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WOJR: Organization for Architecture is an innovative group of designers based in Cambridge, Massachusetts, who are committed to the idea of architecture as a form of cultural production, engaging the intersections of art, architecture, and urbanism. With this idea at its foundation, Room for Artifacts contains a collection of sixteen architectural artifacts designed by(...)
Room for artifacts: the architecture of WOJR
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WOJR: Organization for Architecture is an innovative group of designers based in Cambridge, Massachusetts, who are committed to the idea of architecture as a form of cultural production, engaging the intersections of art, architecture, and urbanism. With this idea at its foundation, Room for Artifacts contains a collection of sixteen architectural artifacts designed by WOJR—a mask, a church, a labyrinth, a dwelling, a bust, and a series of totems, among others. The artifacts are presented three times throughout the book—in conceptual drawings, architectural drawings, and images. Certain characteristics recur, such as symmetry, frontality, figurality, proportionality, and play between flatness and depth, underscoring WOJR’s preoccupation with the fundamental aspects of architectural form that are rich in historical precedent. Room for Artifacts offers a new way to explore the role of architectural representation in a contemporary context, looking at how architects can invoke aspects of ideologies from architects of the past while establishing a progressive agenda for a forward-looking body of work.
Architecture, monographies
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Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into(...)
Trisha Brown: so that the audience does not know whether i have stopped dancing
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Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into the limits of her own body. Whether she is working within the frame of a sheet of paper, on the wall, or on the stage, Brown delights in the play between structure and improvisation, repetition and invention, choice and chance. This book centers on a broad survey of Brown's visual arts practice going back more than three decades. The catalogue features more than 40 drawings and includes essays by exhibition curator Peter Eleey and Walker performing arts senior curator Philip Bither as well as a specially commissioned survey of Brown's drawing vocabulary contributed by the artist.
$45.00
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On a daily basis, tens of thousands of food products fight for our attention in supermarkets. It's a miracle that we seem to effortlessly choose what we want from the overwhelming supply. Designers play a crucial role in this. They 'package' food and change it into products that appeal, inform and seduce us. The designer is the indispensable mediator between the producer(...)
Food is fiction: stories on food and design
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On a daily basis, tens of thousands of food products fight for our attention in supermarkets. It's a miracle that we seem to effortlessly choose what we want from the overwhelming supply. Designers play a crucial role in this. They 'package' food and change it into products that appeal, inform and seduce us. The designer is the indispensable mediator between the producer and us, the consumer. As artisans of alienation, designers make up stories, create illusions and dream images. ''Food Is Fiction'' places these stories in the context of the rise of the food industry and contemplating the future of food. From early advertising for classic brands such as Van Houten and Van Nelle, to food pornography, astronaut food and gastrophysics. On the basis of historical and contemporary visual material, this book also shows how the designer's language conforms to the spirit of the times, uses stereotypes and prejudices, or anticipates social changes.
Bouffe
City and environmnent
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For the first time in history, more than half the people of the world live in cities. Comprehending the impact of this widespread urbanization requires an awareness of the complex relationships between cities and natural ecosystems. This book moves beyond the anti-urban lamentations that often dominate today's academic discourse to examine the evolution of cities and to(...)
Théorie de l’urbanisme
juin 2006, Philadelphia
City and environmnent
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For the first time in history, more than half the people of the world live in cities. Comprehending the impact of this widespread urbanization requires an awareness of the complex relationships between cities and natural ecosystems. This book moves beyond the anti-urban lamentations that often dominate today's academic discourse to examine the evolution of cities and to illuminate the roles that humans play in shaping their environments, both natural and constructed. Christopher G. Boone and Ali Modarres argue that understanding the multiple forces of urbanization requires a holistic approach to the interactions of social, cultural, economic, political, and environmental factors. Without casting judgments, " City and environment " seeks to engage readers in an exploration of cities from a truly global perspective. Throughout, it illuminates the social-ecological systems of cities not as an academic exercise—although informing academic audiences is one of its goals—but ultimately to help transform cities into livable and ecologically sustainable environments.
Théorie de l’urbanisme
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the(...)
In the bubble : designing in a complex world
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the Bubble describes services designed to help people carry out daily activities in new ways. Many of these services involve technology -- ranging from body implants to wide-bodied jets. But objects and systems play a supporting role in a people-centered world. The design focus is on services, not things. And new principles -- above all, lightness -- inform the way these services are designed and used. At the heart of In the Bubble is a belief, informed by a wealth of real-world examples, that ethics and responsibility can inform design decisions without impeding social and technical innovation.
Design d’intérieur
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In the twenty-first century, the widespread integration of computer technologies has brought text-based information into many facets of everyday life. This has caused an ever-growing interest in typography across many fields of visual communication, where text and letterform play a central role in disseminating social trends and reflecting the spirit of the times.(...)
mars 2002, London
Arabic typography : a comprehensive sourcebook
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In the twenty-first century, the widespread integration of computer technologies has brought text-based information into many facets of everyday life. This has caused an ever-growing interest in typography across many fields of visual communication, where text and letterform play a central role in disseminating social trends and reflecting the spirit of the times. "Arabic Typography" takes the reader through a comprehensive study of Arabic letterforms, starting with a concise historical overview of their development and styles, and proceeding to the latest design and technological advances. It attempts to establish the foundations for Arabic type-design by drawing lessons from past practices and aesthetic conventions, in order to retain the enduring traits that are of relevance for improvement and innovation in future type-design creations. Going beyond the historical facts to discuss current design issues pertaining to the creation and production of letterforms, it presents Arabic typographic design as an essential communication tool that should marry functionality and legibility to aesthetic delight.
$75.00
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What role does drawing play in architectural education? How is drawing used as an instrument for communication, investigation, and representation in architecture and the construction industry? This book assembles contributions to the 2021 edition of the Lucerne Talks, the bi-annual Symposium on Pedagogy in Architecture at the Lucerne School of Engineering and(...)
Dessin d’architecture
octobre 2023
Drawing in architecture, education and research: Lucerne talks
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What role does drawing play in architectural education? How is drawing used as an instrument for communication, investigation, and representation in architecture and the construction industry? This book assembles contributions to the 2021 edition of the Lucerne Talks, the bi-annual Symposium on Pedagogy in Architecture at the Lucerne School of Engineering and Architecture. ''Drawing in architecture education and research'' offers a closer look at the importance of drawing culture in the curricula of Swiss schools of architecture and in the practice of architecture firms. Conceived as a compendium and reference book for students, teachers, and practitioners alike, this book explores the potential of drawing as a universal tool for communication and understanding among different societies, language groups, and professional communities. It considers drawing in its dual function as an object and a method for theory and practice in architecture and features strategies for a future transdisciplinary language of drawing that enables narrations and representations of new spatial concepts.
Dessin d’architecture
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''Concéntrico: Urban Innovation Laboratory'' reflects on the first decade of the international Concéntrico festival and the one hundred and fifty projects and designs commissioned for it. The festival’s aim is to serve as a laboratory searching for creative ways of using architecture and design to strengthen communities and to support the dialogue between designers and(...)
Concéntrico: Urban Innovation Laboratory
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''Concéntrico: Urban Innovation Laboratory'' reflects on the first decade of the international Concéntrico festival and the one hundred and fifty projects and designs commissioned for it. The festival’s aim is to serve as a laboratory searching for creative ways of using architecture and design to strengthen communities and to support the dialogue between designers and citizens. The book offers a unique meditation on the transformation of cities and the relevance of architecture and design in the twenty-first century. It introduces meaningful ways to address and engage with pressing urban issues—from identity and heritage to temporariness, collectivity, ecology, play, and domesticity—through the lens of selected Concéntrico commissions since 2015. Through lavishly illustrated essays, it features projects by eighty artists, architects, and designers from twenty countries. They are prefaced and held together by a conversation between the editors Javier Peña Ibáñez and Nick Axel, who speak about the festival’s context, evolution, and the knowledge it has produced since 2014.
Espaces Public
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together(...)
The aesthetics of ambiguity: Understanding and adressing monoculture
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together historical, social, cultural and ideological perspectives, using the dual role of art as tool for reconciliation and division in societies. ''The Aesthetics of Ambiguity'' gives stage to artists, thinkers and institutional practices who dare to play with the rules of a broader society and thus generate ambiguity ‘at large’. The book represents a quest for (more) ambiguity in order to avoid rigid borders or black-and-white polarities between cultures, as well as between practices of art and scientific thinking. By doing so, the artists, activists and researchers featured in this book plea for a politics and aesthetics of ambiguity to deal with the complexity of our living together on Earth.
Théorie de l’art
livres
Typographic systems
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Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the grid—including random, radial, modular, and(...)
Typographic systems
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Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the grid—including random, radial, modular, and bilateral systems. By taking the reader through exercises, student work, and professional examples, Elam offers a broad range of design solutions. Once essential visual organization systems are understood the designer can fluidly organize words or images within a structure, combination of structures, or a variation of a structure. With clarity and substance, each system—from the structured axis to the nonhierarchical radial array—is explained and explored so that the reader comes away with a better understanding of these intricate complex arrangements. Typographic Systems is the seventh title in our bestselling Design Briefs series, which has sold more than 100,000 copies worldwide.
livres
avril 2007, New York