3037 Résultats
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Architect Angela Pang brings together design, research, and teaching. Her Rational Form Making approach explores a fundamental question: How can we build more with less? Operating from her studio, PangArchitect, in Hong Kong and Boston, and as an Assistant Professor at the Harvard Graduate School of Design, she combines precise analysis, digital methods, and experimental(...)
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Architect Angela Pang brings together design, research, and teaching. Her Rational Form Making approach explores a fundamental question: How can we build more with less? Operating from her studio, PangArchitect, in Hong Kong and Boston, and as an Assistant Professor at the Harvard Graduate School of Design, she combines precise analysis, digital methods, and experimental(...)
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PangArchitect: Rational form making
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Architect Angela Pang brings together design, research, and teaching. Her Rational Form Making approach explores a fundamental question: How can we build more with less? Operating from her studio, PangArchitect, in Hong Kong and Boston, and as an Assistant Professor at the Harvard Graduate School of Design, she combines precise analysis, digital methods, and experimental modeling to drive architectural innovations. In search of objectivity in form-making, Pang’s approach merges creative freedom with explorations between natural forces and material-conscious efficiency to discover a new design process. At the heart of the exhibition at Aedes is a striking experimental prototype—a 3D-printed pavilion at the scale of 1:2.5 of an ongoing project for a public space in Hong Kong.
PangArchitect: Rational form making
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Architect Angela Pang brings together design, research, and teaching. Her Rational Form Making approach explores a fundamental question: How can we build more with less? Operating from her studio, PangArchitect, in Hong Kong and Boston, and as an Assistant Professor at the Harvard Graduate School of Design, she combines precise analysis, digital methods, and experimental modeling to drive architectural innovations. In search of objectivity in form-making, Pang’s approach merges creative freedom with explorations between natural forces and material-conscious efficiency to discover a new design process. At the heart of the exhibition at Aedes is a striking experimental prototype—a 3D-printed pavilion at the scale of 1:2.5 of an ongoing project for a public space in Hong Kong.
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livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$43.95
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible."(...)
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible."(...)
Publication:
décembre 2023
décembre 2023
Titre:
Precarious solidarities: Artists for democracy 1974-1977
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible." Over the next three years, the collective arranged several large-scale festivals dedicated to the relief of political crises in Chile, Vietnam, Indochina and the United States. Through detailed contextualization, scholastic and artistic commissions and extensive archival documentation, "Precarious solidarities" applies a variety of lenses—artistic, social, political, historical and geographic—to explore AFD’s legacy today.
Precarious solidarities: Artists for democracy 1974-1977
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible." Over the next three years, the collective arranged several large-scale festivals dedicated to the relief of political crises in Chile, Vietnam, Indochina and the United States. Through detailed contextualization, scholastic and artistic commissions and extensive archival documentation, "Precarious solidarities" applies a variety of lenses—artistic, social, political, historical and geographic—to explore AFD’s legacy today.
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livres
livres
Publication:
décembre 2023
décembre 2023
Classification:
livres
livres
Titre:
Phllip Metten: Five works
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work(...)
$69.00
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work(...)
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Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
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livres
livres
Publication:
février 2023
février 2023
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livres
livres
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$79.95
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Lightness, transparency, simplicity, and communion with nature are Japanese architect Junya Ishigami’s watchwords. In his architectural masterworks, which he compares to landscapes, he eliminates the boundaries between exterior and interior space. For the Fondation Cartier pour l’art contemporain, Junya Ishigami designed an exhibition that reveals, on an unprecedented(...)
$79.95
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Lightness, transparency, simplicity, and communion with nature are Japanese architect Junya Ishigami’s watchwords. In his architectural masterworks, which he compares to landscapes, he eliminates the boundaries between exterior and interior space. For the Fondation Cartier pour l’art contemporain, Junya Ishigami designed an exhibition that reveals, on an unprecedented(...)
Titre:
Junya Ishigami: Freeing architecture
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Lightness, transparency, simplicity, and communion with nature are Japanese architect Junya Ishigami’s watchwords. In his architectural masterworks, which he compares to landscapes, he eliminates the boundaries between exterior and interior space. For the Fondation Cartier pour l’art contemporain, Junya Ishigami designed an exhibition that reveals, on an unprecedented scale, his latest research into freedom, fluidity, and the future of architecture. On the occasion of this exhibition, presented from March 30 to September 9, 2018, the Fondation Cartier published a book retracing the genesis of the project, including mixed photographs, drawings, models, and all the poetry inherent to Ishigami’s work.
Junya Ishigami: Freeing architecture
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Lightness, transparency, simplicity, and communion with nature are Japanese architect Junya Ishigami’s watchwords. In his architectural masterworks, which he compares to landscapes, he eliminates the boundaries between exterior and interior space. For the Fondation Cartier pour l’art contemporain, Junya Ishigami designed an exhibition that reveals, on an unprecedented scale, his latest research into freedom, fluidity, and the future of architecture. On the occasion of this exhibition, presented from March 30 to September 9, 2018, the Fondation Cartier published a book retracing the genesis of the project, including mixed photographs, drawings, models, and all the poetry inherent to Ishigami’s work.
Classification:
livres
livres
Publication:
juillet 2018
juillet 2018
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$23.50
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Résumé:
Catalogue of the exhibition presenting the work of American architects Platform for Architecture + Research / PAR, founded by Jennifer Marmon in Los Angeles in 2003. Questioning the role and limits of architecture today, Marmon, together with her collective team, are part of a new generation of architects exploring universal topics as a means to expand their discipline in(...)
$23.50
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Catalogue of the exhibition presenting the work of American architects Platform for Architecture + Research / PAR, founded by Jennifer Marmon in Los Angeles in 2003. Questioning the role and limits of architecture today, Marmon, together with her collective team, are part of a new generation of architects exploring universal topics as a means to expand their discipline in(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
septembre 2017
septembre 2017
Titre:
Relations: Platform for Architecture + Research / PAR, Los Angeles
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Catalogue of the exhibition presenting the work of American architects Platform for Architecture + Research / PAR, founded by Jennifer Marmon in Los Angeles in 2003. Questioning the role and limits of architecture today, Marmon, together with her collective team, are part of a new generation of architects exploring universal topics as a means to expand their discipline in new ways. With its idea of a network of ‘relations’, the exhibition reflects the essential architectural elements that influence the office’s award winning work that aims to establish a dialogue with people as well as the urban fabric. The exhibition presents buildings, competition entries and urban studies that range in scale from small houses to museum concepts e.g. the Wilshire Tower in Los Angeles/US, the Taichung Cultural Center in Taichung/Taiwan, the Guggenheim Museum in Helsinki/Finland and the Lima Art Museum in Lima/Peru.
Relations: Platform for Architecture + Research / PAR, Los Angeles
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$23.50
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Résumé:
Catalogue of the exhibition presenting the work of American architects Platform for Architecture + Research / PAR, founded by Jennifer Marmon in Los Angeles in 2003. Questioning the role and limits of architecture today, Marmon, together with her collective team, are part of a new generation of architects exploring universal topics as a means to expand their discipline in new ways. With its idea of a network of ‘relations’, the exhibition reflects the essential architectural elements that influence the office’s award winning work that aims to establish a dialogue with people as well as the urban fabric. The exhibition presents buildings, competition entries and urban studies that range in scale from small houses to museum concepts e.g. the Wilshire Tower in Los Angeles/US, the Taichung Cultural Center in Taichung/Taiwan, the Guggenheim Museum in Helsinki/Finland and the Lima Art Museum in Lima/Peru.
Classification:
livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Lee Lozano: language pieces
Lee Lozano: language pieces
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works:(...)
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works:(...)
Titre:
Lee Lozano: language pieces
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works: ''General Strike Piece'' (1969), which saw her retreating from the art world completely, and ''Decide to Boycott Women'' (1971), in which she ceased engaging with all members of her own gender. ''Lee Lozano: Language Pieces'' presents 46 of these pieces, reproducing them at full scale. Nearly five decades later, these radical manifestations of 1960s and '70s conceptualism continue to exert their political and artistic influence.
Lee Lozano: language pieces
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works: ''General Strike Piece'' (1969), which saw her retreating from the art world completely, and ''Decide to Boycott Women'' (1971), in which she ceased engaging with all members of her own gender. ''Lee Lozano: Language Pieces'' presents 46 of these pieces, reproducing them at full scale. Nearly five decades later, these radical manifestations of 1960s and '70s conceptualism continue to exert their political and artistic influence.
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livres
livres
Publication:
novembre 2018
novembre 2018
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livres
livres
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$87.00
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For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects(...)
$87.00
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Résumé:
For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects(...)
Titre:
Christo and Jeanne-Claude: Urban projects
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$87.00
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For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects of later years, such as the wrapping of the Pont Neuf bridge in Paris in 1985, the wrapping of the Reichstag building in Berlin in 1995 and the 2005 installation The Gates in New York’s Central Park. In two detailed essays, the authors of the book explore Christo’s extraordinary talent for drawing and investigate the artists’ ambivalent perspective on urban space, which oscillates between a powerful critique of the city’s impersonal modernism and a tribute to the liberal, democratic use of urban areas.
Christo and Jeanne-Claude: Urban projects
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For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects of later years, such as the wrapping of the Pont Neuf bridge in Paris in 1985, the wrapping of the Reichstag building in Berlin in 1995 and the 2005 installation The Gates in New York’s Central Park. In two detailed essays, the authors of the book explore Christo’s extraordinary talent for drawing and investigate the artists’ ambivalent perspective on urban space, which oscillates between a powerful critique of the city’s impersonal modernism and a tribute to the liberal, democratic use of urban areas.
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livres
livres
Publication:
mars 2018
mars 2018
Classification:
livres
livres
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$54.00
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Résumé:
Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and(...)
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Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and(...)
Titre:
Marcel Breuer: building global institutions
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Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a “Brutalist modernism” of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.
Marcel Breuer: building global institutions
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Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a “Brutalist modernism” of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$64.00
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Résumé:
Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was(...)
$64.00
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was(...)
Titre:
Claudia den Boer: To pick up a stone
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$64.00
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was searching for when she picked up stones in the Sahara and Tibet, around Montserrat and in the Georgian Caucasus. Through photographic studies, she examines the experience of light, scale, perspective, and spatiality in an eclectic and meditative selection of images depicting mountains, rocks, and stones.
Claudia den Boer: To pick up a stone
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was searching for when she picked up stones in the Sahara and Tibet, around Montserrat and in the Georgian Caucasus. Through photographic studies, she examines the experience of light, scale, perspective, and spatiality in an eclectic and meditative selection of images depicting mountains, rocks, and stones.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Latin American houses
Latin American houses
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Since the early twentieth century, Latin America has been home to some of the most compelling architecture--from the large-scale and otherworldly civic structures of the Brazilian Oscar Niemeyer to the more intimate work of Mexico's Luis Barragan. In Latin American Houses, historian Mercedes Daguerre shows that this tradition of architectural innovation lives on in the(...)
$35.00
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Since the early twentieth century, Latin America has been home to some of the most compelling architecture--from the large-scale and otherworldly civic structures of the Brazilian Oscar Niemeyer to the more intimate work of Mexico's Luis Barragan. In Latin American Houses, historian Mercedes Daguerre shows that this tradition of architectural innovation lives on in the(...)
Titre:
Latin American houses
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$35.00
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Since the early twentieth century, Latin America has been home to some of the most compelling architecture--from the large-scale and otherworldly civic structures of the Brazilian Oscar Niemeyer to the more intimate work of Mexico's Luis Barragan. In Latin American Houses, historian Mercedes Daguerre shows that this tradition of architectural innovation lives on in the work of such contemporary architects as 2006 Pritzker Prize-winner Paulo Mendes da Rocha (Brazil), Mathias Klotz (Chile), Angelo Bucci (Argentina), and LBC Arquitectos (Mexico), among others. Focusing on one-family houses that have been built over the past decade, this title explores the elegance and innovation with which today's Latin American architects evolve their modernist heritage.
Latin American houses
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Since the early twentieth century, Latin America has been home to some of the most compelling architecture--from the large-scale and otherworldly civic structures of the Brazilian Oscar Niemeyer to the more intimate work of Mexico's Luis Barragan. In Latin American Houses, historian Mercedes Daguerre shows that this tradition of architectural innovation lives on in the work of such contemporary architects as 2006 Pritzker Prize-winner Paulo Mendes da Rocha (Brazil), Mathias Klotz (Chile), Angelo Bucci (Argentina), and LBC Arquitectos (Mexico), among others. Focusing on one-family houses that have been built over the past decade, this title explores the elegance and innovation with which today's Latin American architects evolve their modernist heritage.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Architecture résidentielle
Architecture résidentielle
