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This publication explores the relationship between cultural institutions and cultural infrastructures through four dialogues with cultural practitioners: Sean Roy Parker - eco anxious artist, environmentalist and fermenter; Cecilia Wee - curator, educator, agitator and resource-builder; Meneesha Kellay - curator and cultural programmer across design and architecture; and(...)
Infrastructuring: Four Conversations on cultural infrastructure
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This publication explores the relationship between cultural institutions and cultural infrastructures through four dialogues with cultural practitioners: Sean Roy Parker - eco anxious artist, environmentalist and fermenter; Cecilia Wee - curator, educator, agitator and resource-builder; Meneesha Kellay - curator and cultural programmer across design and architecture; and Marta Michalowska and John Bingham-Hall - co-directors of Theatrum Mundi.
Social
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Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of(...)
David Goldblatt: the last interview
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Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.
Théorie de la photographie
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xvii, 588 pages : illustrations (some color), maps (some color), plans (some color) ; 29 cm.
Baltimore : Johns Hopkins University Press, 2020., ©2020
Frederick Law Olmsted : plans and views of communities and private estates / Charles E. Beveridge, Lauren Meier, and Irene Mills, editors.
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xvii, 588 pages : illustrations (some color), maps (some color), plans (some color) ; 29 cm.
livres
Baltimore : Johns Hopkins University Press, 2020., ©2020
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Publication dédiée à l'œuvre de l'architecte, plasticien et critique italien Gianni Pettena, se concentrant plus particulièrement sur ses travaux réalisés durant les années 1960 et 1970. L'ouvrage permet de découvrir l'étendue de la pratique artistique et intellectuelle d'un personnage connu principalement comme un représentant de l'architecture radicale. Contient la(...)
Gianni Pettena: non-conscious architecture
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Publication dédiée à l'œuvre de l'architecte, plasticien et critique italien Gianni Pettena, se concentrant plus particulièrement sur ses travaux réalisés durant les années 1960 et 1970. L'ouvrage permet de découvrir l'étendue de la pratique artistique et intellectuelle d'un personnage connu principalement comme un représentant de l'architecture radicale. Contient la réédition d'une conversation entre Gianni Pettena et Robert Smithson.
Architecture, monographies
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Kathryn Yusoff examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. She initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep(...)
A billion black anthropocenes or none
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Kathryn Yusoff examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. She initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.
Oh, to be a painter!
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Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury circle, there is no accessible edition or selection of essays dedicated to her writings on art. This volume collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures and Portraits” (1920) and(...)
Oh, to be a painter!
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Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury circle, there is no accessible edition or selection of essays dedicated to her writings on art. This volume collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures and Portraits” (1920) and “Pictures” (1925).
Théorie de l’art
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In order to understand architecture in all its cultural complexity it is necessary to grasp certain basic concepts such as representation, form and space. The aim of this book is to provide teachers, students, practising architects and curious general readers with a set of ideas that will enrich their conversation, their writing, and above all their thinking about architecture.
Thinking about architecture: An introduction to architectural theory
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In order to understand architecture in all its cultural complexity it is necessary to grasp certain basic concepts such as representation, form and space. The aim of this book is to provide teachers, students, practising architects and curious general readers with a set of ideas that will enrich their conversation, their writing, and above all their thinking about architecture.
Théorie de l’architecture
The art-architecture complex
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Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra.
The art-architecture complex
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Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra.
Théorie de l’architecture
livres
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This title, in the same format as "Rem Koolhaas: Conversations with Students", contains a little-known essay by Kahn on his sources of inspiration, an interview with the architect on his working methods and his vision for the future of the profession,(...)
Architecture, monographies
octobre 1998, Houston / New York
Louis I. Kahn : conversations with students
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This title, in the same format as "Rem Koolhaas: Conversations with Students", contains a little-known essay by Kahn on his sources of inspiration, an interview with the architect on his working methods and his vision for the future of the profession, and writings on Kahn by Michael Bell and Lars Lerup.
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octobre 1998, Houston / New York
Architecture, monographies
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un(...)
Hans Ulrich Obrist : conversations (édition française)
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un paysage de trajectoires, de pensées, de projets, de faits et de récits qui produisent une histoire inédite de l'art et de la culture au tournant du XXe et du XXIe siècle.
Théorie de l’art