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Published to celebrate 10 years of The Public Domain Review, this very special book of images gathers over 500 prints, paintings, illustrations, sketches, photographs, doodles, and everything in between, exploring connections across more than two millennia of visual culture. The seasoned PDR reader will meet many favourites across the pages, but also a whole array of(...)
Affinities: A journey through images from the public domain review
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Published to celebrate 10 years of The Public Domain Review, this very special book of images gathers over 500 prints, paintings, illustrations, sketches, photographs, doodles, and everything in between, exploring connections across more than two millennia of visual culture. The seasoned PDR reader will meet many favourites across the pages, but also a whole array of as-of-yet unshared delights dusted off especially for this volume. Assembled according to a dreamlike logic, the images unfurl in a single unbroken sequence, through a play of visual echoes and evolving thematic threads.
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Just Above Midtown (or JAM) was a New York art gallery and self-described laboratory for experimentation established in 1974 by Linda Goode Bryant with the intention of presenting African American artists “on the same platform with other established artists.” A hub for conceptual art, abstraction, performance, and video, JAM was a Black space open to artists of different(...)
novembre 2022
Just above midtown: Changing spaces
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Just Above Midtown (or JAM) was a New York art gallery and self-described laboratory for experimentation established in 1974 by Linda Goode Bryant with the intention of presenting African American artists “on the same platform with other established artists.” A hub for conceptual art, abstraction, performance, and video, JAM was a Black space open to artists of different races, generations, and educational backgrounds. The gallery, which was open until 1986, cultivated debate and prioritized process, collaboration, and the needs of artists over the demands of the art market. Published in conjunction with a path-making exhibition at The Museum of Modern Art, this richly illustrated catalogue provides the most complete account to date of the gallery’s history, with an emphasis on rarely seen artworks, archival materials, and the recollections of those who were there.
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Depuis deux décennies, le dessin suscite un intérêt grandissant auprès du public, des institutions et des artistes. Dépassant le cadre de l’esquisse et du croquis, il constitue un art à part entière et se déploie sur de multiples surfaces. Présentant le travail de 80 artistes — femmes et hommes — contemporains, Barbara Soyer dresse dans ce livre un panorama surprenant(...)
Dessin dans l'art contemporain : 80 artistes
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Depuis deux décennies, le dessin suscite un intérêt grandissant auprès du public, des institutions et des artistes. Dépassant le cadre de l’esquisse et du croquis, il constitue un art à part entière et se déploie sur de multiples surfaces. Présentant le travail de 80 artistes — femmes et hommes — contemporains, Barbara Soyer dresse dans ce livre un panorama surprenant et varié du médium. L’ouvrage multiplie les approches et donne de l’espace à des voix plurielles, qui traduisent la liberté et la richesse du dessin contemporain. Dessins préparatoires, autonomes, figuratifs, abstraits, quasi photographiques, picturaux, en volume, en noir et blanc ou en couleurs ; travaux à l’encre, au pastel, à l’aquarelle ou à la gouache ; œuvres sur papier, toile, carton, mur ou textile : les créations dévoilées dans ce livre disent toutes quelque chose de ce que sont le dessin et le monde d’aujourd’hui.
U-turn volume 1
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U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group,(...)
octobre 2009
U-turn volume 1
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U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group, No Name Painting Society, April Photographic Society, and Scar Art, which together comprise the first stirrings of a contemporary art scene in post-Cultural Revolution China.
U-turn volume 2
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U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 2 focuses on the critical period between 1983 and 1987 known as the "’85 Art New Wave," with analysis of the Northern Art(...)
octobre 2009
U-turn volume 2
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U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 2 focuses on the critical period between 1983 and 1987 known as the "’85 Art New Wave," with analysis of the Northern Art Group, Southwest Painting Research Society, Xiamen Dada, and the ‘85 Art New Space exhibition in Hangzhou.
Art and electronic media
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A timely survey that addresses the relationship between art and electronic technology, including mechanics, light, graphics, robots, virtual reality and the web.
septembre 2014
Art and electronic media
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A timely survey that addresses the relationship between art and electronic technology, including mechanics, light, graphics, robots, virtual reality and the web.
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For the past thirteen years, Autocenter has put its stamp on Berlin’s contemporary arts scene. Founded in 2001 by Maik Schierloh and Joep van Liefland in a former auto body shop in Berlin-Friedrichshain, Autocenter has become an indispensable fixture of the city’s arts scene and one of its most important venues. In March 2013, Autocenter moved to Berlin’s Mitte district,(...)
juillet 2014
Autocenter, space for contemporary art, Berlin
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For the past thirteen years, Autocenter has put its stamp on Berlin’s contemporary arts scene. Founded in 2001 by Maik Schierloh and Joep van Liefland in a former auto body shop in Berlin-Friedrichshain, Autocenter has become an indispensable fixture of the city’s arts scene and one of its most important venues. In March 2013, Autocenter moved to Berlin’s Mitte district, where it continues to present exhibitions and projects by German and international artists in rapid succession. The 160 shows featuring work by more than 750 artists have always been transient affairs — in the early years, most exhibitions were on display for a mere two day. The book is a survey of the artists who visited or moved to Berlin in the past thirteen years and shows how contemporary art changed over time. Autocenter has not only been a keen observer of the city’s arts scene, it also helped shape its evolution.
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Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and(...)
août 2014
Foreign exchange: (or the stories you wouldn't tell a stranger)
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Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and commodification of artifacts and, in particular, the representation of the human body in ethnographic photographs.
Room service
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On the Hotel in the Arts and Artists in the Hotel. Over the past 200 hundred years the topos of the hotel has increasingly become a subject of artistic interest. Artists have not only examined the hotel as a motif but have appropriated its rooms, decorating and inhabiting them.The Staatliche Kunsthalle Baden-Baden exhibition traces these multi-faceted relationships over(...)
Room service
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On the Hotel in the Arts and Artists in the Hotel. Over the past 200 hundred years the topos of the hotel has increasingly become a subject of artistic interest. Artists have not only examined the hotel as a motif but have appropriated its rooms, decorating and inhabiting them.The Staatliche Kunsthalle Baden-Baden exhibition traces these multi-faceted relationships over time and also examines problematic social aspects of this phenomenon.To capture the mythic dimensions of the hotel, the exhibition Room Service, is also accompanied by an exhibition route that leads through the citys prominent hotels.
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
août 2014
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.