5559 Résultats
Classification:
dessins
dessins
Numéro de référence:
DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Date:
1952-1953
1952-1953
Titre:
Site elevation for Village Polychrome, near Biot, France
Actions:
DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Site elevation for Village Polychrome, near Biot, France
Actions:
DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
architecture, urbanisme
architecture, urbanisme
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1952-1953
1952-1953
Titre:
Plan, elevations and a section for the dormitory, Village Polychrome, near Biot, France
Actions:
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Plan, elevations and a section for the dormitory, Village Polychrome, near Biot, France
Actions:
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1952-1953
1952-1953
Titre:
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1952-1953
1952-1953
Titre:
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Numéro de référence:
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Personnes et institutions:
Sujet:
architecture
architecture
Date:
May 1953
May 1953
Titre:
Specifications for Village Polychrome, near Biot, France
Actions:
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Specifications for Village Polychrome, near Biot, France
Actions:
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Classification:
dessins
dessins
Date:
May 1953
May 1953
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Titre:
Melvin Charney 1935-2012
Melvin Charney 1935-2012
Actions:
Description:
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
Localisation:
Vitrines
Vitrines
Date:
24 octobre 2012 au 14 avril 2013
24 octobre 2012 au 14 avril 2013
Titre:
Melvin Charney 1935-2012
Actions:
Description:
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
Melvin Charney 1935-2012
Actions:
Description:
L’artiste et théoricien Melvin Charney, mort un peu plus tôt cette année, a légué d’importantes contributions au CCA et à la ville de Montréal dans son ensemble. Au cours de sa carrière longue et variée, Charney a défendu le rôle public que joue l’architecte au sein du vaste environnement bâti, soutenant l’idée que la rue est la première ressource de la ville. Le CCA(...)
Classification:
expositions
expositions
Date:
24 octobre 2012 au
14 avril 2013
24 octobre 2012 au
14 avril 2013
Localisation:
Vitrines
Vitrines
Classification:
expositions
expositions
Actions:
Description:
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
Localisation:
Salles principales
Salles principales
Date:
13 novembre 2012 au 31 mars 2013
13 novembre 2012 au 31 mars 2013
Titre:
ABC : MTL – Un autoportrait de Montréal
Actions:
Description:
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
ABC : MTL – Un autoportrait de Montréal
Actions:
Description:
Un atlas, un bricolage, une collection de stratégies et d’interventions variés permettant de comprendre Montréal. ABC : MTL est un abécédaire urbain et une plateforme ouverte cartographiant la ville contemporaine de façons multiples et au travers de différentes techniques. Plus de 90 contributions comprenant des photographies, des vidéoclips, des sculptures, des(...)
Classification:
expositions
expositions
Date:
13 novembre 2012 au
31 mars 2013
13 novembre 2012 au
31 mars 2013
Localisation:
Salles principales
Salles principales
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:001
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:001
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Date:
1980-1982
1980-1982
Titre:
Carpenter's, Mason's, Fabricator's, Repairman's, Chiropractor's, Butcher's and Baker's Place
Actions:
DR1988:0291:001
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Carpenter's, Mason's, Fabricator's, Repairman's, Chiropractor's, Butcher's and Baker's Place
Actions:
DR1988:0291:001
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Widow's House
Widow's House
Numéro de référence:
DR1988:0291:002
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:002
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Date:
1980-1982
1980-1982
Titre:
Widow's House
Actions:
DR1988:0291:002
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Widow's House
Actions:
DR1988:0291:002
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1988:0291:003
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:003
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
Date:
1980-1982
1980-1982
Titre:
Store House, Scarecrow House and Weather Station
Actions:
DR1988:0291:003
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Store House, Scarecrow House and Weather Station
Actions:
DR1988:0291:003
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Classification:
dessins
dessins
Date:
1980-1982
1980-1982
Personnes et institutions:
Sujet:
architecture, design de théâtre
architecture, design de théâtre
