Projet
AP099.S1.D7
Description:
File documents Perrault et Mesnard's executed project for the Chapelle du Sacré-Coeur of Notre-Dame de Montréal. Material in this file was produced between October 1888 and June 1889. Unsigned drawings are attributed to Perrault et Mesnard based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings and a reprographic copy.
October 1888 - June 1889
Chapelle du Sacré-Coeur Construction
Actions:
AP099.S1.D7
Description:
File documents Perrault et Mesnard's executed project for the Chapelle du Sacré-Coeur of Notre-Dame de Montréal. Material in this file was produced between October 1888 and June 1889. Unsigned drawings are attributed to Perrault et Mesnard based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings and a reprographic copy.
File 7
October 1888 - June 1889
Projet
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
1987-1988
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Project
1987-1988
Dieter Appelt : la catastrophe des choses réunit des images du grenier de la Künstlerhaus Bethanien à Berlin. Fasciné par les lieux chargés d’histoire, l’artiste allemand Dieter Appelt explore le grenier pour faire ressortir les forces invisibles, mystérieuses et imprécises de la dégradation qui dépassent notre expérience. En se concentrant sur des détails de construction(...)
Salle octagonale
17 avril 1996 au 4 août 1996
Dieter Appelt : la catastrophe des choses
Actions:
Description:
Dieter Appelt : la catastrophe des choses réunit des images du grenier de la Künstlerhaus Bethanien à Berlin. Fasciné par les lieux chargés d’histoire, l’artiste allemand Dieter Appelt explore le grenier pour faire ressortir les forces invisibles, mystérieuses et imprécises de la dégradation qui dépassent notre expérience. En se concentrant sur des détails de construction(...)
Salle octagonale
Projet
Parc
AP144.S2.D119
Description:
File documents an unsuccessful entry in an international competition for a master plan for the Parc de la Villette, Paris, France. File also includes drawings related to a "Parc des Chevaux de Paris", signed "Zenghelis". Material in this file was produced in 1969 and between 1982 and 1985, but predominantly in 1982. File contains design development drawings, presentation drawings, reference drawings, other drawings, photographic materials, and textual records.
1969, 1982-1985, predominant 1982
Parc
Actions:
AP144.S2.D119
Description:
File documents an unsuccessful entry in an international competition for a master plan for the Parc de la Villette, Paris, France. File also includes drawings related to a "Parc des Chevaux de Paris", signed "Zenghelis". Material in this file was produced in 1969 and between 1982 and 1985, but predominantly in 1982. File contains design development drawings, presentation drawings, reference drawings, other drawings, photographic materials, and textual records.
File 119
1969, 1982-1985, predominant 1982
dessins
ARCH277072
Description:
Détails de panneaux et esquisses des signes du zodiaque.
1923 - 1929
Détails décoratifs
Actions:
ARCH277072
Description:
Détails de panneaux et esquisses des signes du zodiaque.
dessins
1923 - 1929
PH1987:1195
Description:
- Building in right foreground bears business sign dated 1875.
between 1875 and 1882
View from Observatory, Lemon Hill, East Fairmount Park
Actions:
PH1987:1195
Description:
- Building in right foreground bears business sign dated 1875.
archives
Niveau de description archivistique:
Fonds
Fonds Wayfarers' Chapel
AP151
Résumé:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
1937-1979
Fonds Wayfarers' Chapel
Actions:
AP151
Résumé:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
archives
Niveau de description archivistique:
Fonds
1937-1979
Projet
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
2000-2007
Guru Jambheshwar University of Science and Technology, Hisar, India (2000-2004)
Actions:
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
Project
2000-2007
Max Wiederanders, München
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
architecture
1920s
Max Wiederanders, München
Actions:
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
architecture
Projet
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
2012-2018
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Project
2012-2018