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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the(...)
I am a monument : on learning from Las Vegas
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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the virtues ofthe "ordinary and ugly" above the "heroic and original"qualities of architectural modernism. In this provocative rereading of an iconic text, Aron Vinegar argues that to read "Learning from Las Vegas" only as an exemplary postmodernist text - to understand it, for example, as a call for pastiche or as ironic provocation - is to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text.
Théorie de l’architecture
livres
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volumes <1-8> : chiefly illustrations (some color) ; 23 x 31 cm
Tokyo : A.D.A. Edita, 1989-
Frank Lloyd Wright selected houses / text by Bruce Brooks Pfeiffer ; edited and photographed by Yukio Futagawa.
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volumes <1-8> : chiefly illustrations (some color) ; 23 x 31 cm
livres
Tokyo : A.D.A. Edita, 1989-
livres
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335 pages : color illustrations ; 27 cm
New York : Rizzoli, 2007.
Frank Lloyd Wright : mid-century modern / photographs by Alan Weintraub ; text by Alan Hess ; with contributions by John Zukowsky and Monica Ramirez-Montagut.
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335 pages : color illustrations ; 27 cm
livres
New York : Rizzoli, 2007.
livres
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239 pages : illustrations (some color) ; 28 cm
Hudson, NY : Princeton Architectural Press, [2019], ©2019
Victor Lundy : artist architect / Donna Kacmar, editor.
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239 pages : illustrations (some color) ; 28 cm
livres
Hudson, NY : Princeton Architectural Press, [2019], ©2019
livres
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363 pages : illustrations ; 24 cm
New York : Monacceli Press, 1997.
Autonomy and ideology : positioning an avant-garde in America / edited by R.E. Somol.
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363 pages : illustrations ; 24 cm
livres
New York : Monacceli Press, 1997.
$67.95
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In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar-tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the "Maison en Bord de Mer". Inspired by the genius of the place and the light on the Côte d'Azur,(...)
The painter le Corbusier: Eileen Gray's Villa E 1027 and Le Cabanon
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In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar-tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the "Maison en Bord de Mer". Inspired by the genius of the place and the light on the Côte d'Azur, he created a total of eight large-format wall paintings there in 1938 and 1939 onwards, some of which complement the building congenially, while others set counterpoints. In 1952, he built his Cabanon nearby and decorated it with murals as well. The book by the well-known architectural historian Tim Benton documents Le Corbusier's artwork at this special place, explores its controversies, and places it in his overall oeuvre.
Architecture, monographies
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This layered, intertextual, cultural history examines humankind’s relationship with glass and the ways in which glass has transformed society and the constructed world. ''Remaking the crust of the earth'' considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton's Crystal Palace to the utopian optimism of Paul Scheerbart's Glasarchitektur,(...)
Remaking the crust of the earth
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This layered, intertextual, cultural history examines humankind’s relationship with glass and the ways in which glass has transformed society and the constructed world. ''Remaking the crust of the earth'' considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton's Crystal Palace to the utopian optimism of Paul Scheerbart's Glasarchitektur, both of which paved a way for modernism, the curtain wall and the 20th-century glass house. Traversing time and space, the book includes archival material (in particular the encyclopaedic 1937 publication Glass in Architecture and Decoration by Raymond McGrath and A.C. Frost); excerpts from the film ''Remaking the crust of the earth''; a series of restaged photographic glass tests conducted by Gavin Murphy and Louis Haugh; essays by Marysia Wieckiewicz-Carroll and Chris Fite-Wassilak; and reproductions from the Raymond McGrath collection in the Irish Architectural Archive.
Théorie du design
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division.(...)
The Facit Model: Globalism, Localism, Identity
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division. But a few years later the Facit organization had disappeared—worn down by global capitalism. ''The Facit Model: Globalism, Localism, Identity'' looks at this peculiar example of corporate modernism through the printed matter produced in Facit’s in-house print shops, culled from FACIT’s archives. Type specimens, manuals, advertising leaflets and product catalogs bear witness to a culture which feels increasingly distant, and yet helped to define many of the codes and forms familiar to us from today’s world of work.
Design industriel
Ando Tadao
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s(...)
Architecture, monographies
janvier 1900, Hong Kong, Köln, London, Los Angeles, Madrid
Ando Tadao
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed elsewhere in architecture. This book provides the perfect introduction to Ando`s work, including private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, and in France, Italy, Spain, and the USA.
Architecture, monographies
Arts and crafts furniture
$99.50
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This is a fully illustrated history of the Arts and Crafts movement covering : the influence of Ruskin, Pugin, Talbert, Eastlake and G.E. Street; the founding of William Morris & Co. in the 1860s until its demise in the early twentieth century; the fruition of the Movement from 1880 to 1910 including the Guilds, the major personalities and their attitude to Art Nouveau;(...)
Arts and crafts furniture
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This is a fully illustrated history of the Arts and Crafts movement covering : the influence of Ruskin, Pugin, Talbert, Eastlake and G.E. Street; the founding of William Morris & Co. in the 1860s until its demise in the early twentieth century; the fruition of the Movement from 1880 to 1910 including the Guilds, the major personalities and their attitude to Art Nouveau; the aftermath into the 1920s and the rise of Modernism The Arts and Crafts Movement (1860-1920)changed the way designers think about furniture. All of the main leaders of the movement are covered. Illustrations show examples of museum quality pieces: the typical production of the Guilds, the Cotswold School, the Glasgow designers, Heal, Liberty and the major commercial companies including Gordon Russell. The principal American followers are also included. Each section details the furniture of the architects and designers involved.
Design d’intérieur