9835 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
IBA
IBA
Numéro de référence:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Personnes et institutions:
Date:
1980-1988
1980-1988
Titre:
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Niveau de description archivistique:
File 32
File 32
Date:
1980-1988
1980-1988
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Personnes et institutions:
Date:
1966-2018
1966-2018
Titre:
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Niveau de description archivistique:
Series
Series
Date:
1966-2018
1966-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Personnes et institutions:
Date:
1988-1996
1988-1996
Titre:
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Niveau de description archivistique:
Project
Project
Date:
1988-1996
1988-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Personnes et institutions:
Date:
1986-1990
1986-1990
Titre:
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Niveau de description archivistique:
Project
Project
Date:
1986-1990
1986-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1971.PR03
Description:
This project series documents the design and construction of the Phoenix House of London office building from 1971-1973, located at 439 University Avenue in Toronto. The office identified the project number as 7105. This project consisted of a 23 storey office building for the publishing company Phoenix House of London Ltd. The building included a five-storey base, a 17 storey tower whose levels had less square footage than the base levels, and three basement levels. Two of the basements were designated for parking, while the other was rentable space. The ground floor was to be used for commercial space. Phoenix House would occupy the 21st tower floor and two and a half base floors, while the rest of the space was available for tenants. In total, the building was 269,135 square feet. The client for this project was David S. Owen of Warrick Consultants Ltd., and the materials often refer to this project as an Office Building for David S. Owen. The project is recorded through drawings, photographs, material samples and textual records dating from around 1971-1978. There are many original sketches of the building design as well as some reprographic copies used for construction. There are also presentation boards of drawings, a project photograph and material samples. The photographs show the construction progress and the completed project. The textual records include correspondence, meeting and site reports, construction documentation, consultancy records, interoffice letters and documentation, contract data, financial records, and documentation on procuring historical artefacts to display inside the building. File AP018.S1.1971.PR03.017 includes an index to the textual records, which was created by the office.
AP018.S1.1971.PR03
Description:
This project series documents the design and construction of the Phoenix House of London office building from 1971-1973, located at 439 University Avenue in Toronto. The office identified the project number as 7105. This project consisted of a 23 storey office building for the publishing company Phoenix House of London Ltd. The building included a five-storey base, a 17 storey tower whose levels had less square footage than the base levels, and three basement levels. Two of the basements were designated for parking, while the other was rentable space. The ground floor was to be used for commercial space. Phoenix House would occupy the 21st tower floor and two and a half base floors, while the rest of the space was available for tenants. In total, the building was 269,135 square feet. The client for this project was David S. Owen of Warrick Consultants Ltd., and the materials often refer to this project as an Office Building for David S. Owen. The project is recorded through drawings, photographs, material samples and textual records dating from around 1971-1978. There are many original sketches of the building design as well as some reprographic copies used for construction. There are also presentation boards of drawings, a project photograph and material samples. The photographs show the construction progress and the completed project. The textual records include correspondence, meeting and site reports, construction documentation, consultancy records, interoffice letters and documentation, contract data, financial records, and documentation on procuring historical artefacts to display inside the building. File AP018.S1.1971.PR03.017 includes an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
circa 1971-1978
circa 1971-1978
Titre:
Phoenix House, Toronto (1971-1973)
Actions:
AP018.S1.1971.PR03
Description:
This project series documents the design and construction of the Phoenix House of London office building from 1971-1973, located at 439 University Avenue in Toronto. The office identified the project number as 7105. This project consisted of a 23 storey office building for the publishing company Phoenix House of London Ltd. The building included a five-storey base, a 17 storey tower whose levels had less square footage than the base levels, and three basement levels. Two of the basements were designated for parking, while the other was rentable space. The ground floor was to be used for commercial space. Phoenix House would occupy the 21st tower floor and two and a half base floors, while the rest of the space was available for tenants. In total, the building was 269,135 square feet. The client for this project was David S. Owen of Warrick Consultants Ltd., and the materials often refer to this project as an Office Building for David S. Owen. The project is recorded through drawings, photographs, material samples and textual records dating from around 1971-1978. There are many original sketches of the building design as well as some reprographic copies used for construction. There are also presentation boards of drawings, a project photograph and material samples. The photographs show the construction progress and the completed project. The textual records include correspondence, meeting and site reports, construction documentation, consultancy records, interoffice letters and documentation, contract data, financial records, and documentation on procuring historical artefacts to display inside the building. File AP018.S1.1971.PR03.017 includes an index to the textual records, which was created by the office.
Phoenix House, Toronto (1971-1973)
Actions:
AP018.S1.1971.PR03
Description:
This project series documents the design and construction of the Phoenix House of London office building from 1971-1973, located at 439 University Avenue in Toronto. The office identified the project number as 7105. This project consisted of a 23 storey office building for the publishing company Phoenix House of London Ltd. The building included a five-storey base, a 17 storey tower whose levels had less square footage than the base levels, and three basement levels. Two of the basements were designated for parking, while the other was rentable space. The ground floor was to be used for commercial space. Phoenix House would occupy the 21st tower floor and two and a half base floors, while the rest of the space was available for tenants. In total, the building was 269,135 square feet. The client for this project was David S. Owen of Warrick Consultants Ltd., and the materials often refer to this project as an Office Building for David S. Owen. The project is recorded through drawings, photographs, material samples and textual records dating from around 1971-1978. There are many original sketches of the building design as well as some reprographic copies used for construction. There are also presentation boards of drawings, a project photograph and material samples. The photographs show the construction progress and the completed project. The textual records include correspondence, meeting and site reports, construction documentation, consultancy records, interoffice letters and documentation, contract data, financial records, and documentation on procuring historical artefacts to display inside the building. File AP018.S1.1971.PR03.017 includes an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
circa 1971-1978
circa 1971-1978
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1989:0015:085 R/V
Description:
- This drawing shows five elevations and sections for the convent dormitories at St. Peter's Home, Woking. Four of these drawings appear to have been traced onto DR1989:0015:084. The verso is probably a cross-section and elevation for the dormitories, with a plan for a gateway or doorway at the u.l. The blue lines at the b. are probably sections of the grounds, corresponding to the sections in blue pencil on the site plans, DR1989:0015:072, DR1989:0015:074, and DR1989:0015:076. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
DR1989:0015:085 R/V
Description:
- This drawing shows five elevations and sections for the convent dormitories at St. Peter's Home, Woking. Four of these drawings appear to have been traced onto DR1989:0015:084. The verso is probably a cross-section and elevation for the dormitories, with a plan for a gateway or doorway at the u.l. The blue lines at the b. are probably sections of the grounds, corresponding to the sections in blue pencil on the site plans, DR1989:0015:072, DR1989:0015:074, and DR1989:0015:076. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1934
1934
Titre:
St. Peter's Convent, Woking: Elevations and sections for the new wings; verso: St. Peter's Convent, Woking: Sectional elevation and sketch plans
Actions:
DR1989:0015:085 R/V
Description:
- This drawing shows five elevations and sections for the convent dormitories at St. Peter's Home, Woking. Four of these drawings appear to have been traced onto DR1989:0015:084. The verso is probably a cross-section and elevation for the dormitories, with a plan for a gateway or doorway at the u.l. The blue lines at the b. are probably sections of the grounds, corresponding to the sections in blue pencil on the site plans, DR1989:0015:072, DR1989:0015:074, and DR1989:0015:076. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
St. Peter's Convent, Woking: Elevations and sections for the new wings; verso: St. Peter's Convent, Woking: Sectional elevation and sketch plans
Actions:
DR1989:0015:085 R/V
Description:
- This drawing shows five elevations and sections for the convent dormitories at St. Peter's Home, Woking. Four of these drawings appear to have been traced onto DR1989:0015:084. The verso is probably a cross-section and elevation for the dormitories, with a plan for a gateway or doorway at the u.l. The blue lines at the b. are probably sections of the grounds, corresponding to the sections in blue pencil on the site plans, DR1989:0015:072, DR1989:0015:074, and DR1989:0015:076. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Classification:
dessins
dessins
Date:
1934
1934
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Titre:
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Actions:
Numéro de référence:
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1859-1860, printed 1859-1860
1859-1860, printed 1859-1860
Titre:
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Actions:
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Actions:
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
1859-1860, printed 1859-1860
1859-1860, printed 1859-1860
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
dessins
dessins
Numéro de référence:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1915
1915
Titre:
First floor plan for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
First floor plan for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
Classification:
dessins
dessins
Date:
1915
1915
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
livres, oeuvres d'art
livres, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, ingénierie
architecture, architecture de paysage, ingénierie
Date:
published 1837
published 1837
Titre:
MUSÉUM / D'HISTOIRE NATURELLE / SERRES CHAUDES, / GALERIE DE MINÉRALOGIE, / ETC. ETC. / PAR. CH. ROHAULT FILS, / ARCHITECTE DU MUSÉUM, ANCIEN ÉLEVE DE L'ECOLE POLYTECHNIQUE
Actions:
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
MUSÉUM / D'HISTOIRE NATURELLE / SERRES CHAUDES, / GALERIE DE MINÉRALOGIE, / ETC. ETC. / PAR. CH. ROHAULT FILS, / ARCHITECTE DU MUSÉUM, ANCIEN ÉLEVE DE L'ECOLE POLYTECHNIQUE
Actions:
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
Classification:
livres, oeuvres d'art
livres, oeuvres d'art
Date:
published 1837
published 1837
Personnes et institutions:
Sujet:
architecture, architecture de paysage, ingénierie
architecture, architecture de paysage, ingénierie
Classification:
dessins
dessins
Numéro de référence:
DR1989:0015:048
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
DR1989:0015:048
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1925
1925
Titre:
St. Peter's Home, Woking: First floor plan for the new wing
Actions:
DR1989:0015:048
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
St. Peter's Home, Woking: First floor plan for the new wing
Actions:
DR1989:0015:048
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Classification:
dessins
dessins
Date:
1925
1925
Personnes et institutions:
Sujet:
architecture
architecture
