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In recent years and decades, dealing with the architectural legacy of the industrial age has been an increasingly common task for urban planning: industrial buildings and sites, infrastructure, and residential areas that have become vacant lots as a result of structural transformation cannot, if only because of their dimensions, be ignored within the urban space.(...)
Théorie de l’urbanisme
novembre 2011
urbanRESET: how to activate immanent potential of urban spaces
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In recent years and decades, dealing with the architectural legacy of the industrial age has been an increasingly common task for urban planning: industrial buildings and sites, infrastructure, and residential areas that have become vacant lots as a result of structural transformation cannot, if only because of their dimensions, be ignored within the urban space. Innovative reinterpretations of such relics that update existing building fabric in a way that goes beyond critical reconstruction or revitalization, such as the Toni Site in Zurich or the Île de Nantes, can be observed throughout Europe these days. The publication urbanRESET brings together succinct examples of this separate category of urban-planning from throughout Europe. The projects are presented in detail with plans and color illustrations. Interviews with key players and theoretical essays show how local processes of reinterpretation and reactivation can produce sustainable effects. urbanRESET sheds light on the common foundations of these works and condenses them into methodological inferences for a forward-looking urban praxis.
Théorie de l’urbanisme
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic(...)
Cloud 9: a green new deal, from geopolitics to biosphere politics
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic building in Barcelona, the Centre of Arts Santa Monica; a building to explore the Third Industrial Revolution as the potential of a transformation towards an empathic architecture. Nature should let us show the path. Cloud 9 equipped the trees in front of Arts Santa Monica with sensors that capture data on temperature, humidity and light energy to inform the building. The intervention is an installation on the facade that produces energy from the environment, like the sun and wind. It is an additional skin which allows control of natural light and regulates solar radiation.
Architecture écologique
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With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on(...)
Invisible fields: geographies of radio waves
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With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on which our information and communication technologies have been built. The history of its scientific discovery and how it was gradually colonized by the media, the military complex, and activists and hackers is one of the most fascinating stories of the twentieth century. The future uses of the radio-electric spectrum in the twenty-first century and its new potential are being decided now, with the end of analogue TV broadcasting worldwide marking the most important transformation of uses in the radio-electric space in decades. This catalog sets out to examine these issues and shed a little light on intriguing stories about radio-electric spectrum.
Épistémologie et réseau
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Sluminsider is a choral narrative that attempts to reveal the complexity of the slum of Mathare, one of the biggest shantytowns in Nairobi. The project of expansion of a street school, the Why Not Junior Academy, and the process of environmental improvement of the surrounding area, where a community agriculture initiative has been set up to replace an unauthorized dump,(...)
Sluminsider: Mathare, Nairobi
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Sluminsider is a choral narrative that attempts to reveal the complexity of the slum of Mathare, one of the biggest shantytowns in Nairobi. The project of expansion of a street school, the Why Not Junior Academy, and the process of environmental improvement of the surrounding area, where a community agriculture initiative has been set up to replace an unauthorized dump, is the starting point from which to combine experiences and identities from very different disciplines, including architecture,design, agriculture, photography and video. This project is one of the case studies used for comparison and dialogue with the city of São Paulo and the São Paulo Calling research project, which examined the informal settlements of Rome, Nairobi, Medellin, Mumbai, Moscow and Baghdad. For six months, an exhibition analyzed the characteristics, differences and causes of informal settlements, developing six workshops in the field in different favelas of São Paulo and organizing size encounters that made São Paulo the world capital of the debate on transformation of contemporary cities.
livres
août 2013
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Ugo La Pietra. Disequilibrating Design, the book that accompanies the exhibition of the same name at the Triennale Design Museum, is the first major monograph on unorthodox designer Ugo La Pietra. A humanist and eclectic designer, an architect by training, artist, filmmaker (and actor), editor, musician, cartoonist and teacher, La Pietra successfully identified new(...)
Ugo La Pietra: progetto disequilibrante / Disequilibrating design
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Ugo La Pietra. Disequilibrating Design, the book that accompanies the exhibition of the same name at the Triennale Design Museum, is the first major monograph on unorthodox designer Ugo La Pietra. A humanist and eclectic designer, an architect by training, artist, filmmaker (and actor), editor, musician, cartoonist and teacher, La Pietra successfully identified new relationships between design and crafts, the culture of ‘making’ and design. Theoretician of the “genius loci”, he rediscovered the value of craftsmanship at a time when almost everyone was celebrating the “magnificent progress” brought by industrial mass production. Often using humour and even sarcasm, La Pietra places at the centre of his work the relationship between man and environment. With the eye of an anthropologist he reflects on the transformation of cities and proposes ways of making them more livable and sustainable, anticipating the times when these concepts would become central not only to the world of design.
Design, monographies
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Three volume exhibition catalogue of exhibition titled 'Supermarket of the dead' at the Dresden State Art Museum in 2015. One of the most ancient forms of Chinese spirituality proves to be a living tradition, still widely practised everywhere in Chinese culture. Paper replicas of money and goods are ritually burned as offerings to win the favour of ancestors, gods and(...)
juillet 2015
Supermarket of the dead: burnt offerings in China an dthe cultu of globalised consumption
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Three volume exhibition catalogue of exhibition titled 'Supermarket of the dead' at the Dresden State Art Museum in 2015. One of the most ancient forms of Chinese spirituality proves to be a living tradition, still widely practised everywhere in Chinese culture. Paper replicas of money and goods are ritually burned as offerings to win the favour of ancestors, gods and spirits. These paper models have recently undergone a kind of transformation, in which imi-tations of traditional objects have been superseded by replicas of consumer goods found in western shopping habits. An alter-native world made of paper, encompassing all today’s globalised brand consumption fetishes, Gucci bags, Prada shoes, mobile phones, Apple computers and even Heineken beer cans and life-size cars, is committed to the flames as a tribute to the ancestors. This three part catalog offers a glimpse of the exhibition and includes a volume of essays to accompany the works.
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1 volume (unpaged) : color illustrations ; 26 x 27 cm
London ; New York ; Berlin : MACK, 2025.
Lots of lots / photographs, Jason Fulford.
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1 volume (unpaged) : color illustrations ; 26 x 27 cm
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London ; New York ; Berlin : MACK, 2025.
livres
Sous le feu numérique : spatialités et énergies des data centers / Fanny Lopez, Cécile Diguet.
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142 pages : illustrations (principalement en couleur), cartes en couleur ; 24 cm.
Genève : MētisPresses ; [2023], ©2023
Sous le feu numérique : spatialités et énergies des data centers / Fanny Lopez, Cécile Diguet.
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142 pages : illustrations (principalement en couleur), cartes en couleur ; 24 cm.
livres
Genève : MētisPresses ; [2023], ©2023
livres
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223 pages : illustrations (chiefly color) ; 22 cm
London : Laurence King, ©2007, 2009.
Micro : very small architecture / Ruth Slavid.
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223 pages : illustrations (chiefly color) ; 22 cm
livres
London : Laurence King, ©2007, 2009.
livres
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304 pages : illustrations (some color) ; 28 cm
New York, N.Y . : Museum of Modern Art, 2002.
The Russian avant-garde book, 1910-1934 / Margit Rowell, Deborah Wye ; with essays by Jared Ash [and others].
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304 pages : illustrations (some color) ; 28 cm
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New York, N.Y . : Museum of Modern Art, 2002.