10735 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997
1997
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1998.PR03.SS2
Description:
This project subseries documents the Caja Rural de Granada in the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 B. The office assigned the dates 1998-2006 to this project subseries. This was part of phase 1 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the project consisted of a bank branch for Caja Rural located on the ground level of the larger Zaida building. Documenting this project subseries are drawings and textual records dating from 2002-2005. The textual records include supplier catalogues, contract details, correspondence and documentation on the interiors. The drawings include plans, sketches, mechanical drawings and details.
AP178.S1.1998.PR03.SS2
Description:
This project subseries documents the Caja Rural de Granada in the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 B. The office assigned the dates 1998-2006 to this project subseries. This was part of phase 1 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the project consisted of a bank branch for Caja Rural located on the ground level of the larger Zaida building. Documenting this project subseries are drawings and textual records dating from 2002-2005. The textual records include supplier catalogues, contract details, correspondence and documentation on the interiors. The drawings include plans, sketches, mechanical drawings and details.
Personnes et institutions:
Date:
2002-2005
2002-2005
Titre:
Edifício Zaida, "Caja Rural de Granada" [Zaida building, "Caja Rural de Granada"], Granada, Spain (1998-2006)
Actions:
AP178.S1.1998.PR03.SS2
Description:
This project subseries documents the Caja Rural de Granada in the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 B. The office assigned the dates 1998-2006 to this project subseries. This was part of phase 1 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the project consisted of a bank branch for Caja Rural located on the ground level of the larger Zaida building. Documenting this project subseries are drawings and textual records dating from 2002-2005. The textual records include supplier catalogues, contract details, correspondence and documentation on the interiors. The drawings include plans, sketches, mechanical drawings and details.
Edifício Zaida, "Caja Rural de Granada" [Zaida building, "Caja Rural de Granada"], Granada, Spain (1998-2006)
Actions:
AP178.S1.1998.PR03.SS2
Description:
This project subseries documents the Caja Rural de Granada in the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 B. The office assigned the dates 1998-2006 to this project subseries. This was part of phase 1 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the project consisted of a bank branch for Caja Rural located on the ground level of the larger Zaida building. Documenting this project subseries are drawings and textual records dating from 2002-2005. The textual records include supplier catalogues, contract details, correspondence and documentation on the interiors. The drawings include plans, sketches, mechanical drawings and details.
Niveau de description archivistique:
Project
Project
Date:
2002-2005
2002-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1986.PR03
Description:
This project series documents the Plano Geral da Expo '92 in Seville, Spain While the records were held in the office’s archives this project was assigned the number 42/80. The office assigned the date 1986 to this project. The project files document the competition for the master plan of the 1992 Universal Exposition of Seville. Adalberto Dias and Eduardo Souta de Moura collaborated on this project while working at Siza's office. The master plan proposed by Siza and his team included the creation of a link between Seville and the Island of the Carthusians. Siza's proposal was not chosen by the organization. Documenting this project are studies and site plans. Textual materials include competition documentation. Photographs and negatives document the project site and model.
AP178.S1.1986.PR03
Description:
This project series documents the Plano Geral da Expo '92 in Seville, Spain While the records were held in the office’s archives this project was assigned the number 42/80. The office assigned the date 1986 to this project. The project files document the competition for the master plan of the 1992 Universal Exposition of Seville. Adalberto Dias and Eduardo Souta de Moura collaborated on this project while working at Siza's office. The master plan proposed by Siza and his team included the creation of a link between Seville and the Island of the Carthusians. Siza's proposal was not chosen by the organization. Documenting this project are studies and site plans. Textual materials include competition documentation. Photographs and negatives document the project site and model.
Personnes et institutions:
Date:
1984-1987
1984-1987
Titre:
Plano Geral da Expo '92 [Expo '92 master plan], Seville, Spain (1984)
Actions:
AP178.S1.1986.PR03
Description:
This project series documents the Plano Geral da Expo '92 in Seville, Spain While the records were held in the office’s archives this project was assigned the number 42/80. The office assigned the date 1986 to this project. The project files document the competition for the master plan of the 1992 Universal Exposition of Seville. Adalberto Dias and Eduardo Souta de Moura collaborated on this project while working at Siza's office. The master plan proposed by Siza and his team included the creation of a link between Seville and the Island of the Carthusians. Siza's proposal was not chosen by the organization. Documenting this project are studies and site plans. Textual materials include competition documentation. Photographs and negatives document the project site and model.
Plano Geral da Expo '92 [Expo '92 master plan], Seville, Spain (1984)
Actions:
AP178.S1.1986.PR03
Description:
This project series documents the Plano Geral da Expo '92 in Seville, Spain While the records were held in the office’s archives this project was assigned the number 42/80. The office assigned the date 1986 to this project. The project files document the competition for the master plan of the 1992 Universal Exposition of Seville. Adalberto Dias and Eduardo Souta de Moura collaborated on this project while working at Siza's office. The master plan proposed by Siza and his team included the creation of a link between Seville and the Island of the Carthusians. Siza's proposal was not chosen by the organization. Documenting this project are studies and site plans. Textual materials include competition documentation. Photographs and negatives document the project site and model.
Niveau de description archivistique:
Project
Project
Date:
1984-1987
1984-1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1992.PR01
Description:
This project series documents the Remodelação do Cinema Condes in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 22/90. The office assigned the dates 1991-1992 to this project. The Cinema Condes was built between 1949 and 1951. At the beginning of the 1990s, the owners of the building wanted to add offices and stores while maintaining the cinema. The renovations to the cinema were part of an urban rehabilitation project for the Avenida da Liberdade. Siza did a preliminary study for these renovations. The project was not realized. Documenting this project are sketches, studies, and working drawings. Textual materials include project documentation. Photographic materials document the existing building, models and project site.
AP178.S1.1992.PR01
Description:
This project series documents the Remodelação do Cinema Condes in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 22/90. The office assigned the dates 1991-1992 to this project. The Cinema Condes was built between 1949 and 1951. At the beginning of the 1990s, the owners of the building wanted to add offices and stores while maintaining the cinema. The renovations to the cinema were part of an urban rehabilitation project for the Avenida da Liberdade. Siza did a preliminary study for these renovations. The project was not realized. Documenting this project are sketches, studies, and working drawings. Textual materials include project documentation. Photographic materials document the existing building, models and project site.
Personnes et institutions:
Date:
1991-2012
1991-2012
Titre:
Remodelação do Cinema Condes [Remodelling of Cinema Condes], Lisbon, Portugal (1991-1992)
Actions:
AP178.S1.1992.PR01
Description:
This project series documents the Remodelação do Cinema Condes in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 22/90. The office assigned the dates 1991-1992 to this project. The Cinema Condes was built between 1949 and 1951. At the beginning of the 1990s, the owners of the building wanted to add offices and stores while maintaining the cinema. The renovations to the cinema were part of an urban rehabilitation project for the Avenida da Liberdade. Siza did a preliminary study for these renovations. The project was not realized. Documenting this project are sketches, studies, and working drawings. Textual materials include project documentation. Photographic materials document the existing building, models and project site.
Remodelação do Cinema Condes [Remodelling of Cinema Condes], Lisbon, Portugal (1991-1992)
Actions:
AP178.S1.1992.PR01
Description:
This project series documents the Remodelação do Cinema Condes in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 22/90. The office assigned the dates 1991-1992 to this project. The Cinema Condes was built between 1949 and 1951. At the beginning of the 1990s, the owners of the building wanted to add offices and stores while maintaining the cinema. The renovations to the cinema were part of an urban rehabilitation project for the Avenida da Liberdade. Siza did a preliminary study for these renovations. The project was not realized. Documenting this project are sketches, studies, and working drawings. Textual materials include project documentation. Photographic materials document the existing building, models and project site.
Niveau de description archivistique:
Project
Project
Date:
1991-2012
1991-2012
Personnes et institutions:
Classification:
expositions
expositions
Titre:
L’idée du pénitencier
L’idée du pénitencier
Actions:
Description:
Cette exposition explore l’idée du pénitencier qui, au XIXe siècle, s’est frayée un chemin dans les consciences et les territoires d’Europe et d’Amérique du Nord. S’inspirant de la tendance rationaliste en architecture et des principes sociaux posés au XVIIIe siècle, les partisans de la prison se sont attachés à une claire géométrie de l’isolement, de la surveillance et(...)
Cette exposition explore l’idée du pénitencier qui, au XIXe siècle, s’est frayée un chemin dans les consciences et les territoires d’Europe et d’Amérique du Nord. S’inspirant de la tendance rationaliste en architecture et des principes sociaux posés au XVIIIe siècle, les partisans de la prison se sont attachés à une claire géométrie de l’isolement, de la surveillance et(...)
Localisation:
Vitrines
Vitrines
Date:
8 novembre 1995 au 31 mai 1996
8 novembre 1995 au 31 mai 1996
Titre:
L’idée du pénitencier
Actions:
Description:
Cette exposition explore l’idée du pénitencier qui, au XIXe siècle, s’est frayée un chemin dans les consciences et les territoires d’Europe et d’Amérique du Nord. S’inspirant de la tendance rationaliste en architecture et des principes sociaux posés au XVIIIe siècle, les partisans de la prison se sont attachés à une claire géométrie de l’isolement, de la surveillance et(...)
L’idée du pénitencier
Actions:
Description:
Cette exposition explore l’idée du pénitencier qui, au XIXe siècle, s’est frayée un chemin dans les consciences et les territoires d’Europe et d’Amérique du Nord. S’inspirant de la tendance rationaliste en architecture et des principes sociaux posés au XVIIIe siècle, les partisans de la prison se sont attachés à une claire géométrie de l’isolement, de la surveillance et(...)
Classification:
expositions
expositions
Date:
8 novembre 1995 au
31 mai 1996
8 novembre 1995 au
31 mai 1996
Localisation:
Vitrines
Vitrines
Classification:
expositions
expositions
Description:
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
Localisation:
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Date:
24 septembre 2015 au 22 mai 2016
24 septembre 2015 au 22 mai 2016
Titre:
Coin, îlot, quartier, villes. Álvaro Siza à Berlin et à La Haye
Actions:
Description:
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
Coin, îlot, quartier, villes. Álvaro Siza à Berlin et à La Haye
Actions:
Description:
« Wohnhaus Schlesisches Tor » (aussi appelé « Bonjour Tristesse ») à Berlin et « Punt en Komma » à La Haye sont les premiers ouvrages d’Álvaro Siza construits hors du Portugal, sa terre natale. Ils ont en commun leur taille, envergure, vocation et ambition ; tous deux ont été érigés dans les années 80, tous deux découlent d’une perception particulière de la ville et tous(...)
Classification:
expositions
expositions
Date:
24 septembre 2015 au
22 mai 2016
24 septembre 2015 au
22 mai 2016
Localisation:
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Salle octogonale Mot(s)-clé(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
Niveau de description archivistique:
Projet
Projet
Titre:
Old Montréal
Old Montréal
Numéro de référence:
AP027.S1.D17
Description:
Study and plan for the rehabilitation of the Old City of Montréal. The study assesses the historical importance of the Old City and examines existing conditions of land use, circulation, parking, the present condition of buildings, property values and the architectural merit of the structures. Proposals and recommendations are summarized in the report. Reconstruction of the plans of the Old City of Montréal at significant stages of development up to 1962, from archival records.
AP027.S1.D17
Description:
Study and plan for the rehabilitation of the Old City of Montréal. The study assesses the historical importance of the Old City and examines existing conditions of land use, circulation, parking, the present condition of buildings, property values and the architectural merit of the structures. Proposals and recommendations are summarized in the report. Reconstruction of the plans of the Old City of Montréal at significant stages of development up to 1962, from archival records.
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Date:
1961-1963
1961-1963
Titre:
Old Montréal
Actions:
AP027.S1.D17
Description:
Study and plan for the rehabilitation of the Old City of Montréal. The study assesses the historical importance of the Old City and examines existing conditions of land use, circulation, parking, the present condition of buildings, property values and the architectural merit of the structures. Proposals and recommendations are summarized in the report. Reconstruction of the plans of the Old City of Montréal at significant stages of development up to 1962, from archival records.
Old Montréal
Actions:
AP027.S1.D17
Description:
Study and plan for the rehabilitation of the Old City of Montréal. The study assesses the historical importance of the Old City and examines existing conditions of land use, circulation, parking, the present condition of buildings, property values and the architectural merit of the structures. Proposals and recommendations are summarized in the report. Reconstruction of the plans of the Old City of Montréal at significant stages of development up to 1962, from archival records.
Niveau de description archivistique:
File 17
File 17
Date:
1961-1963
1961-1963
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Wells Coates
Fonds Wells Coates
Numéro de référence:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Personnes et institutions:
Date:
1909-1986
1909-1986
Titre:
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1909-1986
1909-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR05
Description:
The project series documents the Boutique Nina in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 20/80. The office assigned the date 1983 for this project. This project consisted of a 50 square metre fashion boutique located on Rua Firmeza. The shop's focal point was a curved marble staircase that led to a balcony, visable through the shop's large windows from the street. The project is recorded through drawings, photographic materials and some textual records dating from 1983. The drawings are mostly originals and consist of sketches, plans, sections, perspectives, details and axonometric drawings. The textual records consist of invoices, correspondence, material schedules and notes, while photographs and slides show plans and the built project.
AP178.S1.1983.PR05
Description:
The project series documents the Boutique Nina in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 20/80. The office assigned the date 1983 for this project. This project consisted of a 50 square metre fashion boutique located on Rua Firmeza. The shop's focal point was a curved marble staircase that led to a balcony, visable through the shop's large windows from the street. The project is recorded through drawings, photographic materials and some textual records dating from 1983. The drawings are mostly originals and consist of sketches, plans, sections, perspectives, details and axonometric drawings. The textual records consist of invoices, correspondence, material schedules and notes, while photographs and slides show plans and the built project.
Personnes et institutions:
Date:
1983
1983
Titre:
Boutique Nina, Porto, Portugal (1983)
Actions:
AP178.S1.1983.PR05
Description:
The project series documents the Boutique Nina in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 20/80. The office assigned the date 1983 for this project. This project consisted of a 50 square metre fashion boutique located on Rua Firmeza. The shop's focal point was a curved marble staircase that led to a balcony, visable through the shop's large windows from the street. The project is recorded through drawings, photographic materials and some textual records dating from 1983. The drawings are mostly originals and consist of sketches, plans, sections, perspectives, details and axonometric drawings. The textual records consist of invoices, correspondence, material schedules and notes, while photographs and slides show plans and the built project.
Boutique Nina, Porto, Portugal (1983)
Actions:
AP178.S1.1983.PR05
Description:
The project series documents the Boutique Nina in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 20/80. The office assigned the date 1983 for this project. This project consisted of a 50 square metre fashion boutique located on Rua Firmeza. The shop's focal point was a curved marble staircase that led to a balcony, visable through the shop's large windows from the street. The project is recorded through drawings, photographic materials and some textual records dating from 1983. The drawings are mostly originals and consist of sketches, plans, sections, perspectives, details and axonometric drawings. The textual records consist of invoices, correspondence, material schedules and notes, while photographs and slides show plans and the built project.
Niveau de description archivistique:
Project
Project
Date:
1983
1983
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Personnes et institutions:
Date:
1984-2005
1984-2005
Titre:
Projecto para um Edifício de Habitação em Campo di Marte [Housing complex, Campo di Marte], Giudecca, Venice, Italy, (1985)
Actions:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Projecto para um Edifício de Habitação em Campo di Marte [Housing complex, Campo di Marte], Giudecca, Venice, Italy, (1985)
Actions:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Niveau de description archivistique:
Project
Project
Date:
1984-2005
1984-2005
Personnes et institutions:
