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In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival.(...)
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In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival.(...)
Titre:
Archive everything: mapping the everyday
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In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries.
Archive everything: mapping the everyday
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In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries.
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livres
livres
Publication:
novembre 2016
novembre 2016
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livres
livres
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$105.00
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The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes(...)
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The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes(...)
Titre:
Museums in a digital culture: how art and heritage became meaningful
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The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorize the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
Museums in a digital culture: how art and heritage became meaningful
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Résumé:
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorize the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Muséologie
Muséologie
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livres
livres
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$34.95
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by(...)
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by(...)
Publication:
juillet 2024
juillet 2024
Titre:
Towards the realm of materiality: Designing Philip K. Dick's non-existing technologies
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by this brilliant mind. How did Philip K. Dick envision these technologies, and through them, the future? And now, decades after his time, how should we perceive and interpret these tools? More intriguingly, how can we decode and reconstruct the creative process that led to the creation and "materialization" of these devices? Grounded in a multidisciplinary framework, this volume explores alternative designs and projects for some of the non-existing technologies described in Philip K. Dick’s oeuvre.
Towards the realm of materiality: Designing Philip K. Dick's non-existing technologies
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by this brilliant mind. How did Philip K. Dick envision these technologies, and through them, the future? And now, decades after his time, how should we perceive and interpret these tools? More intriguingly, how can we decode and reconstruct the creative process that led to the creation and "materialization" of these devices? Grounded in a multidisciplinary framework, this volume explores alternative designs and projects for some of the non-existing technologies described in Philip K. Dick’s oeuvre.
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livres
livres
Publication:
juillet 2024
juillet 2024
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livres
livres
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$69.95
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Hovestadt's Institute for Computer-Aided Architectural Design at the Eidgenossische Technische Hochschule (ETH) Zurich (Swiss Federal Institute of Technology, Zurich) is widely regarded as one of the world's most important institutes currently working at the interface between architecture and information technology. As a universal tool, the computer encourages one to(...)
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Hovestadt's Institute for Computer-Aided Architectural Design at the Eidgenossische Technische Hochschule (ETH) Zurich (Swiss Federal Institute of Technology, Zurich) is widely regarded as one of the world's most important institutes currently working at the interface between architecture and information technology. As a universal tool, the computer encourages one to(...)
Titre:
Beyond the grid: Architecture and information technology
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Hovestadt's Institute for Computer-Aided Architectural Design at the Eidgenossische Technische Hochschule (ETH) Zurich (Swiss Federal Institute of Technology, Zurich) is widely regarded as one of the world's most important institutes currently working at the interface between architecture and information technology. As a universal tool, the computer encourages one to think in terms of information structures and systems that span individual fields. This "rethinking" of the nature of architecture is leading to a paradigm shift at the methodological level of design, planning, construction, and economy. After a decade of experimentation, it has now become possible to see information technology for architecture as the basis for a new and energy-saving practical approach to building.
Beyond the grid: Architecture and information technology
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Hovestadt's Institute for Computer-Aided Architectural Design at the Eidgenossische Technische Hochschule (ETH) Zurich (Swiss Federal Institute of Technology, Zurich) is widely regarded as one of the world's most important institutes currently working at the interface between architecture and information technology. As a universal tool, the computer encourages one to think in terms of information structures and systems that span individual fields. This "rethinking" of the nature of architecture is leading to a paradigm shift at the methodological level of design, planning, construction, and economy. After a decade of experimentation, it has now become possible to see information technology for architecture as the basis for a new and energy-saving practical approach to building.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Architecture numérique
Architecture numérique
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audio
audio
Titre:
Lucky Dip.
Lucky Dip.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2021.
[Place of publication not identified] : Lateral Addition, 2021.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2021.
[Place of publication not identified] : Lateral Addition, 2021.
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Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, 'Fabricate' is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital(...)
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Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, 'Fabricate' is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital(...)
Titre:
Fabricate: rethinking design and construction
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Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, 'Fabricate' is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital Fabrication. The 2017 edition features 32 illustrated articles on built projects and works in progress from academia and practice, including contributions from leading practices such as Foster + Partners, Zaha Hadid Architects, Arup, and Ron Arad, and from world-renowned institutions including ICD Stuttgart, Harvard, Yale, MIT, Princeton University, The Bartlett School of Architecture (UCL) and the Architectural Association.
Fabricate: rethinking design and construction
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Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, 'Fabricate' is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital Fabrication. The 2017 edition features 32 illustrated articles on built projects and works in progress from academia and practice, including contributions from leading practices such as Foster + Partners, Zaha Hadid Architects, Arup, and Ron Arad, and from world-renowned institutions including ICD Stuttgart, Harvard, Yale, MIT, Princeton University, The Bartlett School of Architecture (UCL) and the Architectural Association.
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livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Architecture numérique
Architecture numérique
Classification:
livres
livres
Titre:
Library: An Unquiet History
Library: An Unquiet History
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and(...)
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and(...)
Publication:
mars 2015
mars 2015
Titre:
Library: An Unquiet History
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and how they are destroyed: from the scroll burnings in ancient China to the burning of libraries in Europe and Bosnia to the latest revolutionary upheavals of the digital age. A new epilogue elucidates the preservation of knowledge amid the creative destruction of twenty-first century technology. 10 illustrations.
Library: An Unquiet History
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and how they are destroyed: from the scroll burnings in ancient China to the burning of libraries in Europe and Bosnia to the latest revolutionary upheavals of the digital age. A new epilogue elucidates the preservation of knowledge amid the creative destruction of twenty-first century technology. 10 illustrations.
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livres
livres
Publication:
mars 2015
mars 2015
Classification:
audio
audio
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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livres
livres
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$33.95
(disponible en magasin)
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these(...)
$33.95
(disponible en magasin)
Résumé:
Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these(...)
Titre:
How to see like a machine: Images after AI
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$33.95
(disponible en magasin)
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these technologies “say” about the world, he teaches us to ask what they “do” and where such images come from. Exploring the esoteric worlds of psyops, UFO imagery, magicians, and public relation gurus, Paglen shows that this apparently alien realm is more human, but much stranger, than we imagine.
How to see like a machine: Images after AI
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$33.95
(disponible en magasin)
Résumé:
Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these technologies “say” about the world, he teaches us to ask what they “do” and where such images come from. Exploring the esoteric worlds of psyops, UFO imagery, magicians, and public relation gurus, Paglen shows that this apparently alien realm is more human, but much stranger, than we imagine.
Classification:
livres
livres
Publication:
mai 2026
mai 2026
Classification:
périodiques
périodiques
Prix:
$50.00
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Résumé:
Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises(...)
$50.00
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises(...)
Publication:
avril 2013
avril 2013
Titre:
AD Computation works: the building of algorithmic thought
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$50.00
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises important new questions which the book examines including: how is computation changing the way architects design? How can computation create new forms of architecture? Is there an aesthetic to computational architecture? Are the design tools and methods related to the result?
AD Computation works: the building of algorithmic thought
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$50.00
(disponible sur commande)
Résumé:
Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises important new questions which the book examines including: how is computation changing the way architects design? How can computation create new forms of architecture? Is there an aesthetic to computational architecture? Are the design tools and methods related to the result?
Classification:
périodiques
périodiques
Publication:
avril 2013
avril 2013
