5111 Résultats
Classification:
documents textuels, oeuvres d'art
documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed between 1845 and 1846, manuscripts written 1846
printed between 1845 and 1846, manuscripts written 1846
Titre:
Presentation album of prints of the Museo di fisica e storia naturelle, Florence
Actions:
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
Presentation album of prints of the Museo di fisica e storia naturelle, Florence
Actions:
DR1974:0002:005:001-018
Description:
- This album contains four folios of text in Italian concerning the history and architecture of the Museo di fiscia e storia naturale, Florence. The names of the museum's patrons and the parts of the museum have been inserted by a contemporary hand on the lithographs in pen and black ink. The text is followed by ten lithographs, including a perspectival view of the museum, four general plans, two sections, and more detailed sections, plans and elevations of the Tribuna de Galileo designed by Giuseppe Martelli and the Osservatorio Astronomico designed by Gaspero Paoletti. Also included in the album are four manuscripts, all in French: a letter presenting the album to Rohault de Fleury from Vincenzio Antinori, the director of the museum, a transcript of Rohault de Fleury's letters of thanks to Antorini and to the Grand Duke of Tuscany, a note from the Légation de Toscanne in Paris concerning the presentation of the album, and a booklet containing Rohault de Fleury's translation of the album text into French.
Classification:
documents textuels, oeuvres d'art
documents textuels, oeuvres d'art
Date:
printed between 1845 and 1846, manuscripts written 1846
printed between 1845 and 1846, manuscripts written 1846
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Carter
Fonds Peter Carter
Numéro de référence:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Personnes et institutions:
Date:
1943-1996
1943-1996
Titre:
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-1996
1943-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
Personnes et institutions:
Date:
circa 2000-2002
circa 2000-2002
Titre:
James Stewart Centre for Mathematics, McMaster University, Hamilton, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
James Stewart Centre for Mathematics, McMaster University, Hamilton, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
Niveau de description archivistique:
project
project
Date:
circa 2000-2002
circa 2000-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
O.C.H. Feasibility Study
O.C.H. Feasibility Study
Numéro de référence:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
Personnes et institutions:
Date:
1927-1967, predominant 1965-1966
1927-1967, predominant 1965-1966
Titre:
O.C.H. Feasibility Study
Actions:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
O.C.H. Feasibility Study
Actions:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
Niveau de description archivistique:
File 59
File 59
Date:
1927-1967, predominant 1965-1966
1927-1967, predominant 1965-1966
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Personnes et institutions:
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Titre:
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Niveau de description archivistique:
Project
Project
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Eisenman
Fonds Peter Eisenman
Numéro de référence:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Personnes et institutions:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Titre:
Fonds Peter Eisenman
Actions:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Fonds Peter Eisenman
Actions:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
Personnes et institutions:
Date:
1973-1977
1973-1977
Titre:
Eaton's Store Building, Dundas Square, Toronto (1973-1977)
Actions:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
Eaton's Store Building, Dundas Square, Toronto (1973-1977)
Actions:
AP018.S1.1973.PR03
Description:
This project series documents the design and construction of the Eaton’s store building at Dundas Square in Toronto from 1973-1977. The office identified the project number as 7303. This project, commissioned by The T. Eaton Co. Limited, consisted of a one million square foot department store with thirteen floors, ten above ground and three below. The building boasted nine floor of retail space, seamlessly connected through elevators and escalators. The remaining floors hosted office and storage spaces. Located at the corner of Yonge and Dundas streets, the Eaton’s store was connected to the Eaton Centre mall to its south. The mall, designed and built simultaneously with the Eaton’s store, was designed by the architecture firm Craig Zeidler Strong. For the Eaton’s store project, Parkin Architects Planners created a joint venture with architect C. Blakeway Millar, referred to as Parkin Millar in the documentation. Parkin Millar was the associate architects on this project, with the Eaton’s company architect, E.L. Hankinson, working as the primary architect. Each of the firms mentioned worked closely together to develop a cohesive design for the Eaton’s store and Eaton’s Centre mall, which is evident in the materials. The project is recorded through drawings, textual records, a book and presentation boards dating from 1973-1977. There are a large number of original drawings and sketches for the project. Most of the reprographic copies are arranged within the textual materials. There are presentation boards of the Vancouver Eaton's store in this project series that were likely used as reference by the architects. The textual records consist of correspondence, meeting minutes, site reports, change orders, consultancy records, inter-office letters, and specifications. Also in this project series is a special edition of the Eaton News, a monograph with in depth descriptions of the project.
Niveau de description archivistique:
Project
Project
Date:
1973-1977
1973-1977
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Personnes et institutions:
Date:
2001
2001
Titre:
Personal and professional correspondence from 2001
Actions:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Personal and professional correspondence from 2001
Actions:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Classification:
documents textuels
documents textuels
Date:
2001
2001
Personnes et institutions:
