David Goldblatt: In Boksburg
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David Goldblatt's In Boksburg stands as one of the most important observations of a middle-class white community in South Africa during the apartheid years. Published in 1982, it presents an accumulation of everyday details from the community of Boksburg through which a larger portrait is revealed of white societal values within a racially divided state. "Blacks are(...)
David Goldblatt: In Boksburg
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David Goldblatt's In Boksburg stands as one of the most important observations of a middle-class white community in South Africa during the apartheid years. Published in 1982, it presents an accumulation of everyday details from the community of Boksburg through which a larger portrait is revealed of white societal values within a racially divided state. "Blacks are not of this town," writes Goldblatt. "They serve it, trade with it, receive charity from it and are ruled, rewarded and punished by its precepts. Some, on occasion, are its privileged guests. But all who go there, do so by permit or invitation, never by right." This facsimile reproduces all 71 black-and-white photographs as well as Goldblatt's eloquent introduction to the work, and noted writer and editor, Joanna Lehan, contributes a contemporary essay written for this volume.
Monographies photo
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Developed by Amsterdam-based Slovenian artist and researcher Andrea Knezovic (born 1990) in collaboration with editor-curator Agata Bar, curator Tia Cicek and graphic designer Miquel Hervás Gómez, ''Nocturnalities: Bargaining Beyond Rest'' looks at how technology can assist, instead of coopting, care urgencies and needs. What is rest if not the space of safety? How can we(...)
Nocturnalities: Bargaining beyond rest
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Developed by Amsterdam-based Slovenian artist and researcher Andrea Knezovic (born 1990) in collaboration with editor-curator Agata Bar, curator Tia Cicek and graphic designer Miquel Hervás Gómez, ''Nocturnalities: Bargaining Beyond Rest'' looks at how technology can assist, instead of coopting, care urgencies and needs. What is rest if not the space of safety? How can we use or appropriate care methodologies in capitalism and create little oases of comfort, exchange and "communal comradeship"? The value of this work is embedded in the way it offers different—local and international—perspectives and understandings of how we relate to the politics of rest, negotiate institutional and intimate care, and imagine varieties of care systems and healing strategies within a local setting. The intent is not necessarily to offer one solution to the larger inquiry but to allow a plurality of voices and contributions to be heard, expressed and remembered.
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Murakami Takashi
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Takashi Murakami is one of contemporary art’s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects(...)
octobre 2007, Los Angeles, New York
Murakami Takashi
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Takashi Murakami is one of contemporary art’s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.
livres
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This book, conceived as a project at the Architectural Association in London, leads a narrative through a series of architectural drawings, texts and images. At its core lies an urban proposal for the transformation of one of London's biggest and most congested traffic intersections,(...)
Yellow rhythms : a roundabout for London
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This book, conceived as a project at the Architectural Association in London, leads a narrative through a series of architectural drawings, texts and images. At its core lies an urban proposal for the transformation of one of London's biggest and most congested traffic intersections, Vauxhall Cross, into a giant cross-Thames roundabout. In this book episodes of urban life, political measures and financial strategies contrast with the architectural and urban proposals that are weaved into its form. An allegorical reading of the rhythm of the junction's traffic control system structures the book: green, yellow and red episodes alternate with one another in a repetitive succession and use Levebre's analytical system of 'Rhythmanalysis' to interpret contemporary London as a force-field of rhythms with different scales and durations. Those rhythms, by which the social, political and economic powers manifest themselves, are shown to act upon the site and the individuals within it. If the rhythm of the traffic lights stands for a system of successive incidents, the transformation of the site into a roundabout suggests continuous flow capable of liberating and utilizing these urban forces. The book ends therefore by suggesting a strategic proposal in which the inner area of the roundabout becomes a laboratory, a speculative arena for the testing of alternative urban futures.
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octobre 1999, Rotterdam
Théorie de l’urbanisme
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Pioneering architecture in Graz: the radical architecture project known as the Friendly Alien - the new building for the Kunsthaus Graz - was developed by the British star architects Peter Cook and Colin Fournier. Within the scope of Graz 2003 - Kulturhauptstadt Europas (Graz 2003 - Cultural Capital of Europe) the city of Graz provided the possibility for the two(...)
A friendly alien : ein Kunsthaus für Graz - Peter Cook, Colin Fournier Architects
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Pioneering architecture in Graz: the radical architecture project known as the Friendly Alien - the new building for the Kunsthaus Graz - was developed by the British star architects Peter Cook and Colin Fournier. Within the scope of Graz 2003 - Kulturhauptstadt Europas (Graz 2003 - Cultural Capital of Europe) the city of Graz provided the possibility for the two London-based architects Peter Cook and Colin Fournier to transform a visionary concept into built reality: the Kunsthaus Graz, a new and unique site for international exhibitions of modern and contemporary art. With this radical architecture project, Graz received a futuristic-looking building which satisfies to a high degree both the psychological and the functional demands of a visitor-oriented international art museum. The unusual biomorphic forms of the Friendly Alien make for a suspenseful dialog with the historic old town, especially with the century-old Graz landmark, the cubic clock-tower high up on castle hill. The documentation at hand presents the development of the Friendly Alien from a Utopian concept to a highly complex functional body. The extensive photographic material includes first-rate computer simulations and sheds light on the urban environment and its history, shows the unique architectural features of the building, and investigates with an "x-ray view" the complex network of static and technical utilities in the "skin", the nerve center of the Friendly Alien.
Architecture, monographies
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are(...)
Cartha: On relations in architecture
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are then brought together in an annual book. In 2015, CARTHA’s topic was relations within the architectural spectrum. Contributions explore models of collaboration and the ways in which architects relate to other architects, clients, workers, and users of space. Each of the four issues—Worth Sharing, Confrères, Mannschaft, and Santisima Trinidad—features an introductory interview with a renowned architect or firm, including Diogo Seixas Lopes, Grafton Architects, Samuel Schulze, and Marco Serra. Photography in the 2015 edition of CARTHA includes series by Guido Guidi, Rasmus Norlander, Joël Tettamanti, and Onnis Luque.
Théorie de l’architecture
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its(...)
New realities: being syncretic
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its relationship to progress and change within the context of perception and its transformation. It comprises a wide range of outstanding expertise and insights of artists, architects, performers, musicians, writers, scientists, and scholars. Among the authors from at least 20 countries are most prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The publication includes full papers and a DVD, edited by Ruth Schnell, with short video extracts of the event and accompanying visual reference.
Théorie de l’architecture
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"Multi-National city" follows three architectural itineraries through three cities and their histories. Like so many, these cities are caught within the feedback loops of globalization : Silicon Valley in northern California; New York's internal suburbias; and Gurgaon, a burgeoning corporate city outside of New Delhi. Each exhibits a distinct character, while together,(...)
Théorie de l’urbanisme
juillet 2007, Barcelona
Multi-national city : architectural itineraries
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"Multi-National city" follows three architectural itineraries through three cities and their histories. Like so many, these cities are caught within the feedback loops of globalization : Silicon Valley in northern California; New York's internal suburbias; and Gurgaon, a burgeoning corporate city outside of New Delhi. Each exhibits a distinct character, while together, they also form important nodes in what the authors describe as a single Multi-National city (MNC) stretching across the globe. The itineraries traced through them take the reader on a tour of the architectural monuments of corporate globalization-corporate campuses, high-rise towers, "public" atriums, call centers, and gated communities-that tracks their shared logic, their internal discrepancies, and their undeniable strangeness. Each itinerary concludes with an unannounced stop at an architectural project that applies the lessons of the Multi-National city to itself.
Théorie de l’urbanisme
Seth Lower: Units
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"Units" contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience. A sign swallowed by tree bark, a small(...)
Seth Lower: Units
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"Units" contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience. A sign swallowed by tree bark, a small collection of funnels, a stove for sale in the sunshine. Where does one unit end and the other begin? It is certainly possible to be part of the whole and at the same time separate, existing with a foot in both worlds, but does this say anything about the units themselves, or only the way we define them? Graham Harman writes that such pieces are ‘terminal points, closed-off neighborhoods that retain their local identity despite the broader systems into which they are partly absorbed’.
Monographies photo
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
Making strange: the modernist photobook in France
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
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