3250 Résultats
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livres
livres
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were(...)
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were(...)
Titre:
Carmontelle's Landscape Transparencies : Cinema of the Enlightenment
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were accompanied by live storytelling that gave spectators the experience of journeying through beautiful landscapes. Presented chronologically, the transparencies show the evolution of eighteenth-century fashions and customs. The author re-creates the original viewing experience by leading the reader through a series of panoramic scenes, and, in the process, offers a lively analysis of eighteenth-century social life. Drawn from both museum and private collections, the charming illustrations include gatefolds showing the full extent of the J. Paul Getty Museum's Figures Walking in a Parkland as well as many exquisite details of elegant outdoor gatherings and verdant parklands. The book presents all of Carmontelle's extant transparencies, some of which survive only in fragments and a number of which have never been published.
Carmontelle's Landscape Transparencies : Cinema of the Enlightenment
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were accompanied by live storytelling that gave spectators the experience of journeying through beautiful landscapes. Presented chronologically, the transparencies show the evolution of eighteenth-century fashions and customs. The author re-creates the original viewing experience by leading the reader through a series of panoramic scenes, and, in the process, offers a lively analysis of eighteenth-century social life. Drawn from both museum and private collections, the charming illustrations include gatefolds showing the full extent of the J. Paul Getty Museum's Figures Walking in a Parkland as well as many exquisite details of elegant outdoor gatherings and verdant parklands. The book presents all of Carmontelle's extant transparencies, some of which survive only in fragments and a number of which have never been published.
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livres
livres
Publication:
janvier 2008, Los Angeles
janvier 2008, Los Angeles
Sujet:
Jardins
Jardins
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livres
livres
Titre:
Glass House
Glass House
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$125.00
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an(...)
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an(...)
Titre:
Glass House
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$125.00
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an architectural laboratory, adding nine additional structures over a forty-year period. Among them are the Ghost House, a chain-link tribute to Frank Gehry, and the witty, bright red Gate House. Glass House is a unique presentation of the Glass House complex in words and photographs. Compiled by eminent critic Toshio Nakamura under the sponsorship of YKK AP Inc., the volume features a specially commissioned suite of photographs, taken throughout the four seasons, by renowned architectural photographer Michael Moran, including cross-processed images and images taken with infrared film. The deluxe graphic presentation, with distinctive paper stocks and foldout pages reproducing Johnson's original drawings, was conceived by designer Michael Rock of 2x4.
Glass House
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$125.00
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an architectural laboratory, adding nine additional structures over a forty-year period. Among them are the Ghost House, a chain-link tribute to Frank Gehry, and the witty, bright red Gate House. Glass House is a unique presentation of the Glass House complex in words and photographs. Compiled by eminent critic Toshio Nakamura under the sponsorship of YKK AP Inc., the volume features a specially commissioned suite of photographs, taken throughout the four seasons, by renowned architectural photographer Michael Moran, including cross-processed images and images taken with infrared film. The deluxe graphic presentation, with distinctive paper stocks and foldout pages reproducing Johnson's original drawings, was conceived by designer Michael Rock of 2x4.
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livres
livres
Publication:
juin 2007, New York
juin 2007, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$60.00
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
Titre:
Not quite architecture: writing around Alison and Peter Smithson
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
Not quite architecture: writing around Alison and Peter Smithson
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
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livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Do you really know what is under that new house you just bought? How about what lies beneath the neighborhood playground? Was that "big box" retailer down your street built over a toxic site? These are just a few of the worrisome scenarios facing us all as our cities begin to redevelop old toxic waste sites—places Alan Berger has coined "drosscapes." "Drosscape : wasting(...)
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Do you really know what is under that new house you just bought? How about what lies beneath the neighborhood playground? Was that "big box" retailer down your street built over a toxic site? These are just a few of the worrisome scenarios facing us all as our cities begin to redevelop old toxic waste sites—places Alan Berger has coined "drosscapes." "Drosscape : wasting(...)
Titre:
Drosscape : wasting land in urban America
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Do you really know what is under that new house you just bought? How about what lies beneath the neighborhood playground? Was that "big box" retailer down your street built over a toxic site? These are just a few of the worrisome scenarios facing us all as our cities begin to redevelop old toxic waste sites—places Alan Berger has coined "drosscapes." "Drosscape : wasting land in urban America" is a guide to this vast, hitherto largely ignored field of waste landscapes. Landscape architects must learn to accommodate these wastelands along with the more traditional challenges of site and construction. This will require a radical reconceptualization of thinking about landscape before potential solutions can be effectively addressed or devised. Ten cities are exam-ined both visually and analytically through the use of aerial photography and geospatially derived maps, charts, and graphs. Lured by tax incentives and the benefits of inade-quate public awareness, corporate America is rapidly developing these toxic sites. The photograhs and mappings are by the author.
Drosscape : wasting land in urban America
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$45.50
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Résumé:
Do you really know what is under that new house you just bought? How about what lies beneath the neighborhood playground? Was that "big box" retailer down your street built over a toxic site? These are just a few of the worrisome scenarios facing us all as our cities begin to redevelop old toxic waste sites—places Alan Berger has coined "drosscapes." "Drosscape : wasting land in urban America" is a guide to this vast, hitherto largely ignored field of waste landscapes. Landscape architects must learn to accommodate these wastelands along with the more traditional challenges of site and construction. This will require a radical reconceptualization of thinking about landscape before potential solutions can be effectively addressed or devised. Ten cities are exam-ined both visually and analytically through the use of aerial photography and geospatially derived maps, charts, and graphs. Lured by tax incentives and the benefits of inade-quate public awareness, corporate America is rapidly developing these toxic sites. The photograhs and mappings are by the author.
Classification:
livres
livres
Publication:
avril 2006, New York
avril 2006, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
The adventure
The adventure
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$17.00
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An ancient legend identifies Demon, Chance, Love, and Necessity as the four gods who preside over the birth of every human being. We must all pay tribute to these deities and should not try to elude or dupe them. To accept them, Giorgio Agamben suggests, is to live one’s life as an adventure—not in the trivial sense of the term, with lightness and disenchantment, but with(...)
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An ancient legend identifies Demon, Chance, Love, and Necessity as the four gods who preside over the birth of every human being. We must all pay tribute to these deities and should not try to elude or dupe them. To accept them, Giorgio Agamben suggests, is to live one’s life as an adventure—not in the trivial sense of the term, with lightness and disenchantment, but with(...)
Titre:
The adventure
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$17.00
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An ancient legend identifies Demon, Chance, Love, and Necessity as the four gods who preside over the birth of every human being. We must all pay tribute to these deities and should not try to elude or dupe them. To accept them, Giorgio Agamben suggests, is to live one’s life as an adventure—not in the trivial sense of the term, with lightness and disenchantment, but with the understanding that adventure, as a specific way of being, is the most profound experience in our human existence. In this pithy, poetic, and compelling book, Agamben maps a journey from poems of chivalry to philosophy, from Yvain to Hegel, from Beatrice to Heidegger. The four gods of legend are joined at the end by a goddess, the most elusive and mysterious of all: Elpis, Hope. In Greek mythology, Hope remains in Pandora's box, not because it postpones its fulfillment to an invisible beyond but because somehow it has always been already satisfied. Here, Agamben presents Hope as the ultimate gift of the human adventure on Earth.
The adventure
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$17.00
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An ancient legend identifies Demon, Chance, Love, and Necessity as the four gods who preside over the birth of every human being. We must all pay tribute to these deities and should not try to elude or dupe them. To accept them, Giorgio Agamben suggests, is to live one’s life as an adventure—not in the trivial sense of the term, with lightness and disenchantment, but with the understanding that adventure, as a specific way of being, is the most profound experience in our human existence. In this pithy, poetic, and compelling book, Agamben maps a journey from poems of chivalry to philosophy, from Yvain to Hegel, from Beatrice to Heidegger. The four gods of legend are joined at the end by a goddess, the most elusive and mysterious of all: Elpis, Hope. In Greek mythology, Hope remains in Pandora's box, not because it postpones its fulfillment to an invisible beyond but because somehow it has always been already satisfied. Here, Agamben presents Hope as the ultimate gift of the human adventure on Earth.
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livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$55.00
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Résumé:
Bruce Davidson describes the genesis of this project thus: "Esquire's editors sent me to Los Angeles, and when I landed at LA International Airport I noticed giant palm trees growing in the parking lot. I ordered a hamburger through a microphone speaker in a drive-in called Tiny Naylor's. The freeways were blank and brilliant, chromium-plated bumpers reflected the Pacific(...)
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Bruce Davidson describes the genesis of this project thus: "Esquire's editors sent me to Los Angeles, and when I landed at LA International Airport I noticed giant palm trees growing in the parking lot. I ordered a hamburger through a microphone speaker in a drive-in called Tiny Naylor's. The freeways were blank and brilliant, chromium-plated bumpers reflected the Pacific(...)
Titre:
Bruce Davidson: Los Angeles 1964
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Bruce Davidson describes the genesis of this project thus: "Esquire's editors sent me to Los Angeles, and when I landed at LA International Airport I noticed giant palm trees growing in the parking lot. I ordered a hamburger through a microphone speaker in a drive-in called Tiny Naylor's. The freeways were blank and brilliant, chromium-plated bumpers reflected the Pacific Ocean, but the air quality was said to be bad. People looking like mannequins seemed at peace on the Sunset Strip while others were euphoric as they watered the desert. I stood there ready with my Leica, aware of my shadow on the pavement. I walked up to strangers, framed, focused and in a split second of alienations and cynicism, pressed the shutter button. Suddenly I had an awakening that led me to another level of visual understanding. But in the end, for some unknown reasons, the editors rejected the pictures, and I had to return home with a big box of prints, put them in a drawer, and forgot all about the trip."
Bruce Davidson: Los Angeles 1964
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Bruce Davidson describes the genesis of this project thus: "Esquire's editors sent me to Los Angeles, and when I landed at LA International Airport I noticed giant palm trees growing in the parking lot. I ordered a hamburger through a microphone speaker in a drive-in called Tiny Naylor's. The freeways were blank and brilliant, chromium-plated bumpers reflected the Pacific Ocean, but the air quality was said to be bad. People looking like mannequins seemed at peace on the Sunset Strip while others were euphoric as they watered the desert. I stood there ready with my Leica, aware of my shadow on the pavement. I walked up to strangers, framed, focused and in a split second of alienations and cynicism, pressed the shutter button. Suddenly I had an awakening that led me to another level of visual understanding. But in the end, for some unknown reasons, the editors rejected the pictures, and I had to return home with a big box of prints, put them in a drawer, and forgot all about the trip."
Classification:
livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Can't and won't
Can't and won't
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$30.00
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of(...)
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of(...)
Titre:
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends. What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends. What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
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livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Architecture et l'imaginaire
Architecture et l'imaginaire
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audio
audio
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1 online resource.
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Publication:
[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
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audio
audio
Publication:
[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
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livres
livres
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Description:
96 pages : illustrations (some color) ; 28 cm
Description:
96 pages : illustrations (some color) ; 28 cm
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Hamilton, N.Y. : Gallery Association of New York State ; Cambridge, Mass. : MIT Press, ©1983.
Hamilton, N.Y. : Gallery Association of New York State ; Cambridge, Mass. : MIT Press, ©1983.
Titre:
Russel Wright : American designer / William J. Hennessey ; introduction by Russell Lynes.
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Description:
96 pages : illustrations (some color) ; 28 cm
Russel Wright : American designer / William J. Hennessey ; introduction by Russell Lynes.
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Description:
96 pages : illustrations (some color) ; 28 cm
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livres
livres
Publication:
Hamilton, N.Y. : Gallery Association of New York State ; Cambridge, Mass. : MIT Press, ©1983.
Hamilton, N.Y. : Gallery Association of New York State ; Cambridge, Mass. : MIT Press, ©1983.
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artéfacts
artéfacts
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Description:
641 pieces (various sizes) : wood ; in 4 boxes (each 12 x 19 x 33 cm) + 1 booklet ([8] pages : illustrations ; 17 x 26 cm) + 1 booklet ([20] pages : illustrations ; 19 x...
Description:
641 pieces (various sizes) : wood ; in 4 boxes (each 12 x 19 x 33 cm) + 1 booklet ([8] pages : illustrations ; 17 x 26 cm) + 1 booklet ([20] pages : illustrations ; 19 x...
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[192-] (Vienna : Ingenius Technische & Handelsgesellschaft m.b.H.)
[192-] (Vienna : Ingenius Technische & Handelsgesellschaft m.b.H.)
Titre:
["Ingenius" building bricks].
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Description:
641 pieces (various sizes) : wood ; in 4 boxes (each 12 x 19 x 33 cm) + 1 booklet ([8] pages : illustrations ; 17 x 26 cm) + 1 booklet ([20] pages : illustrations ; 19 x...
["Ingenius" building bricks].
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Description:
641 pieces (various sizes) : wood ; in 4 boxes (each 12 x 19 x 33 cm) + 1 booklet ([8] pages : illustrations ; 17 x 26 cm) + 1 booklet ([20] pages : illustrations ; 19 x...
Classification:
artéfacts
artéfacts
Publication:
[192-] (Vienna : Ingenius Technische & Handelsgesellschaft m.b.H.)
[192-] (Vienna : Ingenius Technische & Handelsgesellschaft m.b.H.)
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