR1995:0168:001-003 and DR1995:0169:001-008 are attributed to Fry Drew Drake & Lasdun, although Cedric Price appears as the draughtsman. Group DR1995:0173 contains drawings attributed to C. B. Pearson & Son, Architects. Group DR2004:1354 contains a site plan attributed to SAG Cook, RIBA, Borough Architect. Photographs in DR2006:0086 and DR2004:1276 in Early Work and Miscellaneous Records (AP144.S2.D1) are attributed to Charles B. Pearson & Son Architects. Simister and Sutcliffe are associate architects for the renovations at 41 Newport Street, Oldham (DR2006:0080).
Niveau de description archivistique:
Subseries
Subseries
Date:
1955-2002
1955-2002
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
Titre:
Album of prints and drawings for nine domestic commissions, an office building, a tomb, and a hothouse in Paris, Royan and Cologne
Actions:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Album of prints and drawings for nine domestic commissions, an office building, a tomb, and a hothouse in Paris, Royan and Cologne
Actions:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Personnes et institutions:
Date:
2006-2007
2006-2007
Titre:
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Niveau de description archivistique:
Project
Project
Date:
2006-2007
2006-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Air Structures Research
Air Structures Research
Numéro de référence:
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
Personnes et institutions:
Date:
1966-1995, predominant 1966-1971
1966-1995, predominant 1966-1971
Titre:
Air Structures Research
Actions:
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
Air Structures Research
Actions:
AP144.S2.D63
Description:
File documents research on air structures for a survey and final report commissioned by the Ministry of Public Buildings and Works, United Kingdom. The report was completed in 1969 by Cedric Price in collaboration with Frank Newby and Robert H. Suan of Felix J. Samuely and Partners, Consulting Engineers, and published in 1971 by HMSO (Her Majesty's Stationery Office). In addition to the report titled 'Air Structures: A Survey', the file contains material on Cedric Price's presentation at the 1967 International Colloquium on Pneumatic Structures at the University of Stuttgart. The creation of the Lightweight Enclosure Unit (see AP144.S2.D79) by Cedric Price and Frank Newby and their involvement with the drafting of British Standards Institution's 1976 'Draft for Development: Air Structures' (see AP144.S2.D79 and AP144.S2.D91) were also results of this initial commission. The file contains publication layouts, including drawings for Aerofoam Furniture (see AP144.S2.D43) and possibly the Tunisia Report on Tourism; design development drawings and charts, including a two-year projection for air structure research, a project integration chart of important "players" in the research, including government, academic, and industrial contacts, a chart showing cost per surface area; and five presentation panels that include a title page, diagrammatic sketches of projects dating from 1963-1965, a summary of Aerofoam furniture, drawings for Surface Oil Containment (1967) clippings, and a manuscript. Some materials in this file were published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 508-510, and Price, Cedric, 'Cedric Price-Works II', 18, 31. Material in this file was produced between 1966 and 1995, but predominantly between 1966 and 1971. File contains design development drawings, presentation drawings, presentation panels, and textual records.
Niveau de description archivistique:
File 63
File 63
Date:
1966-1995, predominant 1966-1971
1966-1995, predominant 1966-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Personnes et institutions:
Date:
1986-1990
1986-1990
Titre:
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Niveau de description archivistique:
Project
Project
Date:
1986-1990
1986-1990
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Personnes et institutions:
Date:
1988-2000
1988-2000
Titre:
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Recuperação do Edifício dos Grandes Armazéns, Bloco C, Reconstrução do Chiado [Restoration of Grandes Armazéns do Chiado building, Block C, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS9
Description:
This project series documents the restoration of the Grandes Armazéns do Chiado building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N4. The office assigned the dates 1988-1998 for this project. The Grandes Armazéns do Chiado was part of Bloco C and identified as building 4 in Siza's reconstruction plan. The site of the Grandes Armazéns served several different functions in its history, including a hotel, a palace, and a convent, before becoming a department store in 1894. In the 1920s, a hotel was created at the top floors. After the destructive fire of 1988, the new owners of the building were interested in using the totality of the building for a shopping mall and restaurants. On the other hand, Siza's proposal included the expansion of the hotel in the building to introduce more public activity in the area after the regular work and shopping hours. Several programs were proposed to the owners of the building, and it was decided in 1996 that the hotel space would be reduced to the two top floors to have more room for the shopping center. The new division included 41 hotel rooms and 41 stores. The interior of the shopping mall was designed by Eduardo Souto Moura. Drawings include studies, working drawings, mechanical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Documentation for this project can also be found in subseries AP178.S1.1988.PR07.SS1 and AP178.S1.1988.PR07.SS7 of this project series.
Niveau de description archivistique:
Project
Project
Date:
1988-2000
1988-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Personnes et institutions:
Date:
1976-1989
1976-1989
Titre:
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Niveau de description archivistique:
Project
Project
Date:
1976-1989
1976-1989
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Projects
Projects
Numéro de référence:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Series
Series
Date:
1995-2000
1995-2000
Personnes et institutions:
