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Over the course of a career that spanned forty-five years, William Wilson Wurster (1895–1973) designed hundreds of residences up and down the West Coast. Like Finnish architect Alvar Aalto, with whom Wurster maintained a close professional exchange, Wurster blends modernism with the vernacular. Wurster described these homes as "frames for living": spaces that could be(...)
Architecture, monographies
septembre 2011
The houses of William Wurster: frames for living
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Over the course of a career that spanned forty-five years, William Wilson Wurster (1895–1973) designed hundreds of residences up and down the West Coast. Like Finnish architect Alvar Aalto, with whom Wurster maintained a close professional exchange, Wurster blends modernism with the vernacular. Wurster described these homes as "frames for living": spaces that could be fully transformed by the occupant to meet their needs and desires, well-designed canvases for homemaking. Authors Caitlin Lempres Brostrom, AIA, and Richard C. Peters, FAIA, draw upon extensive historical research as well as personal relationships with Wurster to tell the story of his career, including both residential and institutional building. The Houses of William Wurster features new and archival footage of thirty-three of the architect's best-known houses and includes a foreword by Donlyn Lyndon.
Architecture, monographies
$48.00
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Ludwig Hilberseimer (1885–1967) is regarded as one of the leading theorists of the Neues Bauen movement in pre-War Germany, and of modern, functional urbanism. This set of accomplishments still dominates the public image of the architect, urban planner, teacher and art critic to this day. His development beyond that period has long been neglected. The essays in this(...)
Architect of letters: reading Hilberseimer
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Ludwig Hilberseimer (1885–1967) is regarded as one of the leading theorists of the Neues Bauen movement in pre-War Germany, and of modern, functional urbanism. This set of accomplishments still dominates the public image of the architect, urban planner, teacher and art critic to this day. His development beyond that period has long been neglected. The essays in this collection seek to fill this gap, offering an exciting and wide-ranging new perspective on the work of a central protagonist of modernism. Until now, most critical studies of Hilberseimer's work came from his place of exile in Chicago and his work in Germany/Europe and the USA tended to be viewed separately; this volume is the first to attempt to end this separation and encourage a complete overview of is work.
Théorie de l’architecture
Space projects
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Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a(...)
décembre 2009
Space projects
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Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.
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In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube city arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign(...)
Brasilia Chandigarh: Living with Modernity
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In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube city arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities. This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities.
Monographies photo
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In the years after 1933 several hundred architects were forced to emigrate from Germany by the National Socialist dictatorship. Between seventy and eighty of them went to Great Britain – in part, prominent representatives of Modernism like Walter Gropius, Erich Mendelsohn, Erwin Gutkind, Arthur Korn and Marcel Breuer, but also less well known architects who had adopted(...)
German architects in Great Britain: planning and building in exile 1933-1945
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In the years after 1933 several hundred architects were forced to emigrate from Germany by the National Socialist dictatorship. Between seventy and eighty of them went to Great Britain – in part, prominent representatives of Modernism like Walter Gropius, Erich Mendelsohn, Erwin Gutkind, Arthur Korn and Marcel Breuer, but also less well known architects who had adopted very divergent positions. A few emigrants very quickly and successfully managed to gain a foothold in an environment that was for the most part unfamiliar to them, while for others exile meant a serious break in their career. The book offers an overview of the topic and presents select buildings in detail. Moreover, hitherto largely unpublished documents from the estate of Walter Gropius provide a direct insight into his life and work in British exile.
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel(...)
octobre 2014
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in their parallel practices as artist and designer. Considered together, the works in this book testify to the fruitful exchange between two giants of modernism in its most utopian aspirations.
Richard Neutra: Furniture
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Best known for his light-flooded houses, Austrian-American architect Richard J. Neutra (1892-1970) shaped the scene of California Modernism. From there he rose to become one of the most influential names in the history of modern architecture, but in contrast to his peers--like the great Aalto, Breuer, Jacobsen and Prouvé--Neutra's work on furniture designs has long been(...)
Richard Neutra: Furniture
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Best known for his light-flooded houses, Austrian-American architect Richard J. Neutra (1892-1970) shaped the scene of California Modernism. From there he rose to become one of the most influential names in the history of modern architecture, but in contrast to his peers--like the great Aalto, Breuer, Jacobsen and Prouvé--Neutra's work on furniture designs has long been undiscovered. Modern building historian and Neutra specialist Barbara Lamprecht fills this gap with Richard Neutra: Furniture. Referring to the original sketches and patent drawings, Lamprecht focuses on the details of the furniture designs, relating this element of the architect's work to his overarching desire to create balanced environments for his clients, each element-furniture, lighting, nature and landscape, and building-working together to create a "soul anchorage," as Neutra put it.
Design, monographies
livres
Description:
157 pages : illustrations ; 17 cm
Paris : La Fabrique éditions, [2018], ©2018
Les temps modernes : art, temps, politique / Jacques Rancière.
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Description:
157 pages : illustrations ; 17 cm
livres
Paris : La Fabrique éditions, [2018], ©2018
livres
Description:
xiv, 364 pages ; 24 cm
Cambridge [England] ; New York : Cambridge University Press, 1995.
German architectural theory and the search for modern identity / Mitchell Schwarzer.
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xiv, 364 pages ; 24 cm
livres
Cambridge [England] ; New York : Cambridge University Press, 1995.
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Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and(...)
Marcel Breuer: building global institutions
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Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a “Brutalist modernism” of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.
Architecture, monographies